Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 45 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.
The TTArtisan 35mm T2.1 Cine Dual-Bokeh is a unique lens. We rarely review cine lenses, but this one stands out. Over the past few years, TTArtisan has introduced innovative and daring lens designs. Their latest creation features a unique ability to control the bokeh character—an intriguing function with some unusual behaviour. Some will love its distinctive look, while others may find it unappealing.
On paper, it was very appealing to me, so I agreed to review it. Let’s take a closer look!
I tested this lens on a 46 MP Nikon Z7ii (Sample images were taken with a Nikon Zf) You can see this review as a YouTube video here! Sample images in high resolution here.
The Viltrox AF 50mm f/2 is another addition to the company’s small, lightweight, and affordable ‘Air’ series. Though new, the few lenses released so far have shown impressive performance. This full-frame 50mm lens, with a maximum aperture of f/2, is compact, lightweight, and budget friendly at $199—but does its performance match that of its previous siblings? Let’s find out!
I tested this lens on a 46 MpNikon Z7ii (Sample images with a Nikon Zf ). I used a Megadap ETZ21 PRO E-to-Z adapter with the FE mount version of the lens on Nikon Z cameras. You can see this review as a YouTube video here! Sample images in high resolution here.
Sample Images
Nikon Zf | Viltrox AF 50mm F/2 Air | f/2Nikon Zf | Viltrox AF 50mm F/2 Air | f/2Nikon Zf | Viltrox AF 50mm F/2 Air | f/2Nikon Zf | Viltrox AF 50mm F/2 Air | f/2Nikon Zf | Viltrox AF 50mm F/2 Air | f/2
The Nonikkor-MC 11mm f/1.8 for APS-C cameras is an ultra-wide-angle lens with an impressive f/1.8 maximum aperture, designed by Artra Lab. It’s a modern vintage lens—if that makes sense. In both appearance and name, it’s clearly a remake of classic Ai and Ai-S Nikkor lenses from the late ’70s and early ’80s. It has a desirable aesthetic for nostalgic photographers and those who appreciate manual operation, especially fans of classic Nikon glass—whether or not they currently use a Nikon camera. Let’s take a look at how it performs!
I tested this lens on a 22 Mpx Nikon Zfc. You can see this review as a YouTube video here! Sample images in high resolution here.
The Nikon Z 24-70mm f/4 S was the first zoom lens designed for the Nikon Z system. Zoom lenses are known for their convenience and versatility, and this one is often bundled as a kit lens with various Z-series cameras. But does it fit the mold of a typical kit lens? Or does the ‘S’ designation—reserved for Nikon’s high-end lenses—along with its $1,000 price tag, put it in a different league? Let’s find out!
Do you even need a tripod these days? To be honest, the necessity of tripods has been significantly reduced thanks to highly effective in-body image stabilisation, improved image quality at high ISOs and AI noise reduction, super-wide dynamic range of today’s digital sensors, and in-camera HDR modes.
Despite modern tech making tripods less necessary in some situations, they’re still invaluable in plenty of others. Tripods remain essential for long-exposure and astro photography, staging group photos, and focus stacking, to achieve sharp and crisp landscapes from close foreground to infinity, and especially for macro photography. Other applications where tripods are crucial include architectural photography, when you need to set up your camera with supreme precision, or when taking a series of shots with incremental panning to create panoramas. They also free up your hands for attaching or removing accessories like lens filters and microphones. Furthermore, tripods are indispensable for video work and studio photography.
So, which tripod should you choose?
Many of us know about high-end tripods like Gitzo and RRS, but are we always willing to pay a premium for that level of quality and reputation? And what about newer, lesser-known brands? one of them: the Fotopro Origin Plus Travel Tripod, a model that promises innovation and stability at a competitive price. Let’s have a look!
Long exposure on Fotopro Origin Plus tripodPrecise architectural photography in Low light (1/6 s) on Fotopro Origin Plus tripodPanorama made of multiple exposures on a Fotopro Origin PlusThe original panorama of the previous imageMultiple exposures on a Fotopro Origin Plus tripodLong exposure on Fotopro Origin Plus tripod
Sony α | Leica M | Nikon F/Z New article every week
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I tested this lens on a 46 MP Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
