THE MANUAL PHOTOGRAPHERS SERIES PART 0.4: Juriaan Moonen

 

Sony a7II | Viltrox 1.8/85 | f/1.8

Hi Juriaan,can you tell us a little bit about yourself and why you use manual Lenses?
Juriaan: I’m a hydrobiologist from Ede in the Netherlands. In the beginning of 2012 my photography journey started out with a Fujifilm bridge camera. In 2013 I bought my first interchangeable lens camera, a Nikon D7000 including a 10-20 and 18-200. While using this camera I improved my skills quite a bit and I discovered my love for astro photography.
However, size and weight bothered me a lot, as did the average quality of my lenses, especially the annoying autofocus and bad manual focus implementation made me switch to an A7S in 2015. I got the Samyang/Rokinon 14mm T3.1 and the Loxia 2/50 along with it. The manual focus experience of the Loxia hooked me up on manual lenses. I found some old m42 primes, including the Pentacon 1.8/50, which I could use with an adapter. I liked working with those lenses a lot so I started to collect them at thrift shops which resulted in quite some nice lenses over the years. This way I could discover a broad range of (bokeh) rendering for little money. As I hated the from factor of the Samyang 14mm I added the little Voigtländer 15mm f/4.5 to my kit. Using manual lenses helped me to improve my photography a lot in a short period. Being unable to just point and shoot I had to overthink things much more which is the best way to learn quick. To everybody who starts with photography I can only recommend to get one or two cheap manual lenses, it will help you to understand the exposure triangle quickly,  and it slows you down which makes you think more about things like composition.

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Guide to best Sony E-Mount 35mm Lenses for a7III/a7II/a7rIV/a7RIII

review sharpness 42mp high resolution sample test vergleich comparison bokeh handling build quality a7riii autofocus af close macro

35mm is a very popular focal length with a wide range of applications ranging from landscape over astrophotography to environmental portraiture and many consider it the best choice when only using one prime lens. We decided to summarize our experience with all the native E-mount and a few legacy 35mm lenses for the Sony A7 series to give you a compact and independent resource for choosing the best 35mm lens for your needs.

Unlike most other review sites we have no association with any lens manufacturer apart from occasionally loaning a lens for a review. We prefer independence over fancy trips and nice meals.

Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot.

If we have left any question unanswered please leave a comment and we will do our best to answer it.

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Guide to the best Portrait Lenses – Sony a7 series

We summarize our experience with all the native E-mount and a few legacy lenses in the 85-135mm bracket for the Sony a7 series to give you a compact and independent resource for choosing the best portrait lens for your needs.

We also have a guide to 21-35mm wide angle lenses, 10-20mm ultra wide angle lenses and macro lenses.

Unlike most other review sites we have no association with any lens manufacturer apart from occasionally loaning a lens for a review. No fancy trips and meals.

Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot.

If we have left any question unanswered please leave a comment and we will do our best to answer it.

Last update: October 2019

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Leica: M-Summilux 75mm vs R-Summilux 80mm

Overview

This is a short comparative review that is technical in nature with no sample images. There is a tremendous amount of overlap between the 75 and 80 Lux. Read my 75 Lux review here. The major differentiators I examine in this post.

I have never seen any rigorous testing of the 75 versus 80 Lux. I have owned them both at separate times, always feeling the 80 Lux was a little softer, less corrected and with more character. I’ve spoken with several shooters who have experienced both lenses and voiced a similar opinion–descriptions like more “vintage,” “magical” and “gentler” come up. After writing the 75 Lux review and trying to save some money, my curiosity got the better of me and I picked up an 80 Lux to potentially sell my 75 Lux.

After shooting the 75 Lux for nearly 2 years solid, I was surprised when viewing my first batch of 80 Lux files. The signature is quite similar, but the distinctions are definitely there, and without pixel peeping. More than I recalled or anticipated. It was noticeable enough that I’ve decided to make this post for those curious. I figured there was a strong chance the renderings were so similar I wouldn’t bother.

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Manual Lenses | Sony Alpha