My name is Bastian and for many years I have been mostly shooting Nikon DSLRs. As of today I have made my transition from Nikon to Sony and I am mainly using small but capable manual lenses.
My passion is landscape photography but I also like to delve into other subjects from time to time.
The Voigtlander 35mm 1.4 Nokton E “classic” was announced alongside the Voigtlander 40mm 1.2 Nokton E and after a slight delay just hit the shelves (02/18). The “classic” designation relates to the heritage of this lens as its symmetrical optical design is very similar to the older M-mount 35mm 1.4. What can we expect from Voigtlander’s first classic E-mount lens?
This is a rolling-review and it will be steadily updated as we get to know the lens better!
The Aporis 135mm 2.4 is the latest and also longest lens made by MS-Optics, a one-man-lens manufacturer. It even features one of Canon’s famous CaF2 Fluorit glass elements, which is mostly used in their great super tele lenses for minimizing color aberrations. Does it help to actually combine fast maximum aperture, small size and good image quality?
PR:Dear Mr. Li, let me thank you for this opportunity to ask you some questions about your work and the process of designing a lens. But first we would like to learn a bit more about you. Can you tell us a little bit about your background and your position at Laowa?
The Laowa 15mm 2.0 Zero-D is a lens I have been waiting for eagerly since I took a few snaps with the prototype at Photokina in 2016. It is one of the very few lenses making actual use of the narrow flange distance of mirrorless cameras.
But does it only look good on paper or can it keep up with my high expectations? Find out in this review!
This is a Rolling-Review, bits and pieces will be added as we get to know the lens better. Last Update: Review finalized (12/03/17)
I have already reviewed the Canon EF 200mm 1.8 L and the rare Voigtlander SL 180mm 4.0 APO-Lanthar, but the Olympus OM 180mm 2.0 Zuiko Auto-T is even rarer. I guess most of you didn’t know it even existed.
The Olympus an exotic relic from the past, one of Olympus’ masterpieces when it comes to 35mm lenses. So let us have a look at what I think is the first and only review of this lens on a (high res) digital full frame camera like the A7rII.