{"id":102,"date":"2014-01-27T20:13:31","date_gmt":"2014-01-27T20:13:31","guid":{"rendered":"http:\/\/phillipreeve.net\/blog\/?p=102"},"modified":"2024-04-21T15:07:55","modified_gmt":"2024-04-21T14:07:55","slug":"how-i-create-images-part-1","status":"publish","type":"post","link":"https:\/\/phillipreeve.net\/blog\/how-i-create-images-part-1\/","title":{"rendered":"How I create images \u2013 Part 1 : the search for good light"},"content":{"rendered":"

I always found it interesting to read or hear how other photographers create their images and to learn about their workflow.
\nThe two books which have influenced my photography the most are Ansel Adams\u2019 Examples: the Making of 40 Photographs<\/a> and “First Light” by Joe Cornish<\/a>\u00a0in which both authors talk about their image making process.
\n<\/span><\/h1>\n

\"WintermorgenHD_4\"<\/a><\/p>\n

Over the years my gear has improved quite a bit but what has improved even more is my photographic process and I am sure that this is much more important. If I had to use the Konica Minolta Dynax 7d with that Minolta 2.8-4\/17-35 today, which was my first serious camera the results would be much better than those my 18-years-old self took back in 2006, because since then I have learned a lot about light, improved my composition, can operate a camera by intuition and know when to use which setting.
\nMy post processing has improved as well, back in the day I shot raw because I had read that raw is superior to jpg and that every serious photographer shoots raw, not because I had any idea how to really work with a raw file.<\/p>\n

I don\u2019t think that my 18-years-old self would have taken significantly better images with a Sony a7 because my photography was trial and error, sometimes I got a decent image but neither would I have recognized most photo opportunities nor could I have reliably turned the image I saw in front of me into a decent photograph.<\/p>\n

What I really want to say that gear isn\u2019t the key to better photographs, mastering the photographic process is much more important. And I hope to help other photographers to become better photographers and also to learn about other people\u2019s workflow, there are many photographers out there which are much better than I am and I still have a long way to go.<\/p>\n

<\/p>\n

The things I photograph<\/h2>\n

Most of my images depict nature, they range from macro to landscape images but nature is the major theme in most of them. Most of these images are taken close to my home, no more than 30 bicycle minutes away. Walking by the same motives again and again has taught me to see how much influence light has on images.<\/p>\n

I also like to travel and photograph, but because when I am traveling with other people who aren\u2019t photographers I can\u2019t plan for the best light, I found that it is highly dependent on chance how my images turn out.<\/p>\n

Occasionally I do shoot events for a society and I also take photographs when I am out with friends but while I am proficient at that kind of photography I am not particularly good at it either.<\/p>\n

\"13Mai_5_Voigtlaender_15mm_f4.5\"<\/a><\/p>\n

<\/p>\n

The hunt for good light<\/h2>\n

It took me many years to realize, how important light is for my pictures. Quite often I am asked about my processing because people like the look of my images and while good post processing (pp) is important, good light is much more important for the look of my images, because no pp in the world can turn a picture taken with boring light into a great one.<\/p>\n

Good light comes in many different flavors but I prefer the light around sunset and sunrise.<\/p>\n

That many of my most liked subjects can be reached in no more than 10 minutes makes planning for the light much easier, I can set my alarm to maybe 30 minutes before sunrise, get out of bed to check the sky and if it looks promising I will be on location 15 minutes later. If it is too cloudy for a good sunrise I will simply return to bed for a bit more sleep.
\nI am not always lucky with the light and it happens often, that a cloud blocks the sun in the last moment or that the sky turns hazy, but most of the times I can take some decent images and be at home 1 hour later.<\/p>\n

And then there are those days when the light is absolutely glorious. It happens maybe 2 or 3 times a year, but when conditions are perfect I can capture some sublime images.<\/p>\n

\"Morgenstund_4\"<\/a>
\nthis was such a morning, it was early autumn and the weather had been great the days before but I had no time for photography so this Saturday morning I set an early alarm and captured some of my favorite images in 2013.<\/i><\/p>\n

Right now it is winter so it is easier for me to schedule for sunrise, in the summer I prefer the sunset because I don\u2019t like to get up at 4 in the morning.<\/p>\n

Packing my camera bag<\/h2>\n

My camera bag is big enough for 3 smaller and 1 bigger lens and my Sony A7, most often I have a Sigma 2.8\/24, a Minola MD 3.5\/35-70, a Minolta 1.2\/58 or MD 2\/50 and a Canon FD L 4\/80-200 or my Tokina 2.5\/90 with me but I have a few other lenses as well.<\/p>\n

Also in my camera bag are a spare battery (not because I have ever drained one in a shooting but because I forgot to put one in the camera in the past), a spare sd card (same reason) and a 10mm spacer.<\/p>\n

Most often I carry a small tripod with a decent ball head with me which can be clipped to my bag.<\/p>\n

Looking for subjects<\/h2>\n

As mentioned before my favorite genre is my local landscape. I have a standard route which I cycle most of the time, it is changing every few weeks but not by much.<\/p>\n

\"wintermorgen_7\"<\/a><\/p>\n

The pond in the image above for example is 200m away from the old willow in the image before and less than 5 bike minutes from my home. I come across it on almost every tour but most often I don\u2019t take a picture because the light isn\u2019t right.<\/p>\n

But there are times when they light is great and conditions are great so I could take 20 images, each better than all the images I took the weeks before.<\/p>\n

Like this day in late July 2012 when the sun was already low and flying seeds were filling the air, turning the mood somewhat magical.<\/p>\n

\"25Juli_1_Zeiss_Biogon_28mm_f2.8\"<\/a><\/p>\n

Some hundred meters further there is a second pond, smaller and much darker than the first with an old, moss covered oak lying in it. Because there is much vegetation around the pond, shielding it from 3 directions from most of the light the light usually has a special quality to it and I stop almost always to snap a picture of the oak.<\/p>\n

\"imWald_7\"<\/a><\/p>\n

\"abendspaziergang9\"<\/a>
\nI follow the field track, cross a brook and a street and arrive at the next farm at which I take 1 or 2 images of an old mill and a flock of sheep.
\n\"SonnigerMorgen3\"<\/a>
\ninside the mill<\/em><\/p>\n

\"wintermorgen_2\"<\/a>
\nthe flock of sheep<\/em><\/p>\n

I then leave my bike and walk half a kilometer before I reach the old weir were the water for the mill was derived so many years ago.
\n\"Bridge3\"<\/a><\/p>\n

How I create Images \u2013 Part 2: Working with the Sony a7<\/a><\/p>\n

How I create Images \u2013 Part 3: Postprocessing<\/a><\/p>\n

This site contains affiliate links. If you make a purchase using any of the links marked as affiliate links, I may receive a small commission at no additional cost to you. This helps support the creation of future content.<\/p>\n","protected":false},"excerpt":{"rendered":"

I always found it interesting to read or hear how other photographers create their images and to learn about their workflow. The two books which have influenced my photography the most are Ansel Adams\u2019 Examples: the Making of 40 Photographs and “First Light” by Joe Cornish\u00a0in which both authors talk about their image making process. … Continue reading How I create images \u2013 Part 1 : the search for good light<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10],"tags":[],"class_list":["post-102","post","type-post","status-publish","format-standard","hentry","category-photography"],"yoast_head":"\nHow I create images \u2013 Part 1 : the search for good light - phillipreeve.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phillipreeve.net\/blog\/how-i-create-images-part-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How I create images \u2013 Part 1 : the search for good light - phillipreeve.net\" \/>\n<meta property=\"og:description\" content=\"I always found it interesting to read or hear how other photographers create their images and to learn about their workflow. 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