This blog is mostly about
manual lenses which are usually 30 to 50 years old. And while most of them are surprisingly reliable the are a few things you should check before or after buying a lens.
This checklist is based on the experience I gained from buying more than a hundred lenses since I discovered how much fun it is to use them on Sony’s Alpha cameras.
If you have additional info about a defect not listed or disagree with my assessment please leave a comment!
Scratches on the lenses
a large scratch on the front lens of a AI-S Nikon 4.5/300
Use a large light source like a window and place the lens between you and the light so that you can see the colorful coating of the lens.
Scratches are seldom a problem in the real world but they lower the resale value of a lens. In theory they could reduce the contrast of a lens or cause some flare but I have never seen that happen.
You can’t really do anything to restore coatings but it sometimes makes sense to fill larger scratches with black paint to avoid light scattering.
Continue reading Defects in Manual Lenses and lens buying advice
There is a vast amount of affordable and very good 1.4/50 lenses out there and I think the Canon new FD 50 1.4 is one of the sharpest and most affordable.
Continue reading Canon new FD 50 mm 1:1.4 Review
What is a L-bracket?
A L-bracket is a peace of metal which serves about three functions:
It makes it possible to
mount the camera in portrait orientation on a tripod It is a more
solid connection to the camera than quick release plates because it has a much bigger area of contact to the camera. It increases the size of the grip and
makes holding the camera easier.
For me an L-brackets has improved the everyday experience of my Sony Alpha 7 and I think too few people know about L-brackets so I want to share my experience in this post.
Continue reading Useful Accessory for the Sony Alpha 7: A L-Bracket
I wanted to see how my new
FE 2/28 compares against my older manual lenses, so I ran a comparison between four lenses:
Minolta MD 2.8/28 is very small, light and affordable The
Carl Zeiss Distagon 2.8/28 T* enjoys a very good reputation and it is a bit more expensive at around 250€. The
Minolta MC 2/28 is the oldest and fastest of the bunch, it was introduced in 1975. My copy has some fungus in it and other copies might be better. The
Sony FE 2/28 is brand new and the most expensive one at 450€.
Minolta MD 2.8/28 | Zeiss 2.8/28 | Sony FE 2/28 | Minolta MC 2/28
Continue reading Old against New: Zeiss 2.8/28 vs Sony FE 2/28 vs Minolta MC 2/28
I have owned the
Canon FD 2.8/20 for about a year now and I am mostly happy with it’s performance. Now I got the chance to test it against the smaller and lighter Minolta MD 20mm 1:2.8. So, how do they compare?
Canon FD 2.8/20 Minolta MD 2.8/20
Length 62mm 44mm
Diameter 78mm 65mm
Weight 305g 240g
Filter Thread 72mm 55mm
Aperture Blades 6 6
Short focusing distance 25cm 25cm
Continue reading Minolta MD 20mm 1:2.8 vs Canon FD 20mm 1:2.8 – comparison review