Released in 2000, the Nikon AF 14mm 2.8D is still the widest auto focus prime lens sold under the Nikon brand to this day. As some of the recent Z-mount lenses, this is also a rebranded Tamron lens though. The existing reviews didn’t paint a clear picture, so I decided to have a closer look at it myself.
I wasn’t a big fan of most of Samyang’s earlier lenses, especially not their early autofocus lenses. Their latest lenses have shown significant improvements over the earlier ones though and this Samyang 135mm 1.8 AF FE even features a unique selling point: it is the lightest 135mm 1.8 lens ever made. And not only that, it is currently also the cheapest option. Do cheap and lightweight go together with good here? Let’s find out in this review.
So far I have only been talking about color-negative film here, so this Kodak Ektachrome 100 was actually the first slide film I exposed. If you don’t know what the differences between color-negative and slide film are, you can have a look here first.
Processing (E-6) and scanning (Noritsu) was done at urbanfilmlab in Germany. Pictures you see in this article are from one roll of Ektachrome 100 and a sixth of a roll of 5294 E100.
Continue reading Analogue Adventures – Part 38: Kodak Ektachrome 100 / 5294
With its huge front element the Sigma 105mm 1.4 DG HSM Art is one of the biggest and heaviest short tele lenses ever made. Is it actually worth carrying this massive lens around when there are significantly smaller and lighter 85/105mm f/1.4 lenses available? Let’s find out in this review!
Continue reading Review: Sigma 105mm 1.4 DG HSM Art – The Bokeh Master?
In late 2010 Nikon released this Nikon AF-S 35mm 1.4G to give Nikon shooters their first faster-than-f/2.0 35mm autofocus lens – something they have long been waiting for. When I was using Nikon DSLRs I had the 24mm 1.4G and the 85mm 1.4G and couldn’t afford to get this 35mm as well, so it ended up being the only lens of Nikon’s higher end AF-S f/1.4 lineup I never used. Now is the time to finally change that.
