{"id":56632,"date":"2024-07-24T07:26:19","date_gmt":"2024-07-24T06:26:19","guid":{"rendered":"https:\/\/phillipreeve.net\/blog\/?p=56632"},"modified":"2024-07-24T07:26:19","modified_gmt":"2024-07-24T06:26:19","slug":"analogue-adventures-part-33-harman-phoenix-200","status":"publish","type":"post","link":"https:\/\/phillipreeve.net\/blog\/analogue-adventures-part-33-harman-phoenix-200\/","title":{"rendered":"Analogue Adventures \u2013 Part 33: Harman Phoenix 200"},"content":{"rendered":"<figure id=\"attachment_52676\" aria-describedby=\"caption-attachment-52676\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-52676\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/03\/Harman_Phoenix_200_Film.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/03\/Harman_Phoenix_200_Film.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/03\/Harman_Phoenix_200_Film-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/03\/Harman_Phoenix_200_Film-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-52676\" class=\"wp-caption-text\">Harman Phoenix 200<\/figcaption><\/figure>\n<p>This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, but I am not really sure this is the film we were hoping for, let me tell you why.<br \/>\n<em>Processing (C.41) and scanning was done at urbanfilmlab in Germany. The pictures in this article are from two rolls of film.<\/em><\/p>\n<figure id=\"attachment_56594\" aria-describedby=\"caption-attachment-56594\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56594\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_12.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_12.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_12-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_12-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56594\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56586\" aria-describedby=\"caption-attachment-56586\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56586\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_4.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_4-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56586\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56590\" aria-describedby=\"caption-attachment-56590\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56590\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_8.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_8-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56590\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56589\" aria-describedby=\"caption-attachment-56589\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56589\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_7.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_7.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_7-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_7-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56589\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56610\" aria-describedby=\"caption-attachment-56610\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56610\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_12.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_12.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_12-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_12-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56610\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<p><!--more--><\/p>\n<p>I do have a bit of a history with this film. I exposed my first roll in Turkey, but it got badly damaged by the new airport scanners to such a degree, that the negatives became almost unusable. I contacted my lab, then I contacted Harman and indeed the conclusion was, that this film apparently is very sensitive to those new scanners.<\/p>\n<p>Harman was actually very kind and sent me a handful of roles as replacement, two of which I exposed in Italy. This time there were no flights and airport scanners involved, so I was curious what the results would look like this time.<\/p>\n<figure id=\"attachment_56605\" aria-describedby=\"caption-attachment-56605\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56605\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_7.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_7.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_7-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_7-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56605\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56596\" aria-describedby=\"caption-attachment-56596\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56596\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_14.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_14.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_14-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_14-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56596\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56593\" aria-describedby=\"caption-attachment-56593\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56593\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_11.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_11.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_11-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_11-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56593\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56600\" aria-describedby=\"caption-attachment-56600\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56600\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_2.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_2-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_2-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56600\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56607\" aria-describedby=\"caption-attachment-56607\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56607\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_9.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_9.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_9-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_9-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56607\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56611\" aria-describedby=\"caption-attachment-56611\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56611\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_13.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_13.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_13-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_13-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56611\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<p>After having received the scans, I am sure this film won&#8217;t be everyone&#8217;s darling. I would describe it as high grain, high contrast\/low latitude and it comes with an orangey\/red color cast.<\/p>\n<p>Halation is also a bit of a problem here, I think it might be even worse than what I have seen from the <a href=\"https:\/\/phillipreeve.net\/blog\/analogue-adventures-part-7-cinestill-800t\/\">Cinestill 800T<\/a>.<\/p>\n<figure id=\"attachment_56606\" aria-describedby=\"caption-attachment-56606\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56606\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_8.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_8.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_8-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_8-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56606\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56608\" aria-describedby=\"caption-attachment-56608\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56608\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_10.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_10.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_10-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_10-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56608\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56602\" aria-describedby=\"caption-attachment-56602\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56602\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_4.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_4.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_4-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_FM2n_50mm1.8E_4-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56602\" class=\"wp-caption-text\">Nikon FM2 | Nikon 50mm 1.8 Series E | Harman Phoenix 200<\/figcaption><\/figure>\n<p>If you are looking for my honest opinion: I don&#8217;t think I am overly interested in buying more rolls of this Harman Phoenix 200. The results and colors actually remind me more of the expired films I have used and for my personal taste the grain level is simply too high and the latitude too low.<\/p>\n<p>But everyone is looking for something different when shooting film, so maybe this Harman Phoenix 200 is exactly what <em>you<\/em> are looking for.<\/p>\n<figure id=\"attachment_56598\" aria-describedby=\"caption-attachment-56598\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56598\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_16.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_16.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_16-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_16-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56598\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56595\" aria-describedby=\"caption-attachment-56595\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56595\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_13.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_13.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_13-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_13-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56595\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56591\" aria-describedby=\"caption-attachment-56591\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56591\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_9.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_9.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_9-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_9-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56591\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56584\" aria-describedby=\"caption-attachment-56584\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56584\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_2.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_2-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_2-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56584\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<figure id=\"attachment_56585\" aria-describedby=\"caption-attachment-56585\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-56585\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_3.jpg\" alt=\"harman phoenix 200 review nikon f analogue film italy garda venice venezia\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_3.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_3-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2024\/05\/Phoenix200_F80_24-70mm_2.8G_3-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-56585\" class=\"wp-caption-text\">Nikon F80 | Nikon AF-S 24-70mm 2.8G | Harman Phoenix 200<\/figcaption><\/figure>\n<h2>Further Reading<\/h2>\n<ul>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/photography\/analogue-adventures\/\">Analogue Adventures Landing Page<\/a><\/li>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/lenses\/leica-lenses\/\">Leica M lens reviews<\/a><\/li>\n<li><a href=\"https:\/\/phillipreeve.net\/blog\/bokeh-explained\/\">Bokeh explained<\/a><\/li>\n<\/ul>\n<h2>Support Us<\/h2>\n<p>Did you find this article useful or just liked reading it? Treat us to a coffee or a roll of film!<br \/>\n<a href=\"https:\/\/www.paypal.com\/donate\/?hosted_button_id=3K9EJRRQVXT4J\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-40345 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2023\/06\/donate2.png\" alt=\"\" width=\"103\" height=\"29\" \/><\/a><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><em>via Paypal<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, &hellip; <a href=\"https:\/\/phillipreeve.net\/blog\/analogue-adventures-part-33-harman-phoenix-200\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Analogue Adventures \u2013 Part 33: Harman Phoenix 200<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4708,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[291,51,311,106],"tags":[],"class_list":["post-56632","post","type-post","status-publish","format-standard","hentry","category-analogue","category-nikon","category-nikon-manufacturers","category-projects"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Analogue Adventures \u2013 Part 33: Harman Phoenix 200 - phillipreeve.net<\/title>\n<meta name=\"description\" content=\"The Harman Phoenix 200 is a newly developed C-41 colour negative film, but how does it actually compare to\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/phillipreeve.net\/blog\/analogue-adventures-part-33-harman-phoenix-200\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Analogue Adventures \u2013 Part 33: Harman Phoenix 200 - 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