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Best Astro-Photography Lenses for the Sony A7 series

Introduction

Sony A7s | Batis 18mm 2.8 | f/2.8 | ISO6400 | 20s

Landscape astrophotography is something I have been doing for several years. Luckily over the past few years many lenses have been released that make this task easier than ever. So today we are going to have a look at all the available lenses for your Sony so you can choose the one that works best for your needs.
Last update: November 2020

What is landscape astrophotography?

Sony A7s | Nikon AF-S 20mm 1.8G | f/1.8 | 3 shot panorama |

In landscape astrophotography you will usually try to have a combination of the starry sky (with Milky Way or Northern Lights) as well as some foreground (e.g. landscape) in your frame so we are mostly looking at ultra wide to normal lenses (for stitching) here.

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Olympus E. Zuiko 135mm f/3.5: A review

Introduction

The Olympus E. Zuiko 135mm f/3.5 is a very small but rather slow tele lens which can be found quite cheap nowadays. Is it still good value for money in these days when used on high megapixel cameras?

Sony A7RIII | Olympus E. Zuiko 135mm f/3.5 | f/3.5
Sony A7RIII | Olympus E. Zuiko 135mm f/3.5 | f/5.6
Sony A7RIII | Olympus E. Zuiko 135mm f/3.5 | f/3.5

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Guide to Classic Olympus OM Zuiko lenses on film and Sony Full Frame

Yoshihisa Maitani’s Olympus OM system was a remarkable achievement, with beautifully engineered smaller bodies and exquisite small lenses, often as good or better than larger lenses from the competition. They are all nicely engineered and a joy to use. This makes them very tempting options for someone who wants to explore them on a modern full frame camera, or for someone who wants to experiment with film. I was an OM system user back in the days of film, so you’ll see a few samples from me that are from OM film cameras, as well as digital. In this guide Juriaan, Phillip and I will take you through the lenses with comments about how they perform, and whether they make sense adapted to Sony full frame digital cameras.

Many of the samples are film era images taken from my (David’s) personal archives. We don’t therefore pretend that they illustrate the technical qualities of the lenses, but they do give you an idea of the creative possibilities of them.

Except for a few late era lenses, they won’t resolve quite as well as the best expensive modern lenses, or be as as contrasty as the latest Zeiss or GM glass. But many are close and nonetheless extremely good, and others have a look which we sometimes enjoy as an alternative to the near perfection of some recent glass.

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