{"id":76282,"date":"2025-08-27T08:16:40","date_gmt":"2025-08-27T07:16:40","guid":{"rendered":"https:\/\/phillipreeve.net\/blog\/?p=76282"},"modified":"2025-08-27T16:25:13","modified_gmt":"2025-08-27T15:25:13","slug":"understanding-f-numbers-and-light-transmission","status":"publish","type":"post","link":"https:\/\/phillipreeve.net\/blog\/understanding-f-numbers-and-light-transmission\/","title":{"rendered":"Understanding F-Numbers and Light Transmission"},"content":{"rendered":"<h2 data-start=\"118\" data-end=\"133\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-76931 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5896-test-L-E-800-test-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5896-test-L-E-800-test-2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5896-test-L-E-800-test-2-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5896-test-L-E-800-test-2-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/h2>\n<h2 data-start=\"118\" data-end=\"133\">Introduction<\/h2>\n<p data-start=\"135\" data-end=\"654\">When comparing camera lenses, one of the most commonly discussed features is how &#8220;fast&#8221; a lens is\u2014usually expressed in terms of f-numbers. But what do those numbers actually mean, and how precise are the differences we talk about, like \u201chalf a stop\u201d or \u201ctwo-thirds of a stop\u201d?<br data-start=\"411\" data-end=\"414\" \/>In this article, we\u2019ll unpack how f-numbers relate to light transmission, explore why the system isn\u2019t always as exact as it seems, and show you how to calculate these differences for yourself\u2014or simply reference our handy table at the end.<!--more--><\/p>\n<p data-start=\"135\" data-end=\"654\"><\/p>\n<h2 data-start=\"333\" data-end=\"522\">Background<\/h2>\n<p data-start=\"261\" data-end=\"512\">When we include alternative lens options in a review, we often highlight how much faster or slower they are compared to the lens being tested. For example, we might note that Lens A is half a stop faster, or that Lens B is one and a half stops slower.<\/p>\n<figure id=\"attachment_77016\" aria-describedby=\"caption-attachment-77016\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-77016\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5915-test.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5915-test.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5915-test-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5915-test-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-77016\" class=\"wp-caption-text\">Nikon&#8217;s older lenses (Ai\/Ai-s, E-series) are marked and clicked at full-stops only, except if their max aperture falls between two full stops<\/figcaption><\/figure>\n<p data-start=\"514\" data-end=\"781\">However, these figures are often only approximations. This is because lens and camera manufacturers have adopted different conventions over time, and the way aperture values are displayed doesn\u2019t always reflect the true mathematical differences in light transmission.<\/p>\n<figure id=\"attachment_76971\" aria-describedby=\"caption-attachment-76971\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-76971 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5850-test-2.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5850-test-2.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5850-test-2-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5850-test-2-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-76971\" class=\"wp-caption-text\">Some lenses, e.g. Carl Zeiss Pancolar, are marked at full stops only, except if their max apertures fall between two full-stops, like the Nikon lenses, but they have half-a-stop clicks<\/figcaption><\/figure>\n<p data-start=\"783\" data-end=\"990\">Most modern digital cameras show f-stops in one-third stop increments. Some older or mechanically simpler lenses use half-stop clicks on the aperture ring and some other only full stops. Both systems are convenient but not always precise.<\/p>\n<figure id=\"attachment_77017\" aria-describedby=\"caption-attachment-77017\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-77017\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5917-test.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5917-test.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5917-test-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5917-test-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-77017\" class=\"wp-caption-text\">Modern lenses either have one-third of a stop clicks or the aperture can be set by the camera at one-third of a stop<\/figcaption><\/figure>\n<p data-start=\"992\" data-end=\"1348\">Let\u2019s look at an example. Say you have a lens with half-stop increments and a maximum aperture of f\/1.7. The next step on the ring might be f\/2, implying that f\/1.7 to f\/2 is treated as half a stop. But what if the same lens used one-third stop steps instead\u2014would f\/1.8 appear between f\/1.7 and f\/2? And would that mean each step is now a third of a stop, which makes the same f\/1.7 to f\/2\u00a0 to be treated as 2\/3 stop?<\/p>\n<p data-start=\"992\" data-end=\"1348\"><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-1-understanding-f-numbers-and-light-transmission-97344\"><li class=\"active\"><a href=\"#ert_pane1-0\" data-toggle=\"tab\">1\/2 stop increments<\/a><\/li><li class=\"\"><a href=\"#ert_pane1-1\" data-toggle=\"tab\">1\/3 stop increments<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-1-understanding-f-numbers-and-light-transmission-97344\"><li class=\"tab-pane active\" id=\"ert_pane1-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-77400\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX1-kopiera.jpg\" alt=\"\" width=\"1600\" height=\"772\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX1-kopiera.jpg 1600w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX1-kopiera-300x145.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX1-kopiera-800x386.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX1-kopiera-768x371.jpg 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX1-kopiera-1536x741.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><br \/><\/li><li class=\"tab-pane \" id=\"ert_pane1-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-77401\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX2-kopiera.jpg\" alt=\"\" width=\"1600\" height=\"772\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX2-kopiera.jpg 1600w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX2-kopiera-300x145.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX2-kopiera-800x386.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX2-kopiera-768x371.jpg 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX2-kopiera-1536x741.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><br \/><\/li><\/ul><\/div><\/div><\/p>\n<p data-start=\"992\" data-end=\"1348\">These kinds of inconsistencies show how f-stop labels often reflect practical rounding rather than exact light differences.<\/p>\n<p data-start=\"2094\" data-end=\"2378\">In a recent article, I wrote that a lens with an f\/1.4 aperture is <em data-start=\"2161\" data-end=\"2169\">almost<\/em> two-thirds of a stop faster than a lens with an f\/1.7 aperture. I received a comment saying that this was incorrect and that the difference is actually half a stop. But the truth is, neither is exactly right.<\/p>\n<p data-start=\"2380\" data-end=\"2394\">To be precise:<\/p>\n<ul data-start=\"2396\" data-end=\"2481\">\n<li data-start=\"2396\" data-end=\"2439\">\n<p data-start=\"2398\" data-end=\"2439\">Half a stop slower than f\/1.4 is f\/1.68<\/p>\n<\/li>\n<li data-start=\"2440\" data-end=\"2481\">\n<p data-start=\"2442\" data-end=\"2481\">Two-thirds of a stop slower is f\/1.78<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"2483\" data-end=\"2556\">So, f\/1.7 lies between those two values. It isn\u2019t exactly either of them.<\/p>\n<p data-start=\"2558\" data-end=\"2819\">F\/1.68 is indeed closer to f\/1.7 than f\/1.78 is. However, since modern cameras typically show f-stops in one-third stop increments, I chose to describe the difference as <em data-start=\"2728\" data-end=\"2736\">almost<\/em> two-thirds of a stop\u2014to emphasise that it\u2019s an approximation, not a precise value.<\/p>\n<p data-start=\"2558\" data-end=\"2819\"><div class=\"osc-res-tab tabbable   osc-tabs-left\"><div style=\"clear:both;width: 100%;\"><ul class=\"nav osc-res-nav nav-tabs osc-tabs-left-ul\" id=\"oscitas-restabs-2-understanding-f-numbers-and-light-transmission-88179\"><li class=\"active\"><a href=\"#ert_pane2-0\" data-toggle=\"tab\">1\/2 stop increments<\/a><\/li><li class=\"\"><a href=\"#ert_pane2-1\" data-toggle=\"tab\">1\/3 stop increments<\/a><\/li><\/ul><\/div><div style=\"clear:both;width: 100%;\"><ul class=\"tab-content\" id=\"oscitas-restabcontent-2-understanding-f-numbers-and-light-transmission-88179\"><li class=\"tab-pane active\" id=\"ert_pane2-0\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-77404\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-scaled.jpg\" alt=\"\" width=\"2560\" height=\"959\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-scaled.jpg 2560w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-300x112.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-800x300.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-768x288.jpg 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-1536x575.jpg 1536w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX3-kopiera-2048x767.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><br \/><\/li><li class=\"tab-pane \" id=\"ert_pane2-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-77403\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-scaled.jpg\" alt=\"\" width=\"2560\" height=\"959\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-scaled.jpg 2560w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-300x112.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-800x300.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-768x288.jpg 768w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-1536x575.jpg 1536w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/EX4-2048x767.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><br \/><\/li><\/ul><\/div><\/div><\/p>\n<hr data-start=\"2821\" data-end=\"2824\" \/>\n<p data-start=\"2826\" data-end=\"2841\">Even if we wanted to discuss such small differences, there is another factor: rounding. Most manufacturers round the focal length and f\/stop values of their lenses, and sometimes graciously so.<\/p>\n<p data-start=\"2826\" data-end=\"2841\">Many f\/2.0 lenses are actually closer to f\/2.05, and your fancy f\/1.0 lens might be f\/1.05 in reality \u2014 just as most \u201c50\u202fmm\u201d rangefinder lenses are around 51.6\u202fmm.<\/p>\n<p data-start=\"2826\" data-end=\"2841\">And there is more: the f\/stop usually changes with the focus distance. An f\/2.8 macro lens might have the light-gathering capabilities of an f\/2.8 lens at infinity, but at its minimum focus distance, it might very well be only an f\/5.6 lens. On Nikon&#8217;s cameras, this will be correctly registered, but this is not the case for most other manufacturers.<\/p>\n<p data-start=\"2826\" data-end=\"2841\">On a German photography online board there is even a sticky post in the Nikon section explaining this, as people constantly complain that their pricey macro lens is slower than advertised because they do not understand the science behind it.<\/p>\n<figure id=\"attachment_76925\" aria-describedby=\"caption-attachment-76925\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-76925\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5908-test.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5908-test.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5908-test-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/DSC_5908-test-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-76925\" class=\"wp-caption-text\">Lenses with different max apertures<\/figcaption><\/figure>\n<hr \/>\n<h2 data-start=\"2826\" data-end=\"2841\">The Science<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-76939 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Drawing2.jpg\" alt=\"\" width=\"1305\" height=\"442\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Drawing2.jpg 1305w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Drawing2-300x102.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Drawing2-800x271.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Drawing2-768x260.jpg 768w\" sizes=\"auto, (max-width: 1305px) 100vw, 1305px\" \/><\/p>\n<p data-start=\"2843\" data-end=\"2999\">If you&#8217;re interested in the technical side\u2014or want to calculate it yourself\u2014here\u2019s the explanation. Otherwise, feel free to skip ahead to the table below.<\/p>\n<p data-start=\"3001\" data-end=\"3112\">The f-number (f# or f-stop) of a lens is a ratio between the lens\u2019s focal length and the diameter (D) of its aperture:<\/p>\n<p data-start=\"3114\" data-end=\"3161\"><strong data-start=\"3114\" data-end=\"3161\">f-number = focal length \/ aperture diameter<\/strong><\/p>\n<p data-start=\"3114\" data-end=\"3161\">( f# = focal length \/ D )<\/p>\n<p data-start=\"3163\" data-end=\"3190\">From that, we can also say:<\/p>\n<p data-start=\"3192\" data-end=\"3239\">D = focal length \/ f#<\/p>\n<p data-start=\"3241\" data-end=\"3518\">In photography, a \u201cfaster\u201d lens means it has a larger maximum aperture\u2014that is, a smaller f-number (f#). A larger aperture allows more light in because the opening is physically wider. Since the aperture is circular, we calculate its area (A) using the formula for the area of a circle based on its radius (r):<\/p>\n<p data-start=\"3520\" data-end=\"3543\">A = \u03c0\u00d7 r\u00b2<\/p>\n<p data-start=\"3545\" data-end=\"3581\">The radius (r) is half the diameter (D), so:<\/p>\n<p data-start=\"3583\" data-end=\"3614\">A = \u03c0(D \/ 2)\u00b2<\/p>\n<p data-start=\"3616\" data-end=\"3635\">Or<\/p>\n<p data-start=\"3616\" data-end=\"3635\">A = (\u03c0 \u00d7 D\u00b2) \/ 4<\/p>\n<p data-start=\"3670\" data-end=\"3738\">Now, using the formula for diameter-focal length-aperture (above), we substitute:<\/p>\n<p data-start=\"3740\" data-end=\"3788\">A = (\u03c0 \u00d7 (focal length \/ f#)\u00b2) \/ 4<\/p>\n<p data-start=\"3790\" data-end=\"3810\">Which simplifies to:<\/p>\n<p data-start=\"3812\" data-end=\"3861\">A = (\u03c0 \u00d7 focal length\u00b2) \/ (4 \u00d7 f#\u00b2)<\/p>\n<p data-start=\"3863\" data-end=\"3973\">This shows that the light entering the lens is inversely proportional to the square of the f-number, so:<\/p>\n<ul data-start=\"3980\" data-end=\"4273\">\n<li data-start=\"3980\" data-end=\"4126\">\n<p data-start=\"3982\" data-end=\"4126\"><strong data-start=\"3982\" data-end=\"3994\">Doubling<\/strong> <strong>the f-number<\/strong> (for example, from f\/4 to f\/8, which is two full stops) reduces the aperture area by a factor of four, and allows one-quarter as much light in.<\/p>\n<\/li>\n<li data-start=\"4127\" data-end=\"4273\">\n<p data-start=\"4129\" data-end=\"4273\"><strong data-start=\"4129\" data-end=\"4140\">Halving<\/strong> <strong>the f-number<\/strong> (for example, from f\/8 to f\/4, also two full stops) increases the aperture area by a factor of four, and allows four times as much light in.<\/p>\n<\/li>\n<\/ul>\n<p data-start=\"4275\" data-end=\"4532\">This is why each full stop on the f-number scale represents either a doubling or halving of the light. The standard full-stop sequence\u2014f\/1.0, f\/1.4, f\/2.0, f\/2.8, f\/4, f\/5.6, f\/8, f\/11, f\/16, and so on\u2014is based on multiples of the square root of 2 (\u221a2 = 1.414). To avoid confusion, note that this is a geometric sequence and not an arithmetic one.<\/p>\n<p data-start=\"4275\" data-end=\"4532\">Because\u00a0(\u221a 2)\u00b2 = 2, each full stop means a change in light by a factor of 2, either more or less, depending on the direction.<\/p>\n<p data-start=\"4275\" data-end=\"4532\">1 \u00d7 (\u221a 2) \u2245 1.4<br \/>\n1.4 \u00d7 (\u221a 2) \u2245 2<br \/>\n2 \u00d7 (\u221a 2) \u2245 2.8<br \/>\n..<br \/>\n16 \u00d7 (\u221a 2) \u2245 22<br \/>\n22 \u00d7 (\u221a 2) \u2245 32<\/p>\n<p data-start=\"4674\" data-end=\"4848\">So, now you can calculate the exact difference between f-numbers and how much faster or slower one aperture is compared to another\u2014or you can simply refer to the table below.<\/p>\n<hr data-start=\"4850\" data-end=\"4853\" \/>\n<h2 data-start=\"4855\" data-end=\"4868\">Table of F-Stops and Their Exact Values<\/h2>\n<p>Here\u2019s a table showing different f-stops, along with the exact values that are 1\/2, 1\/3, or 1\/4 stops faster or slower than each one.<\/p>\n<figure id=\"attachment_76323\" aria-describedby=\"caption-attachment-76323\" style=\"width: 766px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-76323 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/07\/F-numbers-F-Stops-6.jpg\" alt=\"\" width=\"766\" height=\"1025\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/07\/F-numbers-F-Stops-6.jpg 766w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/07\/F-numbers-F-Stops-6-224x300.jpg 224w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><figcaption id=\"caption-attachment-76323\" class=\"wp-caption-text\">Table of f\/stops and their exact values in full, 1\/2, 1\/3, and 1\/4 stops<\/figcaption><\/figure>\n<p>Some readers may wonder about the speed of a lens with a max aperture of f\/0.95 (e.g. Nikon Z 58mm f\/0.95 S Noct or Leica Noctilux-M f\/0.95 ASPH), how much faster than f\/1.2 are they?<\/p>\n<p>Well, f\/0.95 is only about 1\/7 stop faster than f\/1.0 and approximately 0.67 stops faster than a f\/1.2 lens, i.e., about 2\/3 stop.<\/p>\n<h2><strong>Fun facts<\/strong><\/h2>\n<h3><strong>The Fastest Lens Ever Made<\/strong><\/h3>\n<figure id=\"attachment_76918\" aria-describedby=\"caption-attachment-76918\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-76918 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/zeiss_planar_0.7_50mm-kopiera.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/zeiss_planar_0.7_50mm-kopiera.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/zeiss_planar_0.7_50mm-kopiera-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/zeiss_planar_0.7_50mm-kopiera-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-76918\" class=\"wp-caption-text\">Carl ZEISS Planar 50mm f\/0.7<\/figcaption><\/figure>\n<p>The fastest lens ever made is the <b>Carl Zeiss Planar 50mm f\/0.7<\/b>. <span class=\"citation-43 citation-end-43\">Developed in 1966 for a very specific purpose, this lens was acquired by NASA for its Apollo lunar missions.<\/span> <span class=\"citation-42 citation-end-42\">A persistent rumor suggests the lens was designed to photograph the far side of the Moon in extremely low light, but this has never been confirmed and is widely considered a myth.<\/span> <span class=\"citation-41 citation-end-41\">Only ten units of the f\/0.7 lens were ever produced, and it was never made commercially available; it was strictly a special-order item.<\/span><\/p>\n<p>One of the most famous stories surrounding the Zeiss Planar 50mm f\/0.7 lens is its use by film director Stanley Kubrick for his 1975 film <i>Barry Lyndon<\/i>. Kubrick reportedly acquired three of these lenses to shoot scenes lit <i>primarily<\/i> by candlelight \u2013 a groundbreaking cinematic technique at the time due to the lens&#8217;s exceptionally wide f\/0.7 aperture, which allowed him to capture images in very low light. This work won the film four Academy Awards, including Best Cinematography. Today it might not sound that impressive, but back then it was done on film cameras with complex moving shots\u2014not just simple still images\u2014which was a remarkable feat for the time.<\/p>\n<figure id=\"attachment_76921\" aria-describedby=\"caption-attachment-76921\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-76921\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Barry-Lyndon-4-Featured-kopiera.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Barry-Lyndon-4-Featured-kopiera.jpg 800w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Barry-Lyndon-4-Featured-kopiera-300x200.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Barry-Lyndon-4-Featured-kopiera-768x512.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-76921\" class=\"wp-caption-text\">A candlelit scene from the movie Barry Lyndon by Stanley Kubrick<\/figcaption><\/figure>\n<p data-start=\"635\" data-end=\"927\">However, the rumor that Kubrick acquired the lenses from NASA is also a myth; Zeiss sold the lenses directly to Kubrick&#8217;s production company. According to Zeiss, ten lenses were produced: six were sold to NASA, three to Stanley Kubrick, and one was retained by Zeiss.<\/p>\n<h3>The Fastest Commercially Available Lens<\/h3>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_77408\" aria-describedby=\"caption-attachment-77408\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-77408\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Lens-Voigt-29mm.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Lens-Voigt-29mm.jpg 500w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Lens-Voigt-29mm-300x300.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Lens-Voigt-29mm-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption id=\"caption-attachment-77408\" class=\"wp-caption-text\">Voigtl\u00e4nder 29mm f\/0.8<\/figcaption><\/figure>\n<p>You may ask about the fastest commercially available lens:\u00a0<strong> <a href=\"https:\/\/bhpho.to\/4mLeXUP\" target=\"_blank\" rel=\"noopener\">The Voigtl\u00e4nder 29mm\u00a0 f\/0.8 Super Nokton<\/a> <\/strong>aspherical, exclusively for the Micro-Four-Thirds standard, and is the world\u2019s first production lens with a speed of F0.8 at its introduction, November 2020.<\/p>\n<p>For a larger format you can get the second fastest lens, available for APS-C cameras, the <strong><a href=\"https:\/\/www.bhphotovideo.com\/c\/search?N=0&amp;InitialSearch=yes&amp;Ntt=kipon%20ibelux%2040mm&amp;BI=23374&amp;KBID=28908&amp;SID=DFF&amp;DFF=d50\" target=\"_blank\" rel=\"noopener\">Kipon Ibelux 40mm f\/0.85 Mk III<\/a><\/strong>. Now in its third iteration, it\u2019s priced around $1,800 and is available for Fuji X, Nikon Z, Canon RF, Sony E, L-Mount, Canon EF-M, and Micro Four Thirds mounts.<\/p>\n<figure id=\"attachment_76919\" aria-describedby=\"caption-attachment-76919\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-76919 size-full\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Kipon-Ibelux.jpg\" alt=\"\" width=\"500\" height=\"500\" srcset=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Kipon-Ibelux.jpg 500w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Kipon-Ibelux-300x300.jpg 300w, https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2025\/08\/Kipon-Ibelux-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption id=\"caption-attachment-76919\" class=\"wp-caption-text\">Kipon Ibelux 40mm f\/0.85 Mk III in Nikon Z mount<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h2><span style=\"font-weight: 400;\">Further Reading<\/span><\/h2>\n<p class=\"query-text ng-star-inserted\" dir=\"ltr\"><a href=\"https:\/\/images.stockholm360.net\/gear\/\" target=\"_blank\" rel=\"noopener\">What camera gear and accessories do I use most frequently?<\/a><\/p>\n<h2><span style=\"font-weight: 400;\">Support Us<\/span><\/h2>\n<p>Did you learn something new, find this article useful, or simply enjoy reading it? We\u2019ve put a lot of time and resources into creating it, and your support helps us keep going. If you\u2019d like to show your appreciation, please consider clicking the Donate button!<\/p>\n<p><a href=\"https:\/\/www.paypal.com\/donate\/?hosted_button_id=EMVMGDFMYN26E\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-40345\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2023\/05\/Donate_Button.jpg\" alt=\"\" width=\"103\" height=\"29\" \/><\/a><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/>\u00a0<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.paypal.com\/en_SE\/i\/scr\/pixel.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-40341\" src=\"https:\/\/phillipreeve.net\/blog\/wp-content\/uploads\/2023\/05\/Paypal_QR-kod.png\" alt=\"\" width=\"128\" height=\"128\" \/><\/p>\n<p><em>(Donations via Paypal\u00a0<i>or bank card<\/i>)<\/em><\/p>\n<h2>What&#8217;s in my camera bag?\u00a0 MY 2024 KIT!!<\/h2>\n<ul>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Main <\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">camera<\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"> : <a href=\"https:\/\/amzn.to\/3TsGtKg\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/3TsGtKg<\/a><\/span><\/li>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Camera <\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">grip<\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"> : <a href=\"https:\/\/amzn.to\/4e0G3CR\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/4e0G3CR<\/a><\/span><\/li>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Memory Card<\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"> 1: <a href=\"https:\/\/amzn.to\/47pA20i\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/47pA20i<\/a><\/span><\/li>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Memory Card 2<\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"> : <a href=\"https:\/\/amzn.to\/3XHYxlZ\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/3XHYxlZ<\/a><\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">\u00a0<\/span><\/li>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Camera 2<\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"> : <a href=\"https:\/\/amzn.to\/3Xifou8\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/3Xifou8<\/a><\/span><\/li>\n<li>Camera grip: <a href=\"https:\/\/amzn.to\/4dYYpV9\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/4dYYpV9<\/a><\/li>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Memory card<\/span><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"> 1: <a href=\"https:\/\/amzn.to\/4e5h2H0\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/4e5h2H0<\/a><\/span><\/li>\n<li>Memory card 2: <a href=\"https:\/\/amzn.to\/3zu7W7n\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/3zu7W7n<\/a><\/li>\n<li><span class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\">Small travel tripod: <a href=\"https:\/\/amzn.to\/4goIX68\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/4goIX68<\/a><br \/>\n<\/span><\/li>\n<li>Mini tripod: <a href=\"https:\/\/amzn.to\/4e09XXX\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/4e09XXX<\/a><\/li>\n<li>Small shoulder bag: <a href=\"https:\/\/amzn.to\/47tPMiY\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/47tPMiY<\/a><\/li>\n<li>Medium shoulder bag: <a href=\"https:\/\/amzn.to\/4ej4bjY\" target=\"_blank\" rel=\"noopener\">https:\/\/amzn.to\/4ej4bjY<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>This site contains affiliate links, for which I may receive a small commission if you purchase via the links at no additional cost to you. This helps support the creation of future content.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Introduction When comparing camera lenses, one of the most commonly discussed features is how &#8220;fast&#8221; a lens is\u2014usually expressed in terms of f-numbers. But what do those numbers actually mean, and how precise are the differences we talk about, like \u201chalf a stop\u201d or \u201ctwo-thirds of a stop\u201d?In this article, we\u2019ll unpack how f-numbers relate &hellip; <a href=\"https:\/\/phillipreeve.net\/blog\/understanding-f-numbers-and-light-transmission\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Understanding F-Numbers and Light Transmission<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":135959,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[10,293],"tags":[],"class_list":["post-76282","post","type-post","status-publish","format-standard","hentry","category-photography","category-technical"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Understanding F-Numbers and Light Transmission - phillipreeve.net<\/title>\n<meta name=\"description\" content=\"what do those f-numbers actually mean? 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He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 50 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street\/documentary photography.\",\"url\":\"https:\/\/phillipreeve.net\/blog\/author\/martin\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Understanding F-Numbers and Light Transmission - phillipreeve.net","description":"what do those f-numbers actually mean? And how precise are the differences we talk about, like \u201chalf a stop\u201d or \u201ctwo-thirds of a stop\"?","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/phillipreeve.net\/blog\/understanding-f-numbers-and-light-transmission\/","og_locale":"en_US","og_type":"article","og_title":"Understanding F-Numbers and Light Transmission - phillipreeve.net","og_description":"what do those f-numbers actually mean? 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He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 50 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street\/documentary photography.","url":"https:\/\/phillipreeve.net\/blog\/author\/martin\/"}]}},"_links":{"self":[{"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/posts\/76282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/users\/135959"}],"replies":[{"embeddable":true,"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/comments?post=76282"}],"version-history":[{"count":66,"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/posts\/76282\/revisions"}],"predecessor-version":[{"id":77412,"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/posts\/76282\/revisions\/77412"}],"wp:attachment":[{"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/media?parent=76282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/categories?post=76282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/phillipreeve.net\/blog\/wp-json\/wp\/v2\/tags?post=76282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}