Introduction

After getting back into film and starting the Analogue Photography series with the iconic Kodak Tri-X, I turned to its European counterpart for this round — the equally legendary Ilford HP5 Plus. Long favored by press photographers, photojournalists, and enthusiasts who needed a reliable workhorse, HP5 Plus has earned its reputation as a versatile and forgiving black-and-white film.

For this installment, I chose a location much older than the film stock itself — a historic engine factory that felt like the perfect match: the Pythagoras Hot-Bulb Engine Factory.

Continue reading Analogue Photography: Part 4 – Ilford HP5 Plus at a Historical Engine Factory →

Introduction

As promised in my previous analogue articles, “Analogue Photography – A Personal Journey Part 1 and Part 2”, I’ve started shooting with film again and will be sharing the results from each roll in this series.

The pictures you see in this article all come from a single roll of Tri-X, shot at ISO 400 and developed and scanned by bildskanning.com in Sweden.

You can see this article as a YouTube video here!

For the first instalment, I wanted to begin with one of the oldest and most classic black-and-white films available: Kodak Tri-X. It’s a cornerstone of analogue photography, used for generations by renowned photographers. Tri-X first appeared in the 1940s as a sheet film rated at ASA 200, and since 1954 it has been available in 35mm and 120 roll formats at ISO 400.

Continue reading Analogue Photography: Part 3 – A Nostalgic Race and a Suburban Shopping Centre with Kodak Tri-X →