{"id":11609,"date":"2018-02-18T12:30:57","date_gmt":"2018-02-18T11:30:57","guid":{"rendered":"https:\/\/phillipreeve.net\/blog\/?p=11609"},"modified":"2026-01-14T09:29:28","modified_gmt":"2026-01-14T08:29:28","slug":"review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter","status":"publish","type":"post","link":"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/","title":{"rendered":"REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4668\/26308323908_d649af4f86_c.jpg\" width=\"800\" height=\"640\" \/><\/p>\n<p>The Contax G 28mm Biogon was considered one of the best 28mm available on film, but suffers serious issues on digital due to sensor cover glass. Can a simple filter make the lens a competitive performer on Sony cameras? Find out below.<\/p>\n<p>I have shot this lens for years on the Sony A7 and more recently with a PCX filter and then on a Kolari UT modded A7. Unless otherwise noted, all of the tests in this review were performed on a Sony A7RII with a reversed 1.5m PCX filter on the lens (Thanks again to <a href=\"https:\/\/www.flickr.com\/photos\/68886880@N07\/\">Nehemiah<\/a> for lending me the A7RII). Check captions on sample pictures to see what camera was used. Bonus: The Contax G 28mm Biogon is both Phillip and my favorite lens on aps-c cameras, so I will also add a second installment later reviewing the lens for aps-c provocatively titled <em>How the A6000 + Contax G 28\/2.8 is better than an RX1<\/em>.<\/p>\n<h1>Sample Images<\/h1>\n<figure style=\"width: 1066px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/flic.kr\/p\/CSbaxV\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c2.staticflickr.com\/2\/1531\/24196651695_81dc805c53_h.jpg\" width=\"1066\" height=\"1600\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/2.8<\/figcaption><\/figure>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/flic.kr\/p\/H6D9kW\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c2.staticflickr.com\/8\/7659\/26974457180_b561d85f21_c.jpg\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/8<\/figcaption><\/figure>\n<figure style=\"width: 1066px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/flic.kr\/p\/24dDc8E\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4609\/40180817392_6cba44e2a6_h.jpg\" alt=\"Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/11\" width=\"1066\" height=\"1600\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/11<\/figcaption><\/figure>\n<p><!--more--><\/p>\n<h1><span id=\"Specifications\">Specifications<\/span><\/h1>\n\n<table id=\"tablepress-18\" class=\"tablepress tablepress-id-18\">\n<tbody class=\"row-striping row-hover\">\n<tr class=\"row-1\">\n\t<td class=\"column-1\">Diameter<\/td><td class=\"column-2\">56mm<\/td>\n<\/tr>\n<tr class=\"row-2\">\n\t<td class=\"column-1\">Length<\/td><td class=\"column-2\">31mm (+ 3-6mm for PCX filter)<\/td>\n<\/tr>\n<tr class=\"row-3\">\n\t<td class=\"column-1\">Filter Thread<\/td><td class=\"column-2\">46mm<\/td>\n<\/tr>\n<tr class=\"row-4\">\n\t<td class=\"column-1\">Weight<\/td><td class=\"column-2\">150g<\/td>\n<\/tr>\n<tr class=\"row-5\">\n\t<td class=\"column-1\">Max. Magnification<\/td><td class=\"column-2\">1:15<\/td>\n<\/tr>\n<tr class=\"row-6\">\n\t<td class=\"column-1\">Close Focusing Distance from the sensor<\/td><td class=\"column-2\">50cm<\/td>\n<\/tr>\n<tr class=\"row-7\">\n\t<td class=\"column-1\">Number of aperture blades<\/td><td class=\"column-2\">6<\/td>\n<\/tr>\n<tr class=\"row-8\">\n\t<td class=\"column-1\">Elements\/ Groups<\/td><td class=\"column-2\">7\/5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<!-- #tablepress-18 from cache -->\n<p>More information in Zeiss\u2019\u00a0<u style=\"font-size: 16px;\"><a href=\"https:\/\/www.zeiss.com\/content\/dam\/camera-lenses\/files\/service\/download-center\/datasheets\/historical-lenses\/contax-g\/datasheet-zeiss-biogon-2828-en.pdf\">official data sheet<\/a>.<\/u><\/p>\n<h1>Versions<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4699\/26308323268_2ff7a96565_c.jpg\" width=\"800\" height=\"800\" \/><\/h1>\n<p>There is only one version of this lens. It comes in two colors: Titanium and black but black is much rarer (and more expensive).<\/p>\n<h1>Compatibility<\/h1>\n<p>The Carl Zeiss Contax G lens line was originally developed in the mid 90\u2019s for the Contax G1 and it\u2019s successor the Contax G2. Both are AF rangefinder cameras.<\/p>\n<p><strong>Adapting Contax G\u00a0lenses to modern digital cameras comes with two challenges<\/strong>.\u00a0Since the Contax G cameras\u00a0have a rather short flange focal distance of just 29mm you\u00a0<strong>cannot adapt them to DSLRs<\/strong>. The advantage of this short flange focal distance is that adapters for mirrorless systems are only about 11mm thick. The other problem is that the\u00a0lenses do\u00a0<strong>not have a focusing ring<\/strong>, just AF coupling so\u00a0the\u00a0<strong>adapter must provide some means to focus the lens<\/strong>.<\/p>\n<p>There are two kinds of adapters, purely mechanical and electronic adapters.<\/p>\n<p><strong>Mechanical adapters<\/strong>\u00a0are available for EOS M, Fuji X, M43 and Sony E-mount. They come with their own focusing ring. They\u00a0<a href=\"https:\/\/rover.ebay.com\/rover\/1\/711-53200-19255-0\/1?icep_id=114&amp;ipn=icep&amp;toolid=20004&amp;campid=5338226976&amp;mpre=https%3A%2F%2Fwww.ebay.com%2Fsch%2Fi.html%3F_odkw%3Dcontax%2Bg%2Badapter%26_osacat%3D0%26_from%3DR40%26_trksid%3Dp2045573.m570.l1313.TR0.TRC0.H0.Xcontax%2Bg%2Badapter%2B-techart.TRS0%26_nkw%3Dcontax%2Bg%2Badapter%2B-techart%26_sacat%3D0\"><u>range in price<\/u><\/a>\u00a0(affiliate link) from $25 to $140. I own the Kipon one (or possibly a cheap knockoff since I got it second hand for ~$30) and it works fine on all the lenses but the 90mm (which I had trouble focusing accurately at near distances with). Focus is a little rough and in the wrong (Nikon\/Pentax) direction, but perfectly serviceable. I have heard good things about the Metabones and Fotodiox Pro adapters but I haven\u2019t used them personally.<\/p>\n<p>The\u00a0<strong>Techart TA-GA3 adapter<\/strong>\u00a0is very interesting because\u00a0you can use\u00a0<strong>AF with newer Sony E-mount cameras<\/strong>! AF with the Sony a7, a7r and a7s is unusable (very slow and unreliable) but with the newer cameras it works quite okay most of the time and gives you all the quickness and accuracy of a screw-drive AF lens on a dslr from 2005 (if you have used one of these you will know what I mean).<\/p>\n<p>The AF experience is certainly not as smooth as with native lenses. The screw driven\u00a0<strong>AF is rather loud<\/strong>\u00a0and while\u00a0it<strong>\u00a0tracks small changes in focusing distances well<\/strong>\u00a0it is\u00a0<strong>quite slow to realize larger changes in focusing distance<\/strong>.\u00a0<strong>Reliability<\/strong>\u00a0was mediocre and\u00a0<strong>not near the same level as the native lenses<\/strong>. It also\u00a0<strong>fails when it is a bit darker<\/strong>\u00a0in situations where native lenses still work reasonably well. I it found unusable, but then that performance level of AF is what drove me to manual focus in the first place, and some people seem to use it without major complaints. I changed to manual focusing which is realized with a small wheel at the 2 o\u2019clock position. Manual focusing with this method works better than I would have expected but can be a bit fiddly at long distances.<br \/>\n<em>The Techart TA-GA3 adapter sells for about $250 at\u00a0<\/em><a href=\"https:\/\/rover.ebay.com\/rover\/1\/711-53200-19255-0\/1?icep_id=114&amp;ipn=icep&amp;toolid=20004&amp;campid=5338226976&amp;mpre=https%3A%2F%2Fwww.ebay.com%2Fsch%2Fi.html%3F_odkw%3Dcontax%2Bg%2Badapter%2B-techart%26_osacat%3D0%26_from%3DR40%26_trksid%3Dp2045573.m570.l1313.TR0.TRC0.H0.Xcontax%2Bg%2Btechart%2Badapter.TRS0%26_nkw%3Dcontax%2Bg%2Btechart%2Badapter%26_sacat%3D0\"><em><u>ebay.com<\/u><\/em><\/a><em>\u00a0or\u00a0<\/em><a href=\"http:\/\/amzn.to\/2C1aC8S\"><em><u>amazon.com<\/u><\/em><\/a><em>\u00a0(affiliate links).<\/em><\/p>\n<h1>Build\u00a0Quality<\/h1>\n<figure style=\"width: 1280px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4765\/24801155537_78a92414a9_o.jpg\" alt=\"Carl Zeiss Contax G 28mm f\/2.8 Biogon disassembled\" width=\"1280\" height=\"853\" \/><figcaption class=\"wp-caption-text\">Carl Zeiss Contax G 28mm f\/2.8 Biogon disassembled<\/figcaption><\/figure>\n<p>The Contax G 28\/2.8 feels very nice and solid.<\/p>\n<p>The barrel is made of aluminum.<\/p>\n<p>All markings are engraved.<\/p>\n<p>The Biogon\u00a0is made in Japan.<\/p>\n<p>I <em>have<\/em> disassembled the lens and while it is well engineered and made mostly of metal it does not seem as robustly constructed as typical Leica, Zeiss, and Cosina\/Voigtl\u00e4nder manual focus rangefinder lenses. I would expect it to be more likely to develop problems due to a sudden impact than the previously mentioned manual focus rangefinder lenses.<\/p>\n<h1>Size, Weight and Handling<\/h1>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-1-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-60069\"><li class=\"active\"><a href=\"#ert_pane1-0\" data-toggle=\"tab\">No PCX filter<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-1\" data-toggle=\"tab\">With PCX filter<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-2\" data-toggle=\"tab\">Modded for m-mount with PCX filter<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-1-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-60069\"><li class=\"tab-pane active\" id=\"ert_pane1-0\"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4765\/40181384131_1c8f85a3d5_c.jpg\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4613\/26308324298_2e571e55e9_c.jpg\" width=\"800\" height=\"531\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-2\"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4628\/26308324508_c3e7d39dab_c.jpg\" \/><\/li><\/ul><\/div><\/div>\n<p>The Contax G 28mm is very well balanced on any Sony e-mount camera. At just 150g with a small diameter and the short adapter it is\u00a0significantly smaller than the\u00a0<a href=\"https:\/\/phillipreeve.net\/blog\/sony-fe-28mm-f2-review\/\"><u>FE 28\/2.0<\/u><\/a>\u00a0(even with the added filter) or most adapted 28mm lenses (even many rangefinder 28mm lenses).<\/p>\n<p>The\u00a0<strong>Contax G lens line does not have a focusing rings<\/strong>.\u00a0How you focus depends on the kind of adapter you use. I convert my lenses to m-mount with a real focus helicoid, but have found the Kipon adapter to be perfectly serviceable as well for non-moving subjects. Info on how I did my conversions can be found on <a href=\"http:\/\/www.fredmiranda.com\/forum\/topic\/1159122\">this Fred Miranda thread<\/a>. For info on AF with the Techart adapter, see the compatibility section above.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4752\/26308324788_d667c450dd_c.jpg\" alt=\"You can also see the impact point where I dropped the lens on camera into a rocky stream. ;)\" width=\"800\" height=\"532\" \/><figcaption class=\"wp-caption-text\">My modified my Contax G 28\/2.8 with a rokkor helicoid and an M-mount.<\/figcaption><\/figure>\n<p>The\u00a0<strong>aperture ring<\/strong>\u00a0has full stops from f\/2.8 to f\/22 which register nicely but it isn\u2019t too easy\u00a0to select half-stops because the aperture\u00a0ring doesn\u2019t travels very\u00a0far.<br \/>\nIf you use the Techart adapter it won\u2019t record the actual aperture you used. You can change the aperture in the camera but all this does is that it overexposes your image by as many stops as you have stopped down (e.g. f\/5.6 will result in a 3\u00a0stops overexposed image).<\/p>\n<h2>Lens Hood<\/h2>\n<p>The\u00a0<em>Contax Metal Hood GG-1<\/em>\u00a0screws into the filter ring, has a little larger diameter than the lens, has 55mm filter threads, and it is about 10mm deep. It is made of aluminum and provides decent protection for\u00a0the front of the lens.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4678\/40148396042_7665fa3c39_c.jpg\" width=\"800\" height=\"400\" \/><\/p>\n<h2>Filters<\/h2>\n<p>The 46mm filter thread is made from metal.<\/p>\n<p>The front of the lens does not rotate so polarizers are easy to use.<\/p>\n<h1>Image Quality<\/h1>\n<h2>Vignetting\/Colorcast<\/h2>\n<p>At f\/2.8\u00a0vignetting is very\u00a0 strong and it remains quite strong as you stop down. According to Zeiss, small improvement in vignetting on stopping down is one consequence of Biogon lens designs. In addition to strong vignetting, there is also significant color shift towards the edge of the frame when used on cameras without backlit sensors (A7, A7R, A7S, A7II, A7SII). This color shift can be eliminated with a few clicks using the Lightroom Flat Field Plug-in once you have made a profile photo by shooting a uniformly illuminated white subject (like I did to generate the vignetting examples below). Correcting this level of vignetting will definitely increase noise towards the corners of the frame.<\/p>\n<figure style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4609\/24921533367_43f8f9b2b8_o.jpg\" alt=\"Sony A7 | Raw | LR CC default settings\" width=\"750\" height=\"610\" \/><figcaption class=\"wp-caption-text\">Sony A7 | Raw | LR CC default settings<\/figcaption><\/figure>\n<p>On my A7 the wide open vignetting is around 2.5 stops and never drops below 1.5 stops. The backlit sensors reduce the vignetting as well as the color shift. On the A7RII vignetting is only 2 stops wide open and falls to 1 stop by f\/8.<\/p>\n<figure style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4664\/39759958712_f2d8dde32a_o.jpg\" alt=\"Sony A7RII | Raw | LR CC default settings\" width=\"750\" height=\"610\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Raw | LR CC default settings<\/figcaption><\/figure>\n<p>In some cases I actually prefer the color shift effect:<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4758\/40233433082_c89e2cc916_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4722\/39405548905_3748321fae_o.jpg\" alt=\"uncorrected vs corrected color cast | Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX | f\/5.6\" width=\"800\" height=\"600\" \/><\/a><figcaption class=\"wp-caption-text\">uncorrected vs corrected color cast | Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX | f\/5.6<\/figcaption><\/figure>\n<h2>Flare Resistance<\/h2>\n<p>The\u00a0<strong>flare resistance of the Contax G 28\/2.8 is good but not great<\/strong>. Under extreme conditions with the sun in the frame you can see some slight veiling flare which causes slight contrast loss, but contrast remains better than any other 28mm lens I have used in such situations (including the FE 28\/2). In most situation contrast is great.\u00a0Unfortunately, ghosting can also occur with the sun in the frame as well as long streaks of light.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4664\/38920626975_6e7195a3f2_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4664\/38920626975_c4ce582569_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/2.8<\/figcaption><\/figure>\n<p>Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 + 5m PCX | f\/5.6<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4708\/25901259358_2e0e8a4819_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4708\/25901259358_9318d60b42_c.jpg\" alt=\"Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/11\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/11<\/figcaption><\/figure>\n<p>The Contax G 28\/2.8 will also very occasionally show a smear of light in the image when the sun is just outside the frame.<\/p>\n<figure style=\"width: 1066px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4622\/39506305654_fd8c309124_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4622\/39506305654_2b6d6f2092_h.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + OptoSigma 5m PCX filter | f\/4\" width=\"1066\" height=\"1600\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + OptoSigma 5m PCX filter | f\/4<\/figcaption><\/figure>\n<h2>Bokeh<\/h2>\n<p>At f\/2.8 the Contax G 28mm has somewhat busy bokeh with more defined out of focus highlight discs towards the corners of the frame and significant business in the transition zone.<\/p>\n<p>Stopped down to\u00a0<strong>f\/4.5\u00a0 the bokeh is much smoother<\/strong>\u00a0but you will clearly see the\u00a0<strong>hexagonal shape of the aperture blades at f\/5.6 and smaller<\/strong>.<\/p>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-2-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-43381\"><li class=\"active\"><a href=\"#ert_pane2-0\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane2-1\" data-toggle=\"tab\">f\/4<\/a><\/li><li class=\"\"><a href=\"#ert_pane2-2\" data-toggle=\"tab\">f\/5.6<\/a><\/li><li class=\"\"><a href=\"#ert_pane2-3\" data-toggle=\"tab\">f\/8<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-2-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-43381\"><li class=\"tab-pane active\" id=\"ert_pane2-0\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4664\/27955103289_461d2f5e24_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4624\/38839054175_07ee450cd4_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane2-1\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4661\/39733842761_aa50241071_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4721\/39028166624_64bd254eb2_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/4\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/4<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane2-2\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4667\/27955104339_bf7ceeddc6_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4663\/38839054795_6bcba7cd84_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/5.6\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/5.6<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane2-3\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4651\/27955105089_65d95aef81_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4602\/38839055105_1354a6de97_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/8<\/figcaption><\/figure><\/p>\n<p><\/li><\/ul><\/div><\/div>\n<p><em>Hint: larger images can be viewed by clicking on the image.<\/em><\/p>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-3-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-78929\"><li class=\"active\"><a href=\"#ert_pane3-0\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane3-1\" data-toggle=\"tab\">f\/4<\/a><\/li><li class=\"\"><a href=\"#ert_pane3-2\" data-toggle=\"tab\">f\/5.6<\/a><\/li><li class=\"\"><a href=\"#ert_pane3-3\" data-toggle=\"tab\">f\/8<\/a><\/li><li class=\"\"><a href=\"#ert_pane3-4\" data-toggle=\"tab\">f\/11<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-3-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-78929\"><li class=\"tab-pane active\" id=\"ert_pane3-0\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4698\/39824096901_68c357e162_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4698\/39824096901_5780eb4e55_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/2.8<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane3-1\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4763\/39114629694_4835e8afa7_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4763\/39114629694_13e0c33e87_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/4\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/4<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane3-2\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4723\/28045673719_e6d5feea8d_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4723\/28045673719_bc6fa35d25_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/5.6\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/5.6<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane3-3\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4670\/39824098851_d413cfcdd7_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8\" width=\"800\" height=\"534\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane3-4\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4769\/28045675549_edffeeca12_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/11\" width=\"800\" height=\"534\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/11<\/figcaption><\/figure><\/p>\n<p><\/li><\/ul><\/div><\/div>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-4-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-79535\"><li class=\"active\"><a href=\"#ert_pane4-0\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane4-1\" data-toggle=\"tab\">f\/5.6<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-4-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-79535\"><li class=\"tab-pane active\" id=\"ert_pane4-0\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/farm5.staticflickr.com\/4719\/25901258888_2b3ecab124_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4719\/25901258888_bd013191ce_c.jpg\" alt=\"Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/2.8<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane4-1\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4676\/39741923402_292bd0a04c_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4676\/39741923402_9b4f57862e_c.jpg\" alt=\"Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/5.6\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 | Carl Zeiss Contax G 28mm f\/2.8 Biogon | f\/5.6<\/figcaption><\/figure><\/p>\n<p><\/li><\/ul><\/div><\/div>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-5-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-15294\"><li class=\"active\"><a href=\"#ert_pane5-0\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-1\" data-toggle=\"tab\">f\/4<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-2\" data-toggle=\"tab\">f\/5.6<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-3\" data-toggle=\"tab\">f\/8<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-5-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-15294\"><li class=\"tab-pane active\" id=\"ert_pane5-0\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4720\/24949345757_ba35273fbc_k.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4720\/24949345757_01a1c2b0be_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/2.8<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane5-1\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4709\/38920590805_a8820927e6_k.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4709\/38920590805_4884aa0d7f_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/4\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/4<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane5-2\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4702\/38920593125_94ab17f0e1_k.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4702\/38920593125_e0c7b9cbe3_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/5.6\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/5.6<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane5-3\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4753\/38920595815_133cf59a82_k.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4753\/38920595815_7ce064b132_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8<\/figcaption><\/figure><\/p>\n<p><\/li><\/ul><\/div><\/div>\n<p>So all in all bokeh is not a strength of this lens, but it is better than many of other 28mm lenses. I tend to like it better at a distance than closeup.<\/p>\n<h2>Distortion<\/h2>\n<p>The Carl Zeiss Contax G 28mm f\/2.8 Biogon has negligible pincushion distortion on it&#8217;s own that can be corrected with -1 correction in Lightroom. Adding the reversed 1.5m PCX filter induces a little bit more pincushion distortion. This can be easily corrected using -3 correction in Lightroom.<\/p>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-6-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-93617\"><li class=\"active\"><a href=\"#ert_pane6-0\" data-toggle=\"tab\">uncorrected<\/a><\/li><li class=\"\"><a href=\"#ert_pane6-1\" data-toggle=\"tab\">corrected<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-6-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-93617\"><li class=\"tab-pane active\" id=\"ert_pane6-0\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4708\/39787794672_91a61dff7d_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8\" width=\"800\" height=\"534\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane6-1\"><\/p>\n<p><figure style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4703\/38920654825_f2e73aa740_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8\" width=\"800\" height=\"534\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/8<\/figcaption><\/figure><\/p>\n<p><\/li><\/ul><\/div><\/div>\n<h2>Chromatic Aberrations<\/h2>\n<p>There is some lateral CA, but it is small enough to be easily corrected with minimal loss in image quality.<\/p>\n<div class=\"twentytwenty\" class=\"twentytwenty-container\" style=\"display: none; max-width: 100%; width: ; height: \"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4627\/38927352545_2695807d11_o.jpg\"\/><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4626\/38927352275_4fcc4612c8_o.jpg\"\/><\/div>\n<h2>Coma<\/h2>\n<p>Coma correction is not great wide open, but improves a great deal stopping down to f\/4.<\/p>\n<div class=\"twentytwenty\" class=\"twentytwenty-container\" style=\"display: none; max-width: 100%; width: ; height: \"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4761\/26335347358_99fe64f4f2_o.jpg\"\/><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4678\/40174944742_60feb7452b_o.jpg\"\/><\/div>\n<span style=\"color: #808080;\"><em>Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX | f\/2.8<\/em><\/span>\n<p>Even at f\/2.8 coma is not so bat that it will ruin astro or night cityscapes.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4709\/40174944452_286b06da42_o.jpg\" alt=\"100% crop from upper left corner | Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8\" width=\"800\" height=\"800\" \/><figcaption class=\"wp-caption-text\">100% crop from upper left corner | Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8<\/figcaption><\/figure>\n<p>Note, these coma tests were done on a Sony A7 with the Kolari UT mod and 5m PCX filter, not the A7RII with 1.5m PCX filter. I don&#8217;t believe there would be any significant difference, but I haven&#8217;t been able to test yet due to uncooperative weather.<\/p>\n<p>A much bigger concern than coma for shooting cityscapes is sensor reflections when using the original A7. In my experience, sensor reflections seem to be worse when using wide angles designed for rangefinders such as this Biogon.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4660\/39496562784_b5ef3cbbfa_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4660\/39496562784_7362913738_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8<\/figcaption><\/figure>\n<figure style=\"width: 1066px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4611\/26238201488_2d148dc001_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4611\/26238201488_8460b342ed_h.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon+ 5m PCX | f\/5.6\" width=\"1066\" height=\"1600\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/5.6<\/figcaption><\/figure>\n<h2>Sunstars<\/h2>\n<p>The Contax G 28mm has only 6 aperture blades so\u00a0<strong>sun stars have only 6 rays and are not well defined<\/strong>. In fact, they remain more diffuse balls (which I personally prefer) than stars till f\/8 or smaller.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/flic.kr\/p\/E6PW77\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4538\/25007491938_e462bd2685_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + OptoSigma 5m PCX filter | f\/4\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + OptoSigma 5m PCX filter | f\/4<\/figcaption><\/figure>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-7-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-77112\"><li class=\"active\"><a href=\"#ert_pane7-0\" data-toggle=\"tab\">f\/5.6<\/a><\/li><li class=\"\"><a href=\"#ert_pane7-1\" data-toggle=\"tab\">f\/11<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-7-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-77112\"><li class=\"tab-pane active\" id=\"ert_pane7-0\"><\/p>\n<p><figure style=\"width: 1067px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4675\/39787768332_09043e3821_h.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/5.6\" width=\"1067\" height=\"1600\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/5.6<\/figcaption><\/figure><\/p>\n<p><\/li><li class=\"tab-pane \" id=\"ert_pane7-1\"><\/p>\n<p><figure style=\"width: 1067px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4757\/38920631215_d6a99102af_h.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/11\" width=\"1067\" height=\"1600\" \/><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX | f\/11<\/figcaption><\/figure><\/p>\n<p><\/li><\/ul><\/div><\/div>\n<h2>Sharpness<\/h2>\n<figure style=\"width: 848px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4624\/38891691835_1b3c9b3f5c_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4644\/25227777358_87628332e0_h.jpg\" alt=\"&quot;100%\" width=\"848\" height=\"1600\" \/><\/a><figcaption class=\"wp-caption-text\">DNG for flat field correction of vignetting and color shift\u2013&gt;Adobe Lightroom CC classic (default settings)&#8221; class=&#8221;size-full&#8221; \/&gt; 100% crops | A7RII on tripod with remote | RAW\u2013&gt;DNG for flat field correction of vignetting and color shift\u2013&gt;Adobe Lightroom CC classic (default settings)<\/figcaption><\/figure>\n<p>When used on Sony cameras without a correction filter the Contax G 28mm shows extremely strong field curvature and astigmatism. The reversed 1.5m PCX filter does wonders to correct this though. See <a href=\"https:\/\/c2.staticflickr.com\/4\/3741\/33083345802_ed59ba4167_o.jpg\">here<\/a> for a comparison of the naked lens to different correction lens configurations on an A7. See <a href=\"https:\/\/c1.staticflickr.com\/5\/4632\/26468897938_66cdfba901_o.jpg\">here<\/a> for a comparison of the lens on a stock A7RII with a reversed 1.5m PCX filter to the lens on a Kolari UT modded A7 with and without a 5m PCX filter. Finally see <a href=\"https:\/\/c1.staticflickr.com\/5\/4767\/40287636972_dc999cdeb3_o.jpg\">here<\/a> for a direct comparison of the Contax G 28\/2.8 to the Sony FE 28\/2. Note: the linked comparisons use my (rather aggressive) print sharpening rather than the Adobe defaults used above.<\/p>\n<p><strong>f\/2.8:\u00a0<\/strong>Excellent contrast and sharpness in the center, the midframe region is good, but the edges and corners are considerably weaker.<\/p>\n<p><strong>f\/4:\u00a0<\/strong>The edges are excellent as well now, corners remain a little weaker.<\/p>\n<p><strong>f\/5.6:\u00a0<\/strong>The corners are very good as well now.<\/p>\n<p><strong>f\/8:\u00a0<\/strong>Excellent across the frame.<\/p>\n<p><strong>f\/11:\u00a0<\/strong>A little less sharp due to diffraction.<\/p>\n<p>For landscape photography if you have a lot of detail into the corners you should stop down at least to f\/5.6. For other applications with a three dimensional subject at any aperture you can put your focus anywhere in the frame without worrying about sharpness.<\/p>\n<h2>Color<\/h2>\n<p>I have always really liked the colors I get with Zeiss Contax lenses (as well as Minolta and Leica lenses) and have generally been unable to replicate them in post using lenses from other brands. Here is how the colors of the Contax G 28\/2.8 Biogon (left) compare to those of the FE 28\/2.8 (right) at f\/5.6 (shot on the Kolari UT A7):<\/p>\n<div class=\"twentytwenty\" class=\"twentytwenty-container\" style=\"display: none; max-width: 100%; width: 1948px; height: 1312px\"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4700\/39381070555_18c0f5d373_o.jpg\"\/><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4749\/39381070715_4f0043f76e_o.jpg\"\/><\/div>\n<p>&nbsp;<\/p>\n<p>It seems clear from this comparison that the differences in color between the Zeiss and Sony lens are actually quite small, which goes against my impressions from real world shooting with both lenses. Looking closer at the images does show that there is a little more fine differences in brightness within each color square with the Zeiss lens. Perhaps it is actually better high frequency contrast with the Zeiss lens that is contributing to my impression of better color by making subtle tonal gradations more visible (or maybe it&#8217;s just the placebo effect).<\/p>\n<p>&nbsp;<\/p>\n<div class=\"twentytwenty\" class=\"twentytwenty-container\" style=\"display: none; max-width: 100%; width: ; height: \"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4613\/39381070795_600a139e50_o.jpg\"\/><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4658\/40233425752_272bf01e7f_o.jpg\"\/><\/div>\n<p>&nbsp;<\/p>\n<p>The differences is more noticeable at f\/2.8 (all these shots were taken at the mfd of the FE 28 where neither lens should really be at it&#8217;s best):<\/p>\n<div class=\"twentytwenty\" class=\"twentytwenty-container\" style=\"display: none; max-width: 100%; width: 800px; height: 800px\"><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4618\/40233426162_8f16a8723b_o.jpg\"\/><img decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4605\/40233425542_4fcf111b94_o.jpg\"\/><\/div>\n<p>&nbsp;<\/p>\n<h1>Alternatives<\/h1>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-8-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-36000\"><li class=\"active\"><a href=\"#ert_pane8-0\" data-toggle=\"tab\">Size comparison without PCX filter<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-1\" data-toggle=\"tab\">Size comparison with PCX filter<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-8-review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter-36000\"><li class=\"tab-pane active\" id=\"ert_pane8-0\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4758\/40181384451_a0274584c1_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4758\/40181384451_abdfb2b6c9_c.jpg\" width=\"800\" height=\"442\" \/><\/a><\/li><li class=\"tab-pane \" id=\"ert_pane8-1\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4628\/26308323668_266f219ae4_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4628\/26308323668_91380f368a_c.jpg\" width=\"800\" height=\"442\" \/><\/a><\/li><\/ul><\/div><\/div>\n<p><strong><a href=\"https:\/\/phillipreeve.net\/blog\/sony-fe-28mm-f2-review\/\">Sony FE 28\/2<\/a>:\u00a0<\/strong>The Sony is a stop faster at f\/2 with fast autofocus, smoother bokeh, and less ghosting in extreme conditions. Downsides are worse build quality, lower contrast, and strong distortion which needs to be corrected as well as the higher price.<\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-voigtlander-ultron-28mm-2-0\/\"><b>Voigtlander 28\/2 VM:<\/b><\/a>\u00a0A modern manual lens which is more expensive, bigger, and heavier, but faster with very good sharpness from wide open, good flare resistance and nicer sunstars. It has some issues with the Sony a7\u2019s thick sensor stack that can&#8217;t be easily corrected with filters, so it is not as good for landscape.<\/p>\n<p><strong><a href=\"https:\/\/phillipreeve.net\/blog\/review-pentax-k-smc-28mm-13-5\/\">Pentax K 28\/3.5<\/a>: <\/strong>I have not shot this lens, but\u00a0 it is Phillip&#8217;s favorite legacy 28mm for landscapes. It appears to have better flare resistance and substantially less vignetting. It is much larger though and probably slightly lower in contrast.<\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-distagon-2828-t\/\"><strong>Zeiss Distagon 28\/2.8:<\/strong><\/a>\u00a0The Contax\/Yashica Zeiss is SLR contemporary of the Contax G. It is much bigger and has similar contrast and flare resistance. The Contax G Biogon (+ PCX filter) has slightly better corners and lower distortion, while the Contax\/Yashica Distagon has slightly better midzone performance at large aperture and much better vignetting performance.<\/p>\n<p><strong>Nikkor 28\/2.8 AIS:<\/strong> Unlike the rest of the legacy lenses listed above, the Nikkor has a floating element for better closeup performance. It&#8217;s bigger and not as sharp in the corners near infinity (though not far behind), but has better bokeh and very good closeup performance.<\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-minolta-md-28mm-12\/\"><strong>Minolta MD 28\/2<\/strong><\/a>: This is the only other 28mm I have kept. It lacks the small size, contrast, flare resistance, and corner sharpness of the Contax G. It does have a lower contrast look wide open that I enjoy for people and bokeh though and is a solid performer for landscape.<\/p>\n<h1>Conclusion<\/h1>\n<table>\n<tbody>\n<tr>\n<td><strong>pros<\/strong><\/p>\n<ul>\n<li><span style=\"color: #008000;\">Great sharpness and contrast from f\/2.8<\/span><\/li>\n<li><span style=\"color: #008000;\">extremely small size<\/span><\/li>\n<li><span style=\"color: #008000;\">Build quality<\/span><\/li>\n<li><span style=\"color: #008000;\">Price<\/span><\/li>\n<li><span style=\"color: #008000;\">Distortion control<\/span><\/li>\n<\/ul>\n<\/td>\n<td><strong>average<\/strong><\/p>\n<ul>\n<li>CA<\/li>\n<li>6 aperture blades<\/li>\n<li>Flare resistance<\/li>\n<li>Bokeh<\/li>\n<\/ul>\n<\/td>\n<td><strong>cons<\/strong><\/p>\n<ul>\n<li><span style=\"color: #ff0000;\">Heavy vignetting<\/span><\/li>\n<li><span style=\"color: #ff0000;\">Adapter based focusing<\/span><\/li>\n<li><span style=\"color: #ff0000;\">Requires a correction filter<\/span><\/li>\n<li><span style=\"color: #ff0000;\">Color shift using some cameras<\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>The\u00a0 Zeiss Contax G 28\/2.8 Biogon is one of the smallest FF 28mm lenses that can be mounted on e-mount cameras. It also has very good performance across the frame from wide open (with the PCX filter). No matter the aperture or location in the frame the lens has incredible bite at the focus point. It outperforms the native FE 28mm and all of the legacy SLR 28mm lenses I&#8217;ve tested in terms of sharpness and contrast at large apertures. Unfortunately, The ergonomics are substantially behind even that of your average legacy manual focus lens. In addition, vignetting and and flare resistance are well below the level of modern native lenses.<\/p>\n<p>If you are looking for a landscape or street shooting 28mm and don&#8217;t mind pre-focusing or slow manual focusing the Biogon is a tough lens to beat, particularly for the price. For those who demand fast focusing, good sunstars, or imperviousness to flare the Biogon&#8217;s performance represents a serious compromise.<\/p>\n<p><strong>All in all the Contax G 28\/2.8 Biogon is an excellent performer from wide open with a good price to performance ratio and fantastically compact size. Adapter focusing is a serious compromise though that will turn off many users, while using PCX filters adds additional complexity and cost.\u00a0<\/strong><\/p>\n<p><em>The Carl Zeiss Contax G 28mm f\/2.8 usually sells for\u00a0<strong>around $250<\/strong>\u00a0used at <a href=\"https:\/\/rover.ebay.com\/rover\/1\/711-53200-19255-0\/1?icep_id=114&amp;ipn=icep&amp;toolid=20004&amp;campid=5338226976&amp;mpre=https%3A%2F%2Fwww.ebay.com%2Fsch%2Fi.html%3F_from%3DR40%26_trksid%3Dp2380057.m570.l1312.R1.TR10.TRC6.A0.H0.Xcontax.TRS2%26_nkw%3Dcontax%2Bg%2B28%2B-90mm%2B-45mm%26_sacat%3D3323\">ebay,<\/a>\u00a0<strong>around 250\u20ac\u00a0<\/strong>at<\/em><em><u>\u00a0<a href=\"https:\/\/rover.ebay.com\/rover\/1\/707-53477-19255-0\/1?icep_id=114&amp;ipn=icep&amp;toolid=20004&amp;campid=5338226976&amp;mpre=https%3A%2F%2Fwww.ebay.de%2Fsch%2Fi.html%3F_from%3DR40%26_trksid%3Dp2380057.m570.l1312.R1.TR10.TRC6.A0.H0.Xcontax.TRS2%26_nkw%3Dcontax%2Bg%2B28%2B-90mm%2B-45mm%26_sacat%3D3323\">ebay.de<\/a>,\u00a0<\/u><\/em><em>\u00a0or occasionally\u00a0on <a href=\"https:\/\/www.amazon.com\/gp\/product\/B00007AJ8S\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B00007AJ8S&amp;linkCode=as2&amp;tag=derekzaraza-20&amp;linkId=316d787e30689995a8136e36b619564crtant;\">Amazon<\/a> (affiliate links).\u00a0<\/em><em>The\u00a0rarer black version sells for quite a bit more.<\/em><\/p>\n<p><em>If this review was helpful to you, please consider using one of my affiliate links. I will earn a small commission on your purchase and it won\u2019t cost you anything. Thanks!<\/em><\/p>\n<h1>More Sample Images<\/h1>\n<p>Additional samples are available here:\u00a0<a href=\"https:\/\/flic.kr\/s\/aHsmep4Xws\">Contax G 28\/2.8 set on flickr.<\/a><\/p>\n<p>All images are processed in Lightroom from Raw.<\/p>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4711\/38920602295_273559f687_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4711\/38920602295_2c4aa8421e_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX filter reversed | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX filter reversed | f\/2.8<\/figcaption><\/figure>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4672\/26347159658_2ee364c46e_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4672\/26347159658_077acf89d7_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/8<\/figcaption><\/figure>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4612\/38920616325_c730089b08_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4612\/38920616325_937a7776ef_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX filter reversed | f\/4.5\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX filter reversed | f\/4.5<\/figcaption><\/figure>\n<figure style=\"width: 1066px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4611\/26347157678_e52fb878fd_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4611\/26347157678_3400728874_h.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8\" width=\"1066\" height=\"1600\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8<\/figcaption><\/figure>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4612\/39431821145_2845d92f6f_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4612\/39431821145_62c39a5cc9_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/5.6\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/5.6<\/figcaption><\/figure>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4714\/26405901618_c576af0aed_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4714\/26405901618_808a33b6a0_c.jpg\" alt=\"Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX reversed | f\/11\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7RII | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 1.5m PCX reversed | f\/11<\/figcaption><\/figure>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4655\/27955106749_53921a0826_o.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full\" src=\"https:\/\/c1.staticflickr.com\/5\/4609\/39028167214_69c1b0809a_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/2.8<\/figcaption><\/figure>\n<div class=\"mceTemp\"><\/div>\n<figure style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/c1.staticflickr.com\/5\/4761\/40329315881_5c9afe3113_o.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/c1.staticflickr.com\/5\/4712\/38514821300_d8e3022186_c.jpg\" alt=\"Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/8\" width=\"800\" height=\"534\" \/><\/a><figcaption class=\"wp-caption-text\">Sony A7 Kolari UT | Carl Zeiss Contax G 28mm f\/2.8 Biogon + 5m PCX filter | f\/8<\/figcaption><\/figure>\n<p>This site contains affiliate links. If you make a purchase using any of the links marked as affiliate links, I may receive a small commission at no additional cost to you. This helps support the creation of future content.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Contax G 28mm Biogon was considered one of the best 28mm available on film, but suffers serious issues on digital due to sensor cover glass. Can a simple filter make the lens a competitive performer on Sony cameras? Find out below. I have shot this lens for years on the Sony A7 and more &hellip; <a href=\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":14914,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[153,7,18,419,144],"tags":[],"class_list":["post-11609","post","type-post","status-publish","format-standard","hentry","category-contax-g-mount","category-lenses","category-review","category-vintage","category-zeiss-c-y-mount"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter - phillipreeve.net<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter - phillipreeve.net\" \/>\n<meta property=\"og:description\" content=\"The Contax G 28mm Biogon was considered one of the best 28mm available on film, but suffers serious issues on digital due to sensor cover glass. 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I have shot this lens for years on the Sony A7 and more &hellip; Continue reading REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/\" \/>\n<meta property=\"og:site_name\" content=\"phillipreeve.net\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-18T11:30:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-14T08:29:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/c1.staticflickr.com\/5\/4668\/26308323908_d649af4f86_c.jpg\" \/>\n<meta name=\"author\" content=\"sebboh\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"sebboh\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"29 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/\",\"url\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/\",\"name\":\"REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter - phillipreeve.net\",\"isPartOf\":{\"@id\":\"https:\/\/phillipreeve.net\/blog\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/c1.staticflickr.com\/5\/4668\/26308323908_d649af4f86_c.jpg\",\"datePublished\":\"2018-02-18T11:30:57+00:00\",\"dateModified\":\"2026-01-14T08:29:28+00:00\",\"author\":{\"@id\":\"https:\/\/phillipreeve.net\/blog\/#\/schema\/person\/37147347358f338d9395d8a9f4d7dcfa\"},\"breadcrumb\":{\"@id\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/#primaryimage\",\"url\":\"https:\/\/c1.staticflickr.com\/5\/4668\/26308323908_d649af4f86_c.jpg\",\"contentUrl\":\"https:\/\/c1.staticflickr.com\/5\/4668\/26308323908_d649af4f86_c.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/phillipreeve.net\/blog\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/phillipreeve.net\/blog\/#website\",\"url\":\"https:\/\/phillipreeve.net\/blog\/\",\"name\":\"phillipreeve.net\",\"description\":\"Sony \u03b1 | Leica M | Nikon Z\/F New articles every week\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/phillipreeve.net\/blog\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/phillipreeve.net\/blog\/#\/schema\/person\/37147347358f338d9395d8a9f4d7dcfa\",\"name\":\"sebboh\",\"url\":\"https:\/\/phillipreeve.net\/blog\/author\/sebboh\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter - phillipreeve.net","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/phillipreeve.net\/blog\/review-carl-zeiss-28mm-f-2-8-biogon-t-1-5m-pcx-filter\/","og_locale":"en_US","og_type":"article","og_title":"REVIEW: Carl ZEISS 28mm f\/2.8 Biogon T* + 1.5m pcx filter - phillipreeve.net","og_description":"The Contax G 28mm Biogon was considered one of the best 28mm available on film, but suffers serious issues on digital due to sensor cover glass. Can a simple filter make the lens a competitive performer on Sony cameras? Find out below. 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