{"id":5598,"date":"2016-11-03T20:36:39","date_gmt":"2016-11-03T19:36:39","guid":{"rendered":"http:\/\/phillipreeve.net\/blog\/?p=5598"},"modified":"2026-03-24T13:38:45","modified_gmt":"2026-03-24T12:38:45","slug":"quick-review-tokina-35mm-2-8-macro-at-x-pro-dx","status":"publish","type":"post","link":"https:\/\/phillipreeve.net\/blog\/quick-review-tokina-35mm-2-8-macro-at-x-pro-dx\/","title":{"rendered":"Quick Review: Tokina 35mm 2.8 Macro AT-X Pro DX"},"content":{"rendered":"<h1>Introduction<\/h1>\n<figure id=\"attachment_5618\" aria-describedby=\"caption-attachment-5618\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5618\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro.jpg\" alt=\"Sony A7rII + Tokina 35mm 2.8 DX macro AT-X Pro\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5618\" class=\"wp-caption-text\">Sony A7rII + Tokina 35mm 2.8 DX macro AT-X Pro<\/figcaption><\/figure>\n<p>The Tokina 35mm 2.8 Macro is an APS-C (DX) lens and actually quite old already (introduced around 2008). As I am using two cameras from the A7 series I am rarely interested in APS-C lenses, but this one caught my attention for several reasons:&nbsp; I was looking for a moderate&nbsp;wide angle macro lens, it features 9 rounded aperture blades, it is quite small and cheap and I got word that it covers the whole full frame sensor at larger magnifications. Read on to find out whether my expectations were met!<\/p>\n<h1>Sample Images<\/h1>\n<figure id=\"attachment_5644\" aria-describedby=\"caption-attachment-5644\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5644 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_duck.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_duck.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_duck-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_duck-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5644\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30620236821\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_5645\" aria-describedby=\"caption-attachment-5645\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5645 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_leave_macro.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_leave_macro.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_leave_macro-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_leave_macro-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5645\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30408390910\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_5633\" aria-describedby=\"caption-attachment-5633\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5633 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_mushroom.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_mushroom.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_mushroom-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_mushroom-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5633\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30671568626\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<p><!--more--><\/p>\n<h2>Quick Review?<\/h2>\n<p>I did intend to write an in depth review and&nbsp;to keep this as a special purpose lens for wide angle macro photography. Unfortunately there is one negative aspect that bothers me so&nbsp;much I won&#8217;t bother taking more time with this lens and instead send it back to the dealer.&nbsp; I will nevertheless summarize my findings, so in case you are interested in this lens take this as a word of caution&#8230;<\/p>\n<h1>APS-C lenses on fullframe cameras<\/h1>\n<p>The Tokina 35mm 2.8 macro DX is an APS-C lens and designed with a smaller sensor in mind. When attaching and APS-C lens to a fullframe sensor this will usually lead to bad performance towards the border regions and\/or even completely black corners.<br \/>\nStill: there are a few APS-C lenses that can be used with almost no limitations on a fullframe camera. This is often especially true for macro lenses near the minimum focus distance. So because of this &#8211; and also due to the lack of alternatives when it comes to wide angle macro lenses &#8211; I gave this one a try.<\/p>\n<h1>Specifications \/ Version History<\/h1>\n<p>Tokina and Pentax have a long history of working together and optically this lens is the same as the Pentax HD DA Limited&nbsp; 35mm 2.8 Macro. I didn&#8217;t get my hands on the Pentax incarnation so I can&#8217;t tell you if it is better made in any way. The Tokina version comes in Nikon-F and Canon EF-S mount but both seem to be discontinued.<\/p>\n<p>I am reviewing the Nikon-F version here which has the following specifications:<\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>Diameter: 60 mm<\/li>\n<li>Field of view: 63\u00b0 (diagonally, on fullframe)<\/li>\n<li>Length:&nbsp; 73 mm<\/li>\n<li>Weight: 340g (without adapter)<\/li>\n<li>Filter Diameter: 52 mm<\/li>\n<li>Number of Aperture Blades: 9 (rounded)<\/li>\n<li>Elements\/Groups: 9\/8<\/li>\n<li>Close Focusing Distance: 0.14 m (measured from sensor)<\/li>\n<li>Maximum Magnification: 1:1<\/li>\n<li>Mount: Nikon-F<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><em>You can get one used at <a href=\"https:\/\/www.ebay.com\/sch\/i.html?LH_CAds=&amp;_ex_kw=&amp;_fpos=&amp;_fspt=1&amp;_mPrRngCbx=1&amp;_nkw=tokina+35mm+2.8&amp;_sacat=625&amp;_sadis=&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\" target=\"_blank\" rel=\"noopener\">ebay.com<\/a><img decoding=\"async\" style=\"text-decoration: none; border: 0; padding: 0; margin: 0;\" src=\"http:\/\/rover.ebay.com\/roverimp\/1\/711-53200-19255-0\/1?ff3=9&amp;pub=5575156171&amp;toolid=10001&amp;campid=5337820268&amp;customid=&amp;uq=tokina+35mm+2.8&amp;mpt=[CACHEBUSTER]\"> starting <strong>200$<\/strong> or get one of the few new ones left at <a href=\"http:\/\/amzn.to\/2fo1PXO\">amazon.com<\/a><\/em><em>&nbsp;for <strong>320$ <\/strong><\/em><em>(advertisement\/affiliate links)<br \/>\n<\/em><\/p>\n<h1>Handling \/ Build Quality<\/h1>\n<figure id=\"attachment_5619\" aria-describedby=\"caption-attachment-5619\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5619 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro_handling.jpg\" alt=\"Sony A7rII + Tokina 35mm 2.8 DX macro AT-X Pro\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro_handling.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro_handling-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/10\/tokina_35_2.8_dx_atx-pro_handling-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5619\" class=\"wp-caption-text\">Tokina 35mm 2.8 DX macro AT-X Pro<\/figcaption><\/figure>\n<p>On my Nikon DSLRs I have used some Tokina lenses in the past and <strong>never find fault with their build quality<\/strong> and luckily this 35mm is no exception here. The outer casing seems to be made from high quality polycarbonate but the lens feels <strong>very solid<\/strong> nevertheless. It features Tokina&#8217;s &#8220;focus clutch&#8221; mechanism: you can pull the focus ring backwards for manual focus and forward for autofocus (on Nikon DSLRs with built in motor). I will of course concentrate on the MF experience here. The <strong>focus ring actually feels quite nice<\/strong>, especially for an AF lens, I am tempted to go as far and say this is one of the best focus rings on an AF lens I have experienced so far.&nbsp; It takes roughly<strong> 150\u00b0 from 0.14m to infinity.<\/strong> What is worth to mention though: it takes about <strong>130\u00b0 from 0.14m to 0.30m and only 20\u00b0 from 0.30m to infinity<\/strong>, this makes setting precise focus in the macro range an easy task but one has to be more careful at distances between 0.5 and ~20m. For a dedicated macro lens this is not an unusual design decision and I actually don&#8217;t intend on using this lens outside the macro range (much), so this doesn&#8217;t bother me, but YMMV. There is also a focus limiter but for manual focusing using it hardly makes any sense.<br \/>\nThe inner barrel <strong>extends quite a bit when focusing closer<\/strong>, at infinity it is recessed inside the outer barrel, at minimum focus distance it sticks out 19mm (without the small supplied hood).<br \/>\nAs this is an G-type lens you will need a Nikon-G -&gt; Sony-E adapter to control the aperture, see <a href=\"http:\/\/phillipreeve.net\/blog\/how-to-adapt-nikon-g-lenses-to-sony-a7-series-cameras\/\">this article<\/a> for further information.<\/p>\n<h1>Vignetting<\/h1>\n<p><em>infinity<\/em><\/p>\n<figure id=\"attachment_5635\" aria-describedby=\"caption-attachment-5635\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5635 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_infinity.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_infinity.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_infinity-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_infinity-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5635\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/8.0 | focused at infinity | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30709717915\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<p><em>close focus<\/em><\/p>\n<figure id=\"attachment_5634\" aria-describedby=\"caption-attachment-5634\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5634 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_close.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_close.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_close-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_vignetting_close-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5634\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | focused near minimum focus distance | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30076590644\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<p>The Tokina 35mm 2.8 macro is an APS-C lens so one would expect completely black corners on a fullframe camera but this is only partially true:<strong> focused at infinity<\/strong> (stopped down) you get indeed <strong>black corners<\/strong>, but in the <strong>macro range this does not happen<\/strong> regardless of the aperture in use. It is a good idea not to use the small hood, as it makes things worse. Still, this is of course <strong>not a good choice for shooting landscape or architecture on a fullframe camera<\/strong>.<\/p>\n<h1>Sharpness<\/h1>\n<p><em>infinity<\/em><\/p>\n<p>Many macro lenses are optimized for closer distances and somewhat struggle when focused at infinity. This seems not to be the case here, but as you get black corners when focusing at infinity on a fullframe camera &#8211; and I didn&#8217;t intend to use this lens for landscape shooting at these distances &#8211; I also didn&#8217;t evaluate this in detail.<\/p>\n<p><em>close focus<\/em><\/p>\n<figure id=\"attachment_5621\" aria-describedby=\"caption-attachment-5621\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5621\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro.jpg\" alt=\"Sony A7rII + Tokina 35mm 2.8 DX macro AT-X Pro\" width=\"800\" height=\"540\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro-300x203.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro-768x518.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5621\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | 100% crop<\/figcaption><\/figure>\n<p><strong>Excellent already wide open<\/strong>. Simple as that. Take a look at the crop above. This is a 100% crop from a 42mp A7rII file shot wide open. <strong>Does it get any better than this?<\/strong><\/p>\n<h1>Flare resistance<\/h1>\n<figure id=\"attachment_5629\" aria-describedby=\"caption-attachment-5629\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5629 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_levae.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_levae.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_levae-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_levae-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5629\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/4.0 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30077691724\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<p>The <strong>coatings are the achilles&#8217; heel of all Tokina lenses I have used<\/strong> so far. Each and every one I have used showed disastrous behaviour with point light sources inside or near the frame and unfortunately <strong>the 35mm 2.8 macro is no exception<\/strong> here. To be honest this <strong>might even be the worst lens I have ever used<\/strong> in this regard. Ghosting is rather well behaved for a Tokina lens but sill nothing to write home about compared to newer lenses with better coatings. But what has really <strong>ruined many images<\/strong> is that in contralit situations you can quite easily experience <strong>glare and very strange artifacts all over the frame<\/strong>. Even the slightest hint of light from behind the subject will easiliy suffice to ruin your shots.<br \/>\nA small <strong>change in perspective won&#8217;t help<\/strong>. Using the very small <strong>hood makes no difference<\/strong>. Further shading the lens won&#8217;t help. I even thought it might be the adapter&#8217;s fault but I can easily recreate this behaviour on a Nikon D5100 APS-C DSLR.<br \/>\nJust in case I wasn&#8217;t clear enough so far: this is not the usual one shot in a thousand that is ruined because of a lens flare, <strong>this is a constant problem I experienced in so many shots I stopped counting<\/strong>. Performance against bright light is simply <strong><em>the worst<\/em><\/strong>.<\/p>\n<figure id=\"attachment_5630\" aria-describedby=\"caption-attachment-5630\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5630 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_mushroom.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_mushroom.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_mushroom-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_mushroom-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5630\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30076515534\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<h1>Distortion<\/h1>\n<p><strong>Very minor barrel distortion, <\/strong>not an issue for anything but reproduction work.<\/p>\n<h1>Bokeh<\/h1>\n<figure id=\"attachment_5637\" aria-describedby=\"caption-attachment-5637\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5637 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5637\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30673030586\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<p>When it comes to macro lenses <strong>bokeh is very important to me<\/strong>. Because of the very shallow depth of field in the macro range also the bokeh when stopping the lens down is important for me and the <strong>number and shape of the aperture blades<\/strong> is the most significant factor here. Luckily Tokina didn&#8217;t chimp on the aperture blades (as Sony did with their new <a href=\"http:\/\/phillipreeve.net\/blog\/rolling-review-sony-fe-2-850-macro\/\">FE <\/a><a href=\"http:\/\/phillipreeve.net\/blog\/rolling-review-sony-fe-2-850-macro\/\">50mm 2.8 macro<\/a> lens) and decided to go for <strong>9 rounded aperture blades<\/strong>. Because of this the <strong>light circles stay pretty much round until f\/5.6 and don&#8217;t distract from the subject<\/strong>, as I think the hexagons from the C\/Y lenses or the heptagons from many other lenses with 7 straight aperture blades do.<br \/>\nThe <strong>quality of the bokeh is highly dependent on the focusing distance<\/strong> here: near minimum focus distance I can hardly find any fault, but in case your subject is farther away the background can be a little less smooth (take a look at the ship in the background).<\/p>\n<figure id=\"attachment_5638\" aria-describedby=\"caption-attachment-5638\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5638 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh_further.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh_further.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh_further-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_bokeh_further-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5638\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30074224733\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<h1>Chromatic aberrations<\/h1>\n<p><em>longitudinal<\/em><\/p>\n<figure id=\"attachment_5639\" aria-describedby=\"caption-attachment-5639\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5639 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_loca.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"478\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_loca.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_loca-300x179.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_loca-768x459.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5639\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | 33% crop<\/figcaption><\/figure>\n<p>There are some traces of magenta before and green behind the focus plane. <strong>Ok performance<\/strong> here.<\/p>\n<p><em>lateral<\/em><\/p>\n<p>Towards the borders and corners you can spot <strong>some<\/strong> <strong>lateral&nbsp;CAs <\/strong>which can be corrected in post, as can be seen in the example below (100% crop).<br \/>\n<div class=\"twentytwenty\" class=\"twentytwenty-container\" style=\"display: none; max-width: 100%; width: 793px; height: 529px\"><img decoding=\"async\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_ca_nocorrect.jpg\"\/><img decoding=\"async\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina35mm_2.8_eye_macro_corrected.jpg\"\/><\/div><br \/>\n<em><span style=\"color: #666666;\">Sony A7rII | Tokina 35mm 2.8 | f\/8.0 | CA 100% crop before\/after border<\/span><\/em><\/p>\n<h1>Alternatives<\/h1>\n<p>The problem is, there isn&#8217;t really an alternative to this lens I know of (in case you know of a ~35mm macro lens which covers fullframe with 7+ rounded aperture blades: please tell me in the comment section).<br \/>\nSo you are pretty much &#8220;stuck&#8221; with the 50mm lenses.<\/p>\n<p><span style=\"text-decoration: underline;\"><a href=\"https:\/\/phillipreeve.net\/blog\/hd-pentax-da-35mm-f2-8-macro-ltd-quick-review\/\"><em><strong>Pentax HD 35mm 2.8 DA Ltd:<\/strong><\/em><\/a><br \/>\n<\/span>David got himself the Pentax version and it seems to handle lens flare way better, have a look at his review.<span style=\"text-decoration: underline;\"><br \/>\n<\/span><\/p>\n<p><a href=\"http:\/\/phillipreeve.net\/blog\/rolling-review-sony-fe-2-850-macro\/\"><span style=\"text-decoration: underline;\"><strong><em>Sony FE 50mm 2.8 Macro<\/em><\/strong><\/span><\/a><br \/>\nThis one is pretty new and a bit more expensive but seems to be a good performer from what I have read in Phillip&#8217;s review. Unfortunately the 7 rather straight aperture blades will keep me from buying this one.<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>50\/55mm legacy macro lenses<\/strong><\/span><br \/>\nYou can find 50mm and sometimes 55mm (D)SLR lenses from many manufactureres including Nikon, Canon, Pentax, Zeiss and many more. I didn&#8217;t yet test any of them as they usually feature 7 straight aperture blades.<\/p>\n<h1>Conclusion<\/h1>\n<table>\n<tbody>\n<tr>\n<td><strong>good<\/strong><\/p>\n<ul>\n<li><span style=\"color: #339966;\">bokeh (at close distances) also stopped down thanks to 9 rounded aperture blades<br \/>\n<\/span><\/li>\n<li><span style=\"color: #339966;\">sharpness\/contrast already at f\/2.8<\/span><\/li>\n<li><span style=\"color: #339966;\">build quality<\/span><\/li>\n<li><span style=\"color: #339966;\">distortion<\/span><\/li>\n<li><span style=\"color: #339966;\">price (used)<\/span><\/li>\n<li><span style=\"color: #339966;\">size\/weight<\/span><\/li>\n<\/ul>\n<\/td>\n<td><strong>average<\/strong><\/p>\n<ul>\n<li>correction of CA<\/li>\n<li>vignetting (rating based on APS-C frame)<\/li>\n<li>bokeh (at medium distances)<\/li>\n<\/ul>\n<\/td>\n<td><strong>not good<\/strong><\/p>\n<ul>\n<li><span style=\"color: #ff0000;\">flare resistance<br style=\"color: #ff0000;\"><\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>The table above is pretty good as describing what bugs me so much here: the <strong>Tokina 35mm 2.8 is a great lens<\/strong>, it is small, it is sharp and contrasty, it doesn&#8217;t cost a fortune, when focused close shows very smooth bokeh (and even focuses down to 1:1 without an extension ring). If it just weren&#8217;t for that <strong>abysmal performance against bright<\/strong> <strong>light<\/strong>.&nbsp; This is pretty much the <strong>only real flaw<\/strong> I can find with this lens but such a big one it will keep me from keeping this lens.<br \/>\nThere are many aspects of a lens I could turn a blind eye on but this has really proved to be a <strong>showstopper<\/strong> for me as it can and <strong>will ruin your shots<\/strong> no matter what.<\/p>\n<p>I can only recommend this lens in case you merely intend to use it <strong>under controlled lighting<\/strong> where you can completely rule out any contra light.<\/p>\n<p><em>You can get one used at <a href=\"https:\/\/www.ebay.com\/sch\/i.html?LH_CAds=&amp;_ex_kw=&amp;_fpos=&amp;_fspt=1&amp;_mPrRngCbx=1&amp;_nkw=tokina+35mm+2.8&amp;_sacat=625&amp;_sadis=&amp;_sop=12&amp;_udhi=&amp;_udlo=&amp;_fosrp=1&amp;mkrid=711-53200-19255-0&amp;siteid=0&amp;mkcid=1&amp;campid=5337820268&amp;toolid=10001&amp;customid=&amp;mkevt=1\" target=\"_blank\" rel=\"noopener\">ebay.com<\/a><img decoding=\"async\" style=\"text-decoration: none; border: 0; padding: 0; margin: 0;\" src=\"http:\/\/rover.ebay.com\/roverimp\/1\/711-53200-19255-0\/1?ff3=9&amp;pub=5575156171&amp;toolid=10001&amp;campid=5337820268&amp;customid=&amp;uq=tokina+35mm+2.8&amp;mpt=[CACHEBUSTER]\"> starting <strong>200$<\/strong> or get one of the few new ones left at <a href=\"http:\/\/amzn.to\/2fo1PXO\">amazon.com<\/a>&nbsp;for <strong>320$ <\/strong>(advertisement\/affiliate links)<\/em><\/p>\n<h1>Sample Images<\/h1>\n<figure id=\"attachment_5643\" aria-describedby=\"caption-attachment-5643\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5643 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_chicken.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_chicken.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_chicken-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_chicken-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5643\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30620067751\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_5647\" aria-describedby=\"caption-attachment-5647\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5647 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_rocks.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"450\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_rocks.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_rocks-300x169.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_rocks-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5647\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30408144550\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_5628\" aria-describedby=\"caption-attachment-5628\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5628 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_leaves.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_leaves.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_leaves-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_leaves-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5628\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | 100% crop | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30591628882\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_5631\" aria-describedby=\"caption-attachment-5631\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5631 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_portrait.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_portrait.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_portrait-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_portrait-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5631\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30074248113\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_5627\" aria-describedby=\"caption-attachment-5627\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5627 size-full\" src=\"http:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_flower.jpg\" alt=\"tokina macro makro 35mm 2.8 sony a7 a7rII a7rm2 close backlit flare sharpness\" width=\"800\" height=\"534\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_flower.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_flower-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2016\/11\/tokina_35mm_2.8_flower-768x513.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-5627\" class=\"wp-caption-text\">Sony A7rII | Tokina 35mm 2.8 | f\/2.8 | <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/30074160353\/sizes\/l\" target=\"blank\" rel=\"noopener\">full resolution<\/a><\/figcaption><\/figure>\n<p>I have also set up a <a href=\"https:\/\/www.flickr.com\/photos\/140854680@N04\/albums\/72157672384804863\" target=\"_blank\" rel=\"noopener\">flickr album<\/a> which contains many shots taken with the 35mm 2.8 macro.<\/p>\n<h1>Further Reading<\/h1>\n<ul>\n<li><a href=\"http:\/\/phillipreeve.net\/blog\/wideangle-lenses-for-the-sony-alpha-7-series\/\">User guide to wide angle lenses for the Sony a7 series<\/a><\/li>\n<li><a href=\"http:\/\/phillipreeve.net\/blog\/tokina-x-macro-90mm-12-5-review\/\">Tokina AT-X 90mm 2.8 macro review<\/a><\/li>\n<li><a href=\"http:\/\/phillipreeve.net\/blog\/mini-tripods-for-mirrorless-cameras\/\">Mini tripods for mirrorless cameras<\/a><\/li>\n<\/ul>\n<h1>Support Us<\/h1>\n<p>Did you find this article useful or just liked reading it? Treat us to a coffee!<br \/>\n<a href=\"https:\/\/www.paypal.com\/donate\/?hosted_button_id=3K9EJRRQVXT4J\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40345 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2023\/06\/donate2.png\" alt=\"\" width=\"103\" height=\"29\"><\/a><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\"> <span style=\"color: #999999;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\"><em>via Paypal<\/em><\/span><\/p>\n<p>This site contains advertisement\/affiliate links. If you make a purchase using any of the links marked as advertisement\/affiliate links, I may receive a small commission at no additional cost to you. This helps support the creation of future content.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction The Tokina 35mm 2.8 Macro is an APS-C (DX) lens and actually quite old already (introduced around 2008). As I am using two cameras from the A7 series I am rarely interested in APS-C lenses, but this one caught my attention for several reasons:&nbsp; I was looking for a moderate&nbsp;wide angle macro lens, it &hellip; <a href=\"https:\/\/phillipreeve.net\/blog\/quick-review-tokina-35mm-2-8-macro-at-x-pro-dx\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Quick Review: Tokina 35mm 2.8 Macro AT-X Pro DX<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4708,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[7,51,18],"tags":[],"class_list":["post-5598","post","type-post","status-publish","format-standard","hentry","category-lenses","category-nikon","category-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Quick Review: Tokina 35mm 2.8 Macro AT-X Pro DX - 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