Thypoch is a new manufacturer of photography lenses and entered the market at the end of 2023 with two M-mount lenses, the Simera 28mm 1.4 and 35mm 1.4. This is a review of the 35mm 1.4, so let’s have a closer look at what it is capable of.
It was the beginning of 2019 when I published my first review of a 7Artisans lens, the 28mm 1.4 FE+ – an M-mount lens optimized for Sony E-mount. Now, 5 years later, this 7Artisans 50mm 1.8 AF is their first autofocus lens. Let us find out what it is capable of.
As you may or may not know there have been several different versions of the Nikon AF 180mm 2.8 over the years. Most notable was the addition of the “D” feature in 1994, allowing the lens to transmit distance information to the camera for more accurate usage of camera flash. As this lens was first released in 1986 some of the samples approach an age of 40 years. As with every product that old, there are some things to be aware of when you are looking to buy a used sample. One of our readers, Q. Xu, did a side-by-side teardown of both versions, so we get to have a closer look at the differences between these versions and what to watch out for.
Of course this article may also be of help if you are looking to perform some kind of repairs on this lens on your own.
I found a few rolls of Kodak Farbwelt 200 that must have expired some 20 years ago and most likely they haven’t been properly stored at all. This first roll I exposed as ISO50 and I had absolutely no idea what to expect. The lab wasn’t happy and told me the film was massively expired and the scanner had a hard time scanning the negatives. Let’s see if some usable pictures came out of this. Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Before the release of the Voigtländer VM 50mm 1.0 Nokton in 2022, this Voigtländer VM 21mm 1.4 Nokton was Cosina’s most expensive M-mount lens and also one of their most complex ones – thanks to 13 elements in 11 groups, 4 aspherical surfaces and a floating elements design. Unfortunately this also made it one of their heaviest and most expensive lenses and I have the feeling it didn’t quite get the momentum Cosina expected for their flagship lens, hence in many parts of the world the price has been reduced several times since release – reason enough to have a closer look at this intriguing lens now. Lens is being reviewed on Sony A7rII and Leica M10
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