All posts by David Braddon-Mitchell

David Braddon-Mitchell is a keen landscape and environmental portrait photographer. In the last decade of film he was a darkroom practitioner and worked with Olympus OM SLRs and various medium format cameras. He switched to Canon DSLRs when digital imaging improved, and made a move to Sony bodies as soon as the A7 series was born. He enjoys using a mixture of legacy manual lenses, modern manual lenses, and E mount AF lenses.

Best Sony FE Landscape Lenses for the Light Traveler and Hiker

User Characterization: Ordinary travel-by bike or car or planedoesn’t prevent you from taking many of the lenses we have recommended here. But there’s one kind of travel which places serious demands on the weight of your equipment. Hiking for many days, taking your accomodation and food on your back. Or even (In the style that many European outdoor photography enthusiasts may be used to) walking through mountains going from refuge to refuge.

This is a kind of travel that takes you to amazing landscapes that you can’t access any other way. But also, every gram of lens is a millilitre of water you can’t carry, or a gram of food you can’t have. Travelling light through the land, keeping pack weight down, is by far the best way to do this. Outdoors people will spend a fortune to reduce the weight of their knife by ten grams, their tent by fifty grams and so on. Because we know it all adds up, and when it adds up it means less food or a less enjoyable and slower experience.

For some this means that it’s a little compact camera that goes with them on wilderness adventure. But what to take if we still want to do top notch serious landscape photography with our A7 series camera?

Continue reading Best Sony FE Landscape Lenses for the Light Traveler and Hiker

Quick Review: Peak Design Anchor Links

Peak Design Anchor Links
Peak Design Anchor Links

There is one big issue with neck- or wrist straps: Because it takes several minutes to change a strap most people have just one which doesn’t work too well for many scenarios. The Peak Design Anchor Links fix this issue. In this quick review you learn why they have become an integral part of the team’s kit.

Continue reading Quick Review: Peak Design Anchor Links

Voigtländer 40mm f1.2 Nokton Aspherical: An In Depth Review

Introduction

40mm. One of my favourite focal lengths. Long ago the Voigtländer 2/40mm Ultron was glued to my Canon. Even longer ago, the Zuiko 2/40 was a favourite on my Olmpus OM film gear. The 40mm equivalent 20mm Lumix was my favourite lens on the M43 gear I used to use for travel and hiking. So naturally a native 40mm full frame lens for E mount has me very excited.
That slightly wider than standard lens look (close to the theoretical ‘normal’ focal length of 43mm) gives a lovely, natural perspective that leaves the photographer, rather than the angle of view, in charge of the image. But of course the cost of the slightly wider angle of view is less potential for bokeh; the nice, isolating, out-of-focus blur that people prize in people photography. That’s why the speed on this lens is potentially so great. Perhaps f1.2 sounds extreme, but the actual blur potential is about the same as f1.4 on a 50mm lens. So in order to keep up with a 50mm lens in terms of blur, you really do want a bit of extra speed on moderate wides. 40mm is a great length for portraits which place people in a context: but you don’t want that context to dominate, so being able to see the context but have it nicely blurred is a fantastic combination. But what price do we pay for that? Is the IQ on this surprisingly small and fast lens good enough? Thanks to Mainline Photographics  who are the Cosina Voigtländer distributors in Australia, for the loan of a review copy.

A Few Samples

 

Continue reading Voigtländer 40mm f1.2 Nokton Aspherical: An In Depth Review

Review: Zeiss Batis Distagon T* 25mm f2

Introduction

The Batis 25mm f2  was one of the original two Batis lenses Zeiss released; but it remains the only fixed 24mm class lens that is available in E mount. It’s not cheap, so how does it perform and is it worth the money? That’s what this review may help you decide.

Sample Images

Most of the images in this review can be seen in high resolution here

Continue reading Review: Zeiss Batis Distagon T* 25mm f2

Review: Zeiss Batis Apo Sonnar T* 135mm f2.8

Introduction

The blogosphere melted down with frustration when the 135mm Batis was announced. Too slow and too expensive was the common verdict. But it’s also much lighter than the fastest medium teles, and faster and more convenient than the smallest. So is this lens the ideal compromise, or is it stranded uselessly between the fastest and the smallest? That will depend on performance, and handling. This review looks at just those issues.


Sample Images

Images can be seen and downloaded in full resolution here.

Continue reading Review: Zeiss Batis Apo Sonnar T* 135mm f2.8