{"id":25360,"date":"2021-01-23T17:27:22","date_gmt":"2021-01-23T16:27:22","guid":{"rendered":"https:\/\/phillipreeve.net\/blog\/?p=25360"},"modified":"2026-03-24T13:02:47","modified_gmt":"2026-03-24T12:02:47","slug":"review-zhong-yi-50mm-0-95-m","status":"publish","type":"post","link":"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-50mm-0-95-m\/","title":{"rendered":"Review: Zhong Yi 50mm 0.95 M"},"content":{"rendered":"<h1>Introduction<\/h1>\n<figure id=\"attachment_25382\" aria-describedby=\"caption-attachment-25382\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25382 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_title.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_title.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_title-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_title-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25382\" class=\"wp-caption-text\">Zhong Yi 50mm 0.95 M via metabones adapter on Sony A7rII<\/figcaption><\/figure>\n<p>After the TTArtisan 50mm 0.95 we got another unexpected 50mm 0.95 M-mount contender in 2020, this time from Zhong Yi, who already have some experience with making 50mm 0.95 lenses for other systems.<br \/>\nLet us try to found out who offers the better affordable f\/0.95 for M-mount!<br \/>\n<em>This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.<\/em><\/p>\n<p><em>This lens is also part of <a href=\"https:\/\/phillipreeve.net\/blog\/comparison-super-fast-50mm-m-mount-lenses\/\">my Comparison of 6 Super Fast 50mm M-mount Lenses<\/a> together with the <a href=\"https:\/\/phillipreeve.net\/blog\/review-leica-50mm-0-95-noctilux-m-asph\/\">Leica 50mm 0.95 Noctilux-M<\/a>, the <a href=\"https:\/\/phillipreeve.net\/blog\/review-voigtlander-vm-50mm-1-0-nokton-the-actually-fastest-m-mount-lens\/\">Voigtl\u00e4nder VM 50mm 1.0 Nokton<\/a>, <a href=\"https:\/\/phillipreeve.net\/blog\/review-ms-optics-50mm-1-0-ism\/\">MS-Optics 50mm 1.0 ISM<\/a>, <a href=\"https:\/\/phillipreeve.net\/blog\/review-mr-ding-optics-50mm-1-1-noxlux-m\/\">Mr. Ding 50mm 1.1<\/a> and <a href=\"https:\/\/phillipreeve.net\/blog\/review-voigtlander-vm-50mm-1-2-nokton\/\">Voigt\u00e4nder VM 50mm 1.2 Nokton<\/a>.<\/em><\/p>\n<h1>Sample Images<\/h1>\n<figure id=\"attachment_25409\" aria-describedby=\"caption-attachment-25409\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25409\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_19.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_19.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_19-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_19-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25409\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25395\" aria-describedby=\"caption-attachment-25395\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25395\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_5.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_5.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_5-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_5-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25395\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p><!--more--><\/p>\n<figure id=\"attachment_25440\" aria-describedby=\"caption-attachment-25440\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25440\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_23.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_23.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_23-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_23-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25440\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25499\" aria-describedby=\"caption-attachment-25499\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25499 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_30.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_30.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_30-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_30-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25499\" class=\"wp-caption-text\">Leica M10 | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p><em>Most of the sample images in this review can be found in full resolution <a href=\"https:\/\/www.flickr.com\/photos\/181621809@N02\/albums\/72157715550414992\">here<\/a>.<\/em><\/p>\n\n<h1>Specifications \/ Version History<\/h1>\n<figure id=\"attachment_25388\" aria-describedby=\"caption-attachment-25388\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25388 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/50mm_0.95_comparison-e1595886377835.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"350\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/50mm_0.95_comparison-e1595886377835.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/50mm_0.95_comparison-e1595886377835-300x131.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/50mm_0.95_comparison-e1595886377835-768x336.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25388\" class=\"wp-caption-text\">TTArtisan, Zhong Yi M, RF III and EF 50mm 0.95 lenses<\/figcaption><\/figure>\n<p>Zhong Yi has been quite busy making 50mm 0.95 full frame lenses, we already had three for E-mount: a short lived 58mm filter thread MK I, the rather famous <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-dark-knight\/\">MK II<\/a> and the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">MK III<\/a>, which has also been ported to a few other mounts. In addition to that they also designed a 50mm 0.95 for EF mount and now this 50mm 0.95 for M-mount which has the following specifications:<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Diameter: 74 mm<\/li>\n<li>Field of view: 47\u00b0 (diagonally)<\/li>\n<li>Length: 78 mm (+adapter)<\/li>\n<li>Weight: 685g (+adapter, without hood and caps)<\/li>\n<li>Filter Diameter: 67 mm<\/li>\n<li>Number of Aperture Blades: 9 (slightly rounded)<\/li>\n<li>Elements\/Groups: 11\/8<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-45409 size-medium\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2021\/01\/zy_50mm_0.95_m_diagram-300x163.png\" alt=\"\" width=\"300\" height=\"163\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2021\/01\/zy_50mm_0.95_m_diagram-300x163.png 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2021\/01\/zy_50mm_0.95_m_diagram-800x435.png 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2021\/01\/zy_50mm_0.95_m_diagram-768x418.png 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2021\/01\/zy_50mm_0.95_m_diagram.png 882w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/li>\n<li>Close Focusing Distance: 0.75 m*<\/li>\n<li>Maximum Magnification: 1:11.9 (measured)*<\/li>\n<li>Mount: Leica-M<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><em>*the lens I reviewed had a minimum focus distance of 0.75 m whereas the final production model only allows for 1.0 m<\/em><\/p>\n<p><em>buy from <a href=\"https:\/\/zyoptics.net\/product\/mitakon-speedmaster-50mm-f-0-95-leica-m\/?ref=BastianK\">manufacturer&#8217;s shop<\/a>, <a href=\"https:\/\/amzn.to\/39bf491\">amazon.com<\/a> or <a href=\"https:\/\/bhpho.to\/368lvrf\">B&amp;H<\/a> for <strong>$499<\/strong> (advertisement\/affiliate links)<br \/>\n<\/em><\/p>\n<h1>Disclosure<\/h1>\n<p>The Zhong Yi 50mm 0.95 M was kindly provided free of charge by Zhong Yi for reviewing purpose for a duration of 4 weeks.<br \/>\nThis was a pre-production sample, so minor changes are still possible.<\/p>\n<h1>f\/0.95<\/h1>\n<p>The very fast maximum aperture is what sets this lens apart from most of the other 50mm lenses. I don&#8217;t want to anticipate the conclusion right at the beginning, but if you don&#8217;t want to use this lens at f\/0.95 there are definitely smarter options available. I will therefore heavily concentrate on how this lens performs wide open, especially as a portrait lens.<\/p>\n<h1>Handling \/ Build Quality<\/h1>\n<figure id=\"attachment_25373\" aria-describedby=\"caption-attachment-25373\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25373 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_handling.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_handling.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_handling-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_handling-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25373\" class=\"wp-caption-text\">Zhong Yi 50mm 0.95 M<\/figcaption><\/figure>\n<p>The lens feels tightly assembled and everything seems to be made from metal, but I can&#8217;t tell you how durable the lens will be in the long term. All I can do is give you my superficial impression which is positive in this case. Nevertheless I had some mechanical issues with previous Zhong Yi lenses and can only hope they are not preset here as well.<\/p>\n<p>Markings are yellow\/white (engraved and filled with paint) and the focus ring has a nice, even resistance and turns about 160\u00b0 from the minimum focus distance of 0.75 m to infinity.<br \/>\nThe aperture ring has equidistant markings but unfortunately no click stops.<\/p>\n<p>The lens features a rangefinder coupling, but I would not recommend to rely on the rangefinder when using this lens at wider apertures, the depth of field is too shallow to consistently get decent results.<br \/>\n<em>Leica knows this, so <a href=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/03\/2020-04-02_074532.jpg\">this is<\/a> what the M10 manual says about accuracy with fast lenses.<\/em><\/p>\n<figure id=\"attachment_25376\" aria-describedby=\"caption-attachment-25376\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25376 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_rangefinder.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_rangefinder.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_rangefinder-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_rangefinder-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25376\" class=\"wp-caption-text\">Zhong Yi 50mm 0.95 M rangefinder coupling<\/figcaption><\/figure>\n<p>There is no hood included in the package, which did surprise me a bit, as the other Zhong Yi 50mm 0.95 for different mounts shipped with one.<\/p>\n<h1>Vignetting<\/h1>\n<h3><strong>light falloff<br \/>\n<\/strong><\/h3>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25506 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/vignetting_ZhongYi_50mm_0.95_M.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"750\" height=\"610\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/vignetting_ZhongYi_50mm_0.95_M.jpg 750w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/vignetting_ZhongYi_50mm_0.95_M-300x244.jpg 300w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><br \/>\n<\/em><\/p>\n<p>Wide open there is strong light falloff of roughly 2.8 EV in the extreme corners, stopped down to f\/1.4 this improves to 1.9 EV, stopped down to f\/2.8 it is 1.5 EV and further improves to 1.2 EV at f\/8.0.<\/p>\n<p>These values are comparable to the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95<\/a> E-mount lenses and much better than the TTArtisan 50mm 0.95 M.<br \/>\nThe TTArtisan lens also showed almost black corners stopped down, this is much less of an issue here, still, the very extreme corners remain rather dark stopped down.<\/p>\n<p>As this is the case for both 50mm 0.95 M-mount lenses I have tried yet (albeit it is significantly less of an issue here) this may be due to the difficulty of making an f\/0.95 lens for the small M-mount bayonet.<\/p>\n<figure id=\"attachment_31074\" aria-describedby=\"caption-attachment-31074\" style=\"width: 1026px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-31074\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2022\/02\/ZY_50mm_0.95M.png\" alt=\"\" width=\"1026\" height=\"766\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2022\/02\/ZY_50mm_0.95M.png 1026w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2022\/02\/ZY_50mm_0.95M-300x224.png 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2022\/02\/ZY_50mm_0.95M-800x597.png 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2022\/02\/ZY_50mm_0.95M-768x573.png 768w\" sizes=\"auto, (max-width: 1026px) 100vw, 1026px\" \/><figcaption id=\"caption-attachment-31074\" class=\"wp-caption-text\">Zhong Yi 50mm 0.95 M<\/figcaption><\/figure>\n<p><em>It is recommended to have a look at <a href=\"https:\/\/phillipreeve.net\/blog\/vignetting-graphs-explained\/\">this article<\/a> first to get an idea how this brightness graph works.<\/em><\/p>\n<h3><strong>optical vignetting<br \/>\n<\/strong><\/h3>\n<p>Very fast yet compact lenses usually show a significant amount of optical vignetting. Without going too much into technical details optical vignetting leads to the truncation of light circles towards the borders of the frame.<br \/>\nIn the center of the frame almost every lens will render a perfect circle, but only lenses with very low optical vignetting will keep this shape in the corners.<br \/>\nSo in the following comparison we move from the center (left) to the extreme corner (right) and see how the shape of the light circle changes.<\/p>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-1-review-zhong-yi-50mm-0-95-m-39421\"><li class=\"active\"><a href=\"#ert_pane1-0\" data-toggle=\"tab\">ZY 50mm f\/0.95 M@f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-1\" data-toggle=\"tab\">ZY 50mm f\/0.95 M@f\/2.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-2\" data-toggle=\"tab\">TTArtisan 50mm f\/0.95@f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-3\" data-toggle=\"tab\">TTArtisan 50mm f\/0.95@f\/2.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-4\" data-toggle=\"tab\">ZY 50mm f\/0.95 E II@f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-5\" data-toggle=\"tab\">ZY 50mm f\/0.95 E II@f\/2.0<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-1-review-zhong-yi-50mm-0-95-m-39421\"><li class=\"tab-pane active\" id=\"ert_pane1-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25374 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_0.95.jpg\" alt=\"\" width=\"800\" height=\"200\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_0.95-300x75.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_0.95-768x192.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25375 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_2.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"200\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_2.0-300x75.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_optical_vignetting_2.0-768x192.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25239 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_0.95.jpg\" alt=\"ttartisan 50mm 0.95 7artisans noctilux bokeh super fast f\/0.95 portrait sharpness leica-m m10 42mp 24mp\" width=\"800\" height=\"200\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_0.95-300x75.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_0.95-768x192.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25240 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_2.0.jpg\" alt=\"ttartisan 50mm 0.95 7artisans noctilux bokeh super fast f\/0.95 portrait sharpness leica-m m10 42mp 24mp\" width=\"800\" height=\"200\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_2.0-300x75.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/TTA_50mm_0.95_optical_vignetting_2.0-768x192.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15750 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_0.95.jpg\" alt=\"review voigtlander 50mm 1.2 nokton vm leica m mount rangefinder messsucher sony adapted a7rII a7riii a7r3 a7rm3 helicoid 42mp\" width=\"800\" height=\"200\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_0.95-300x75.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_0.95-768x192.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-5\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15752 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_2.0.jpg\" alt=\"review voigtlander 50mm 1.2 nokton vm leica m mount rangefinder messsucher sony adapted a7rII a7riii a7r3 a7rm3 helicoid 42mp\" width=\"800\" height=\"200\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_2.0-300x75.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2018\/10\/mitakon_50_0.95_2.0-768x192.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div>\n<p>For comparison&#8217;s sake I included the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-dark-knight\/\">Zhong Yi Mitakon 50mm 0.95 II E<\/a> as well as the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a> here. All these three lenses show a similar amount of optical vignetting.<br \/>\nWhat is noticeable: this new Zhong Yi M-mount lens shows none of that strange light spill like on the E-mount version and no onion ring patterns that we have seen with the TTArtisan lens.<\/p>\n<p><em>This comparison was done at ~0.7 m focus distance, you may get slightly different results at other distances.<\/em><\/p>\n<h1>Sharpness<\/h1>\n<h3>infinity (42mp Sony A7rII)<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-25505\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_R2.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"1907\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_R2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_R2-126x300.jpg 126w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_R2-537x1280.jpg 537w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_R2-768x1831.jpg 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_R2-644x1536.jpg 644w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>In the center the resolution at infinity is quite okay at f\/0.95, midframe looks clearly worse and corners slightly better than the midframe.<br \/>\nOn stopping down things improve fast and noticeably; by f\/2.8 you have a really good across frame performance, no other 50mm 0.95 lens I have tried was able to archive this so far!<br \/>\nBetween f\/2.8 and f\/8.0 you will get crispy and high resolution files at infinity.<\/p>\n<p>The <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a> showed a significantly worse performance here with more pronounced midzone dip and corners that never sharpened up. I shot the same scene with both lenses so you can easily compare. Interestingly also the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95 III<\/a> designed for E-mount shows worse corner performance.<\/p>\n<h3>infinity (24mp Leica M10)<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-25504\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_M10.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"1913\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_M10.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_M10-125x300.jpg 125w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_M10-535x1280.jpg 535w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_M10-768x1836.jpg 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/Sharpness_Zhong_Yi_50mm_0.95_M_M10-642x1536.jpg 642w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>On the M10&#8217;s sensor with the thinner filter stack the performance is even better, as I would have expected.<br \/>\nHere the midzone dip is less pronounced and already by f\/2.0 you get nice across frame performance.<\/p>\n<p>Again, significantly better performance than the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a> here.<\/p>\n<h3><b>portrait distance<br \/>\n<\/b><\/h3>\n<p>For portraiture it isn&#8217;t so important how flat the field is, it is more interesting to see what the sharpness is like when focused at different parts of the frame to take field curvature out of the equation.<\/p>\n<figure id=\"attachment_20406\" aria-describedby=\"caption-attachment-20406\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-20406\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2019\/08\/portrait_distance.png\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2019\/08\/portrait_distance.png 3000w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2019\/08\/portrait_distance-300x200.png 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2019\/08\/portrait_distance-768x512.png 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2019\/08\/portrait_distance-800x533.png 800w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-20406\" class=\"wp-caption-text\">positions of crops in the frame<\/figcaption><\/figure>\n<p>We will be looking at 100% crops from the 24mp Sony A7III and the Leica M10. Both cameras do not have an anti aliasing filter in front of the sensor.<\/p>\n<h4><b>2.1m distance (24mp Sony A7III vs 24mp Leica M10)<\/b><\/h4>\n<p><strong>Sony A7III &lt;&#8212;&gt; Leica M10<\/strong><\/p>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-2-review-zhong-yi-50mm-0-95-m-88658\"><li class=\"active\"><a href=\"#ert_pane2-0\" data-toggle=\"tab\">center<\/a><\/li><li class=\"\"><a href=\"#ert_pane2-1\" data-toggle=\"tab\">inner midframe<\/a><\/li><li class=\"\"><a href=\"#ert_pane2-2\" data-toggle=\"tab\">outer midframe<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-2-review-zhong-yi-50mm-0-95-m-88658\"><li class=\"tab-pane active\" id=\"ert_pane2-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25365 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_center_ZY.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"598\" height=\"299\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_center_ZY.jpg 598w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_center_ZY-300x150.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane2-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25366 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_imidframe_ZY.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"598\" height=\"299\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_imidframe_ZY.jpg 598w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_imidframe_ZY-300x150.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane2-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25367 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_omidframe.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"598\" height=\"299\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_omidframe.jpg 598w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/2.1m_omidframe-300x150.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/li><\/ul><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><em><strong>observations<br \/>\n<\/strong><\/em>In the center and midframe there are hardly any differences between Sony A7III and Leica M10 whereas in the outer midframe the Sony looks slightly better.<br \/>\nThis also matches my findings in the field, where I got more consistent results at f\/0.95 on the Sony cameras, which may also be due to this lens being harder to focus on a Leica body (even in liveview due to worse maximum magnification).<\/p>\n<p>Below is an example what this will look like in the field:<\/p>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-3-review-zhong-yi-50mm-0-95-m-76197\"><li class=\"active\"><a href=\"#ert_pane3-0\" data-toggle=\"tab\">overview<\/a><\/li><li class=\"\"><a href=\"#ert_pane3-1\" data-toggle=\"tab\">100% crop<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-3-review-zhong-yi-50mm-0-95-m-76197\"><li class=\"tab-pane active\" id=\"ert_pane3-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25445 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane3-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25446 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid_crop.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid_crop.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid_crop-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_mid_crop-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>Sony A7rII | Zhong Yi 50mm 0.95 | f\/0.95<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>1.4m distance (24mp Sony A7III vs 24mp Leica M10)<\/h4>\n<p><strong>Sony A7III &lt;&#8212;&gt; Leica M10<\/strong><\/p>\n<div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-4-review-zhong-yi-50mm-0-95-m-86307\"><li class=\"active\"><a href=\"#ert_pane4-0\" data-toggle=\"tab\">center<\/a><\/li><li class=\"\"><a href=\"#ert_pane4-1\" data-toggle=\"tab\">inner midframe<\/a><\/li><li class=\"\"><a href=\"#ert_pane4-2\" data-toggle=\"tab\">outer midframe<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-4-review-zhong-yi-50mm-0-95-m-86307\"><li class=\"tab-pane active\" id=\"ert_pane4-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25362 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_center_ZY.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast\" width=\"598\" height=\"299\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_center_ZY.jpg 598w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_center_ZY-300x150.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane4-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25363 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_imidframe_ZY.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"598\" height=\"299\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_imidframe_ZY.jpg 598w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_imidframe_ZY-300x150.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane4-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25364 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_omidframe-1.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"598\" height=\"299\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_omidframe-1.jpg 598w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/1.4m_omidframe-1-300x150.jpg 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/li><\/ul><\/div><\/div>\n<p>&nbsp;<\/p>\n<p><em><strong>observations<br \/>\n<\/strong><\/em>Performance on both the cameras is very similar here. Interestingly the lens performs worse in the outer midframe here compared to longer distances.<br \/>\nThe Zhong Yi 50mm 0.95 M seems to be optimized for slightly longer distances in general.<\/p>\n<p>If you compare the results at 1.4 and 2.1 m to those of the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a> the TTArtisan lens looks a bit contrastier at these distances.<\/p>\n<h3><em>close (0.75 m, 1:11.9)<br \/>\n<\/em><\/h3>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-5-review-zhong-yi-50mm-0-95-m-35909\"><li class=\"active\"><a href=\"#ert_pane5-0\" data-toggle=\"tab\">f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-1\" data-toggle=\"tab\">f\/1.4<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-2\" data-toggle=\"tab\">f\/2.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-3\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane5-4\" data-toggle=\"tab\">f\/4.0<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-5-review-zhong-yi-50mm-0-95-m-35909\"><li class=\"tab-pane active\" id=\"ert_pane5-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25377 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_0.95.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_0.95-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_0.95-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane5-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25378 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_1.4.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_1.4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_1.4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_1.4-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane5-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25379 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane5-3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25380 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.8.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_2.8-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane5-4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25381 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_4.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_4.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_4.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sharpness_close_4.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>100% crops from center, A7rII, b<\/em><em>ecause of focus shift (see corresponding section) I refocused for every shot.<\/em><\/span><\/p>\n<p>Similar to many other (especially fast) lenses without a floating elements design the performance wide open at the minimum focus distance ain&#8217;t that great at wider apertures.<br \/>\nAt f\/0.95 the image is very soft with lots of spherical aberration.<br \/>\nStopping down yields steady improvements and by f\/2.0 the performance is good with f\/2.8 being very good.<\/p>\n<h1>Flare resistance<\/h1>\n<figure id=\"attachment_25425\" aria-describedby=\"caption-attachment-25425\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25425\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_2.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_2-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_2-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25425\" class=\"wp-caption-text\">Leica M10 | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>The <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95 E<\/a> lenses really struggled here and the <a href=\"https:\/\/phillipreeve.net\/blog\/quick-review-zenitar-50mm-0-95-e\/\">Zenitar 50mm 0.95 E<\/a> set a new negative record so my expectations certainly weren&#8217;t high to begin with.<\/p>\n<p>At maximum aperture with a strong light source in the center of the frame a ring flare (internal reflections) can be very easily provoked. Just moving the aperture ring a tiny bit (to something like f\/1.0) almost completely removes that ring flare.<br \/>\nYou can still easily catch ghosts at all apertures though.<\/p>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-6-review-zhong-yi-50mm-0-95-m-80837\"><li class=\"active\"><a href=\"#ert_pane6-0\" data-toggle=\"tab\">f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane6-1\" data-toggle=\"tab\">f\/1.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane6-2\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane6-3\" data-toggle=\"tab\">f\/8.0<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-6-review-zhong-yi-50mm-0-95-m-80837\"><li class=\"tab-pane active\" id=\"ert_pane6-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25421 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_0.95.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_0.95-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_0.95-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane6-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25422 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_1.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_1.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_1.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_1.0-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane6-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25423 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_2.8.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_2.8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_2.8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_2.8-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane6-3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25424 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_8.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_8.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_8.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_1_8.0-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<em><span style=\"color: #808080;\">Leica M10 | Zhong Yi 50mm 0.95 M<\/span><br \/>\n<\/em><\/p>\n<p>With the sun close to the corner of the frame you can make almost every lens look bad, this is also the case here, but even with the sun at the border and slightly out of the frame you can get massive flare:<\/p>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-7-review-zhong-yi-50mm-0-95-m-27920\"><li class=\"active\"><a href=\"#ert_pane7-0\" data-toggle=\"tab\">sun near corner<\/a><\/li><li class=\"\"><a href=\"#ert_pane7-1\" data-toggle=\"tab\">sun near border<\/a><\/li><li class=\"\"><a href=\"#ert_pane7-2\" data-toggle=\"tab\">sun outside of frame<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-7-review-zhong-yi-50mm-0-95-m-27920\"><li class=\"tab-pane active\" id=\"ert_pane7-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25427 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_4.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_4-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane7-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25428 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_5.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_5.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_5-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_5-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane7-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25426 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_3.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_3.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_3-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_Flare_Sample_3-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>Leica M10 | Zhong Yi 50mm 0.95 M<\/em><\/span><\/p>\n<p>I wish Zhong Yi made some improvements here over the years. As it is the performance is comparable to the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-dark-knight\/\">Zhong Yi 50mm 0.95 E<\/a> lenses and therefore slightly worse than the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a>.<\/p>\n<h1>Coma<\/h1>\n<p>There is very obvious coma at f\/0.95 and f\/1.4 which has been true for every f\/0.95 lens I reviewed so far. Surprisingly though it clears up quite fast from there on and stopping down to f\/2.0 improves the performance significantly, which is also reflected in the sharpness infinity charts.<\/p>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-8-review-zhong-yi-50mm-0-95-m-61768\"><li class=\"active\"><a href=\"#ert_pane8-0\" data-toggle=\"tab\">f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-1\" data-toggle=\"tab\">f\/1.4<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-2\" data-toggle=\"tab\">f\/2.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-3\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-4\" data-toggle=\"tab\">f\/4.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-5\" data-toggle=\"tab\">f\/5.6<\/a><\/li><li class=\"\"><a href=\"#ert_pane8-6\" data-toggle=\"tab\">f\/8.0<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-8-review-zhong-yi-50mm-0-95-m-61768\"><li class=\"tab-pane active\" id=\"ert_pane8-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25457 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_0.95.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_0.95-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_0.95-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane8-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25458 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_1.4.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_1.4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_1.4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_1.4-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane8-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25459 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane8-3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25460 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.8.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_2.8-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane8-4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25461 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_4.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_4.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_4.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_4.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane8-5\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25462 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_5.6.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_5.6.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_5.6-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_5.6-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane8-6\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25463 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_8.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_8.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_8.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_coma_8.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>100% crops from extreme corner, focused on corner, A7rII<\/em><\/span><\/p>\n<p>The performance here is similar to that of the E-mount version of <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95 III<\/a> and noticeably better than that of the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95<\/a>.<\/p>\n<h1>Distortion<\/h1>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-9-review-zhong-yi-50mm-0-95-m-37444\"><li class=\"active\"><a href=\"#ert_pane9-0\" data-toggle=\"tab\">uncorrected<\/a><\/li><li class=\"\"><a href=\"#ert_pane9-1\" data-toggle=\"tab\">corrected +5<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-9-review-zhong-yi-50mm-0-95-m-37444\"><li class=\"tab-pane active\" id=\"ert_pane9-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-25385\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review distortion\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane9-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25386 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion_corrected.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review distortion\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion_corrected.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion_corrected-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_distortion_corrected-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>Sony A7rII | Zhong Yi 50mm 0.95 | f\/8.0<br \/>\n<\/em><\/span><\/p>\n<p>The Zhong Yi 50mm 0.95 M shows barrel distortion with a slightly wavy sub frequency. You can mostly correct the distortion by dialing in +5 in Lightroom or Photoshop but for a perfect correction a lens specific profile would be necessary.<\/p>\n<h1>Bokeh<\/h1>\n<figure id=\"attachment_25500\" aria-describedby=\"caption-attachment-25500\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25500\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_31.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"480\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_31.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_31-300x180.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_31-768x461.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25500\" class=\"wp-caption-text\">Leica M10 | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>When looking for an f\/0.95 lens the bokeh rendering will most likely be the most important aspect to you, it most certainly is for me.<br \/>\nIt is obvious that there are slower lenses that offer higher resolution, contrast and generally better correction of optical aberrations.<br \/>\nStill, for some a very nice bokeh rendering can easily make up for that in the hunt for the best bokeh. Let us have a closer look how the Zhong Yi 50mm 0.95 M compares here.<\/p>\n<p>Close to the minimum focus distance we have butterly smooth bokeh, but as we have already seen in the sharpness close section the lens is not exactly bitingly sharp at these distances and obviously the depth of field is thin as paper, which is something than can also be used to great effect.<\/p>\n<figure id=\"attachment_25411\" aria-describedby=\"caption-attachment-25411\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25411\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_21.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_21.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_21-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_21-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25411\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25399\" aria-describedby=\"caption-attachment-25399\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25399\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_9.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_9.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_9-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_9-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25399\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>From head- to head-and-shoulder-portrait distance (roughly 1.2 to 1.5 m focus distance) the lens shows very smooth in-focus to out-of-focus transitions&nbsp; and also butterly smooth backgrounds which was already true for the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95 E-mount lenses<\/a>.<\/p>\n<figure id=\"attachment_25405\" aria-describedby=\"caption-attachment-25405\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25405\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_15.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_15.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_15-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_15-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25405\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25391\" aria-describedby=\"caption-attachment-25391\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25391\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_1.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_1.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_1-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_1-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25391\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>At half-body-portrait distance the bokeh in center and midframe is very nice but you begin to see some deteoriations towards the corners which can even lead to a slighty swirl effect.<\/p>\n<figure id=\"attachment_25408\" aria-describedby=\"caption-attachment-25408\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25408\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_18.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_18.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_18-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_18-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25408\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>This gets more pronounced the further your subject is away from you. At full-body-portrait distance (rougly 3.0 m) some optical aberrations (especially coma and astigmatism) are more easily visible and can make the corners look a bit distracting.<\/p>\n<figure id=\"attachment_25496\" aria-describedby=\"caption-attachment-25496\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25496\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_27.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_27.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_27-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_27-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25496\" class=\"wp-caption-text\">Leica M10 | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25406\" aria-describedby=\"caption-attachment-25406\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25406\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_16.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_16.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_16-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_16-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25406\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>At even long focus distances the highlights can take on rather weird triangle shapes towards the borders:<\/p>\n<figure id=\"attachment_25397\" aria-describedby=\"caption-attachment-25397\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25397\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_7.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_7.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_7-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_7-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25397\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25415\" aria-describedby=\"caption-attachment-25415\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25415\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_22.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_22.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_22-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_22-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25415\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p>This is mostly due to coma, some other lenses that can show comparable bokeh in such situations are the Sigma 30mm 1.4 EX (APS-C) and the <a href=\"https:\/\/phillipreeve.net\/blog\/review-sigma-50mm-1-4-ex-still-worth-getting-in-2020\/\">Sigma 50mm 1.4 EX<\/a>.<\/p>\n<p>In most situations I found the bokeh of this lens very pleasing and more so than that of the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a>, keep in mind though: I did not directly compare the two lenses side by side in this regard.<br \/>\nThe <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95 for E-mount<\/a> show less triangular bokeh at longer distances (rather trapezoidal) but they have some &#8220;light spill&#8221; issues at f\/0.95 (see my <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">review<\/a>) so all in all I see a draw here.<\/p>\n<h1>Sunstars<\/h1>\n<p>The diaphragm of this Zhong Yi 50mm 0.95 M has 9 rounded blades and their alignment isn&#8217;t exactly perfect, therefore the sunstars are rather undefined.<br \/>\nIf you want to know more about sunstar rendering of different lenses have a look at <a href=\"https:\/\/phillipreeve.net\/blog\/best-lenses-for-sunstars\/\">this article<\/a>.<\/p>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-10-review-zhong-yi-50mm-0-95-m-85599\"><li class=\"active\"><a href=\"#ert_pane10-0\" data-toggle=\"tab\">f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-1\" data-toggle=\"tab\">f\/1.4<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-2\" data-toggle=\"tab\">f\/2.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-3\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-4\" data-toggle=\"tab\">f\/4.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-5\" data-toggle=\"tab\">f\/5.6<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-6\" data-toggle=\"tab\">f\/8.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane10-7\" data-toggle=\"tab\">f\/16<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-10-review-zhong-yi-50mm-0-95-m-85599\"><li class=\"tab-pane active\" id=\"ert_pane10-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25464 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_0.95.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_0.95-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_0.95-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25465 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_1.4.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_1.4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_1.4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_1.4-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25466 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25467 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.8.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_2.8-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25468 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_4.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_4.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_4.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_4.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-5\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25469 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_5.6.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_5.6.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_5.6-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_5.6-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-6\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25470 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_8.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_8.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_8.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_8.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane10-7\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25471 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_16.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_16.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_16-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50_0.95_M_Sunstars_16-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>50% crops from center, A7rII<\/em><\/span><\/p>\n<h1>Chromatic aberration<\/h1>\n<h3><strong>lateral<\/strong><\/h3>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-11-review-zhong-yi-50mm-0-95-m-44198\"><li class=\"active\"><a href=\"#ert_pane11-0\" data-toggle=\"tab\">uncorrected<\/a><\/li><li class=\"\"><a href=\"#ert_pane11-1\" data-toggle=\"tab\">corrected<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-11-review-zhong-yi-50mm-0-95-m-44198\"><li class=\"tab-pane active\" id=\"ert_pane11-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25509 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_Uncorrected.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_Uncorrected.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_Uncorrected-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_Uncorrected-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane11-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25508 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_corrected.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_corrected.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_corrected-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZhongYi_50mm_0.95_M_lateral_CA_corrected-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>100% crops from border, A7rII<\/em><\/span><\/p>\n<p>Lateral CA are quite pronounced, they can mostly be corrected in camera (for Jpegs) or in a raw developer like Lightroom by one click.<\/p>\n<h3><strong>longitudinal<\/strong><\/h3>\n<figure id=\"attachment_25368\" aria-describedby=\"caption-attachment-25368\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-25368 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25368\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95 | 50% crop<\/figcaption><\/figure>\n<p>In close up scenarios there is green behind and magenta in front of the focal plane visible, but this aberration is masked by spherical aberration a bit when shooting at wider apertures here. On stopping down to f\/2.0 they are mostly gone and on stopping down to f\/2.8 you almost completely get rid of this aberration (see focus shift section).<\/p>\n<p>In extreme scenes like the one below you can easily spot longidutinal CA. Without having done a direct comparison it seems to me loCA are slightly better corrected than on the <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\">Zhong Yi 50mm 0.95 E III<\/a> and comparable to the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95 M<\/a>.<\/p>\n<figure id=\"attachment_25444\" aria-describedby=\"caption-attachment-25444\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25444\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_loca_far.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_loca_far.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_loca_far-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_loca_far-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25444\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<h1>Focus shift<\/h1>\n<p><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-12-review-zhong-yi-50mm-0-95-m-50008\"><li class=\"active\"><a href=\"#ert_pane12-0\" data-toggle=\"tab\">f\/0.95<\/a><\/li><li class=\"\"><a href=\"#ert_pane12-1\" data-toggle=\"tab\">f\/1.4<\/a><\/li><li class=\"\"><a href=\"#ert_pane12-2\" data-toggle=\"tab\">f\/2.0<\/a><\/li><li class=\"\"><a href=\"#ert_pane12-3\" data-toggle=\"tab\">f\/2.8<\/a><\/li><li class=\"\"><a href=\"#ert_pane12-4\" data-toggle=\"tab\">f\/2.8 refocused<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-12-review-zhong-yi-50mm-0-95-m-50008\"><li class=\"tab-pane active\" id=\"ert_pane12-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25368 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_0.95-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane12-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25369 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_1.4.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_1.4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_1.4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_1.4-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane12-2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25370 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.0.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.0.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.0-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.0-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane12-3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25371 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><li class=\"tab-pane \" id=\"ert_pane12-4\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-25372 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8_refocused.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8_refocused.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8_refocused-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_focus_shift_2.8_refocused-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/li><\/ul><\/div><\/div><br \/>\n<span style=\"color: #808080;\"><em>50% crops, A7rII<\/em><\/span><\/p>\n<p>With some lenses when stopping down the plane of optimal focus shifts to the back or the front. Here there is a slight focus shift visible. When using the rangefinder this can be something to watch out for at close distances, on a camera equipped with live view best use working aperture.<\/p>\n<h1>Alternatives<\/h1>\n<p>I will only cover the really obvious alternatives in detail here, but if you ended up here by accident and you are looking for a slower 50mm lens or even an AF lens may have a look at our <a href=\"https:\/\/phillipreeve.net\/blog\/guide-to-the-best-50mm-lenses-for-full-frame-sony-e-mount-cameras-a7iii-a7ii-a7riv-a7riii-a9-a9ii\/\"><em>Guide to 50mm lenses for Sony E-mount<\/em><\/a>.<\/p>\n<h3>E-mount<\/h3>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-50mm-0-95-iii\/\"><em><strong>Zhong Yi 50mm 0.95 E II and III:<\/strong><\/em><\/a><br \/>\nInterestingly the M-mount lens reviewed her shows significantly better infinity performance, from my memories the E-mount lenses were a bit stronger at portrait distance though and offered slightly smoother bokeh towards the corners.<br \/>\n<em>buy from <a href=\"https:\/\/www.amazon.com\/gp\/product\/B00SL9F2XM\/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=9325&amp;creativeASIN=B00SL9F2XM&amp;linkCode=as2&amp;tag=httpphillinet-20&amp;linkId=1a8f57c586203932777abcf1d00cb8a2\">Amazon.com<\/a><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/ir-na.amazon-adsystem.com\/e\/ir?t=httpphillinet-20&amp;l=as2&amp;o=1&amp;a=B0001GJF22\" alt=\"\" width=\"1\" height=\"1\" border=\"0\"> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?LH_CAds=&amp;_ex_kw=&amp;_fpos=&amp;_fspt=1&amp;_mPrRngCbx=1&amp;_nkw=mitakon+50mm+0.95&amp;_sacat=625&amp;_sadis=&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.com<\/a> | <a href=\"https:\/\/bhpho.to\/30lT45w\">B&amp;H<\/a> | <a href=\"http:\/\/amzn.to\/2ufcQB7\">Amazon.de <\/a>for <strong>$679<\/strong> (advertisement\/affiliate links)<\/em><\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/quick-review-zenitar-50mm-0-95-e\/\"><em><strong>Zenitar 50mm 0.95 E:<\/strong><\/em><\/a><br \/>\nStill holds the crown of being the worst lens reviewed by us. Stay away from this one.<\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-voigtlander-50mm-1-2-nokton-e\/\"><strong><em>Voigtlander 50mm 1.2 Nokton E:<\/em><\/strong><\/a><br \/>\nIf you are not after that f\/0.95 maximum aperture this Voigtlander is a better lens in many ways (especially flare resistance) and way more portable.<br \/>\n<em>buy from<\/em> <em><a href=\"https:\/\/shop.cameraquest.com\/voigtlander-emount\/voigtlander-50mm-f\/1.2-nokton-aspherical-for-sony-e-mount\/\">CameraQuest<\/a> | <a href=\"https:\/\/bhpho.to\/2UZc2zc\">B&amp;H<\/a> | <a href=\"https:\/\/www.robertwhite.co.uk\/voigtlander-50mm-f1-2-nokton-aspherical-e-mount-lens.html\">Robert White<\/a> | <a href=\"https:\/\/amzn.to\/2YvS9gj\">amazon.com<\/a> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?LH_CAds=&amp;_ex_kw=&amp;_fpos=&amp;_fspt=1&amp;_mPrRngCbx=1&amp;_nkw=voigtlander+50mm+1.2+vm+nokton&amp;_sacat=625&amp;_sadis=&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.com<\/a> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?LH_CAds=&amp;_ex_kw=&amp;_fpos=&amp;_fspt=1&amp;_mPrRngCbx=1&amp;_nkw=voigtlander+50mm+1.2+nokton+e+sony&amp;_sacat=625&amp;_sadis=&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.de<\/a> for <strong>$999<\/strong> (advertisement\/affiliate links)<\/em><\/p>\n<h3>M-mount<\/h3>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\"><em><strong>TTArtisan 50mm 0.95 M:<\/strong><\/em><\/a><br \/>\nFrom the outer appearance the TTArtisan 50mm 0.95 M and this Zhong Yi 50mm 0.95 M look very similar: size, weight, filter diameter and also price are very comparable.<br \/>\nBut if you look beyond the spec sheet the differences are plenty and I already tried to talk about them in each category, but will summarize the important ones here.<br \/>\nThe TTArtisan looks better when it comes to build quality, as well as sunstars and slightly better when it comes to off center sharpness at mid distances and flare resistance whereas the Zhong Yi looks better in terms of vignetting, sharpness at infinity, coma correction and slightly better when it comes to bokeh rendering and distortion.<br \/>\nChoose the lens that better fits your applications!<br \/>\n<em>buy from <a href=\"https:\/\/amzn.to\/32uDOpH\">amazon.com<\/a> |&nbsp;<a href=\"https:\/\/amzn.to\/3995Qbq\">amazon.de<\/a> | <a href=\"https:\/\/bhpho.to\/3hcbr3C\">B&amp;H<\/a> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?_from=R40&amp;_trksid=m570.l1313&amp;_nkw=ttartisan+50mm+0.95&amp;_sacat=0&amp;LH_TitleDesc=0&amp;_osacat=0&amp;_odkw=laowa+9mm+5.6&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.com<\/a> | <a href=\"https:\/\/www.ebay.de\/sch\/i.html?_from=R40&amp;_trksid=m570.l1313&amp;_nkw=ttartisan+50mm+0.95&amp;_sacat=0&amp;LH_TitleDesc=0&amp;_osacat=0&amp;_odkw=laowa+9mm+5.6&amp;mkrid=707-53477-19255-0&amp;siteid=77&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.de<\/a> for <strong>$755<\/strong> (advertisement\/affiliate links)<\/em><\/p>\n<p><em><strong>Leica Noctilux-M 50mm 0.95:<\/strong><\/em><br \/>\nI have never used this lens personally, mainly due to it being roughly 12 grand. I would expect the Leica lens to do better in certain scenarios (e.g. flare resistance) but I cannot compare these lenses personally due to reasons mentioned above.<br \/>\nIf you have a spare 12 grand and want to check please consider using one of these affiliate links.<br \/>\n<em>buy from <a href=\"https:\/\/amzn.to\/3jtzCwy\">amazon.com<\/a> | <a href=\"https:\/\/amzn.to\/2WQNiIn\">amazon.de<\/a> | <a href=\"https:\/\/bhpho.to\/3hj2g1x\">B&amp;H<\/a> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?_from=R40&amp;_trksid=m570.l1313&amp;_nkw=noctilux+50mm+0.95&amp;_sacat=0&amp;LH_TitleDesc=0&amp;_osacat=0&amp;_odkw=7artisans+50mm+1.1+leica+m&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.com<\/a> | <a href=\"https:\/\/www.ebay.de\/sch\/i.html?_from=R40&amp;_trksid=p2334524.m570.l1313.TR8.TRC2.A0.H0.Xnoctilux+50mm+0.95.TRS0&amp;_nkw=noctilux+50mm+0.95&amp;_sacat=0&amp;LH_TitleDesc=0&amp;_osacat=0&amp;_odkw=7artisans+50mm+1.2+leica+m&amp;mkrid=707-53477-19255-0&amp;siteid=77&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.de<\/a> for <strong>$12.500<\/strong> (advertisement\/affiliate links)<\/em><\/p>\n<p><em><strong>SLRmagic 50mm 0.95 Hyperprime:<\/strong><\/em><br \/>\nIt seems this has only been manufacturerd for a short time and I don&#8217;t know much about it. There is a <a href=\"https:\/\/www.opticallimits.com\/leicam\/861-slrmagic50t095\">test at opticallimits<\/a> that might give you an idea.<\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/7artisans-50mm-f-1-1-review\/\"><strong><em>7Artisans 50mm 1.1:<\/em><\/strong><\/a><br \/>\nThis is a very different lens as it is not optimized to give smooth bokeh at maximum aperture but rather nervous bokeh with lots of field curvature. Does not fit my taste, but maybe the cheapest option to get a new very fast 50mm lens.<br \/>\n<em>buy from <a href=\"https:\/\/amzn.to\/2OER8zz\">amazon.com<\/a> | <a href=\"https:\/\/amzn.to\/2OGp2nw\">amazon.de<\/a> | <a href=\"https:\/\/bhpho.to\/2OGoI8i\">B&amp;H<\/a> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?_from=R40&amp;_trksid=m570.l1313&amp;_nkw=7artisans+50mm+1.1+leica+m&amp;_sacat=0&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.com<\/a> | <a href=\"https:\/\/www.ebay.de\/sch\/i.html?_from=R40&amp;_trksid=m570.l1313&amp;_nkw=7artisans+50mm+1.2+leica+m&amp;_sacat=0&amp;mkrid=707-53477-19255-0&amp;siteid=77&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.de<\/a> for <strong>$349<\/strong> (advertisement\/affiliate links)<\/em><\/p>\n<p><a href=\"https:\/\/phillipreeve.net\/blog\/review-voigtlander-vm-50mm-1-2-nokton\/\"><strong><em>Voigtlander VM 50mm 1.2 Nokton:<\/em><\/strong><\/a><br \/>\nSee E-mount version above.<br \/>\n<em>buy from <a href=\"https:\/\/shop.cameraquest.com\/voigtlander-leica-mount-lenses\/\">CameraQuest<\/a> | <a href=\"https:\/\/bhpho.to\/2Fp4JcD\">B&amp;H<\/a> | <a href=\"https:\/\/amzn.to\/32FCNJm\">amazon.com<\/a> | <a href=\"https:\/\/www.ebay.com\/sch\/i.html?LH_CAds=&amp;_ex_kw=&amp;_fpos=&amp;_fspt=1&amp;_mPrRngCbx=1&amp;_nkw=voigtlander+50mm+1.2+vm+nokton&amp;_sacat=625&amp;_sadis=&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.com<\/a> |&nbsp;<a href=\"https:\/\/www.ebay.de\/sch\/i.html?_ex_kw=&amp;_mPrRngCbx=1&amp;_nkw=voigtlander+50mm+1.2+vm+nokton&amp;_sacat=625&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=707-53477-19255-0&amp;siteid=77&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\">ebay.de<\/a> for <strong>$1.059 <\/strong>(advertisement\/affiliate links)<\/em><\/p>\n<h1>Conclusion<\/h1>\n<table>\n<tbody>\n<tr>\n<td><strong>good<\/strong><\/p>\n<ul>\n<li><span style=\"color: #339966;\">f\/0.95<\/span><\/li>\n<li><span style=\"color: #339966;\">bokeh (mostly)<\/span><\/li>\n<li><span style=\"color: #339966;\">infinitiy performance (sharp across frame at f\/2.0 (M10) and f\/2.8 (R2))<\/span><\/li>\n<\/ul>\n<\/td>\n<td><strong>average<\/strong><\/p>\n<ul>\n<li>correction of CA<\/li>\n<li>coma correction<\/li>\n<li>distortion<\/li>\n<li>vignetting<\/li>\n<li>build quality and handling<\/li>\n<li>size\/weight<\/li>\n<li>price<\/li>\n<\/ul>\n<\/td>\n<td><strong>not good<\/strong><\/p>\n<ul>\n<li><span style=\"color: #ff0000;\">flare resistance<\/span><\/li>\n<li><span style=\"color: #ff0000;\">slight focus shift<\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><em><strong>As a Sony user:<br \/>\n<\/strong><\/em>This is now the 6th 50mm 0.95 lens that I have tried\/reviewed and if you look at the table above it may not seem like such a great lens at first sight with many entries in the &#8220;average&#8221; column, yet a 50mm 0.95 lens with (almost) no entries in the disadvantages column could be considered a great archivement, keeping in mind how difficult it is to design such a lens while staying in reasonable limits of price and size (see Nikon 58mm 0.95 or Leica 50mm 0.95).<\/p>\n<p>What surprised me here was the good performance at infinity in terms of sharpness and coma correction when you stop the lens down a bit, the Zhong Yi 50mm 0.95 M clearly surpasses its E-mount brothers as well as the TTArtisan 50mm 0.95 M here.<br \/>\nTherefore this M-mount version is a slightly more versatile lens, as I would not mind using it for some infinity landscape shooting, too.<br \/>\nIf this is something that kept you from buying one of the E-mount versions you may actually be more happy adapting this M-mount version to your Sony camera.<\/p>\n<p>Like with the previous Zhong Yi lenses the achilles heel is still the flare resistance. That the lens does not ship with a hood is not making things better, even though it is questionable if it would have really helped.<\/p>\n<p>When the conditions were right (no point light sources in or close to the frame) the lens was enjoyable to use and gave &#8211; to my eyes &#8211; pleasing results.<\/p>\n<p><em><strong>As a Leica user:<\/strong><\/em><\/p>\n<figure id=\"attachment_25607\" aria-describedby=\"caption-attachment-25607\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25607\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/A7309942.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"473\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/A7309942.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/A7309942-300x177.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/A7309942-768x454.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25607\" class=\"wp-caption-text\">Zhong Yi 50mm 0.95 M on Leica M10<\/figcaption><\/figure>\n<p>I will assume that you can not afford the Leica Noctilux 50mm 0.95, so in this case the <a href=\"https:\/\/phillipreeve.net\/blog\/review-ttartisan-50mm-0-95\/\">TTArtisan 50mm 0.95<\/a> is the only real alternative left, therefore I talked about the differences in great detail in every section and summarized them in the alternatives section.<br \/>\nLet me add: none of these two lenses is perfect, both come with compromises that you either must be willing to take or work around, but if you are looking for an affordable 50mm 0.95 lens I would rather recommend this Zhong Yi lens, as in the end I was more pleased by the results I got from it.<\/p>\n<p><em>buy from <a href=\"https:\/\/zyoptics.net\/product\/mitakon-speedmaster-50mm-f-0-95-leica-m\/?ref=BastianK\">manufacturer&#8217;s shop<\/a>, <a href=\"https:\/\/amzn.to\/39bf491\">amazon.com<\/a> or <a href=\"https:\/\/bhpho.to\/368lvrf\">B&amp;H<\/a> for <strong>$499<\/strong> (advertisement\/affiliate links)<\/em><\/p>\n<h1>Sample Images<\/h1>\n<figure id=\"attachment_25402\" aria-describedby=\"caption-attachment-25402\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25402\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_12.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_12.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_12-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_12-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25402\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25394\" aria-describedby=\"caption-attachment-25394\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25394\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_4.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_4-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_4-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25394\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25393\" aria-describedby=\"caption-attachment-25393\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25393\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_3.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_3.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_3-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_3-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25393\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25498\" aria-describedby=\"caption-attachment-25498\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25498\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_29.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_29.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_29-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_29-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25498\" class=\"wp-caption-text\">Leica M10 | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25497\" aria-describedby=\"caption-attachment-25497\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25497\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_28.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_28.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_28-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/08\/ZY_50mm_0.95_M_sample_28-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25497\" class=\"wp-caption-text\">Leica M10 | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25441\" aria-describedby=\"caption-attachment-25441\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25441\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_24.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_24.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_24-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_24-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25441\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/1.4<\/figcaption><\/figure>\n<figure id=\"attachment_25392\" aria-describedby=\"caption-attachment-25392\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25392\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_2.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_2-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_2-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25392\" class=\"wp-caption-text\">Sony A7rII | Zhong Yi 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<figure id=\"attachment_25443\" aria-describedby=\"caption-attachment-25443\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-25443\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_26.jpg\" alt=\"zhong yi mitakon 50mm 0.95 m-mount leica m10 sony a7riii a7riv sharpness bokeh resolution contrast review\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_26.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_26-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2020\/07\/ZY_50mm_0.95_M_sample_26-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-25443\" class=\"wp-caption-text\">Sony A7rII | Zhong YI 50mm 0.95 M | f\/0.95<\/figcaption><\/figure>\n<p><em>Most of the sample images in this review can be found in full resolution <a href=\"https:\/\/www.flickr.com\/photos\/181621809@N02\/albums\/72157715550414992\">here<\/a>.<\/em><\/p>\n<h1>Further Reading<\/h1>\n<ul>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/fe-lenses-sony-comprehensive-independent-guide\/\">Sony FE lenses: Our comprehensive and independent guide<\/a><\/li>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/best-astro-photography-lenses-for-the-sony-a7-series\/\">Best lenses for Astrophotography<\/a><\/li>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/review-sigma-35mm-1-2-art-dg-dn\/\">Review: Sigma 35mm 1.2 Art<\/a><\/li>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-mitakon-135mm-1-4-speedmaster\/\">Review:&nbsp;Zhong Yi 135mm 1.4<\/a><\/li>\n<\/ul>\n<h2>Support Us<\/h2>\n<p>Did you find this article useful or just liked reading it? Treat us to a coffee!<br \/>\n<a href=\"https:\/\/www.paypal.com\/donate\/?hosted_button_id=3K9EJRRQVXT4J\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40345 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2023\/06\/donate2.png\" alt=\"\" width=\"103\" height=\"29\"><\/a><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\"> <span style=\"color: #999999;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\"><em>via Paypal<\/em><\/span><\/p>\n<p>This site contains advertisement\/affiliate links. If you make a purchase using any of the links marked as advertisement\/affiliate links, I may receive a small commission at no additional cost to you. This helps support the creation of future content.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction After the TTArtisan 50mm 0.95 we got another unexpected 50mm 0.95 M-mount contender in 2020, this time from Zhong Yi, who already have some experience with making 50mm 0.95 lenses for other systems. Let us try to found out who offers the better affordable f\/0.95 for M-mount! This lens will be reviewed on the &hellip; <a href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-50mm-0-95-m\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Review: Zhong Yi 50mm 0.95 M<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4708,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[57,18,272],"tags":[],"class_list":["post-25360","post","type-post","status-publish","format-standard","hentry","category-leica-m","category-review","category-zhong-yi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Review: Zhong Yi 50mm 0.95 M - phillipreeve.net<\/title>\n<meta name=\"description\" content=\"Zhong Yi is a bit of an expert when it comes to 50mm f\/0.95 lenses. Now they decided to produce the Zhong Yi 50mm 0.95 M lens for Leica M-Mount, but\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phillipreeve.net\/blog\/review-zhong-yi-50mm-0-95-m\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review: Zhong Yi 50mm 0.95 M - phillipreeve.net\" \/>\n<meta property=\"og:description\" content=\"Zhong Yi is a bit of an expert when it comes to 50mm f\/0.95 lenses. 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