I have just reveiced my own copy of the Sony FE 1.8/85. I am happy to see that Sony continues to expand their budget prime lens lineup. Especially the Sony FE 2/28 reflects a great value for the price, we liked the Sony 2.8/50 Macro too.
Let’s take a closer look at the latest “budget” lens in this rolling review. The review will be updated periodly.
The Leica Summilux 35mm 1.4 Asph FLE is to my knowledge the most expensive 35mm lens for fullframe money can buy and it is also very highly regarded among the few that can afford it. But does it make any sense to use this lens on an A7 series camera? Read the review to find out.
When I decided to use only my 45-years-old Minolta MC 1.7/55 in February I had only one basic idea: I wanted to get out of my comfort zone because I know that I improve my skills much faster in anything if I can’t rely on my routines. And I guess I was also curious how I would fare without all the fancy gear I normally use.
During the project I tried to take pictures everyday and I also created additional challenges for myself: One day I only allowed myself to take 5 pictures and on another I had to photograph in conditions I had little experience in.
We managed to gather the three most recent fast rangefinder 35mm wide angle lenses from Leica, Zeiss and Voigtlander, threw in the Zeiss Loxia and put them up against each other on the 42mp A7rII. So in case you are looking for a small modern high quality 35mm manual focus lens: read on!
The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.
I am a gear head. How do I know? Because I own about a dozen normal lenses.
Usually I enjoy the choice I have but I was asking myself what would happen if I had no choice and could use only one lens for a whole month? There is only one way to find out and so I decided that I would limit myself to the Minolta MC Rokkor 1:1.7 55mm which is 45-years-old and cost me $25.
When I started the project I was curious how it would affect my photography. I have always progressed the fastest when I was outside of my comfort zone and I expected that this project would give me many experiences outside my comfort zone.
In this post I will recapitulate my experience so far.
Day 1: Black and White
On day one I decided that the lens alone wouldn’t push me outside of my comfort zone enough so I decided to give myself additional challenges each day which would make the project more interesting.
For day one this was photographing in black and white only because color is usually essential for my pictures. I think it worked quite well as did using 55mm for zoo images.