My name is Bastian and for many years I have been mostly shooting Nikon DSLRs. As of today I have made my transition from Nikon to Sony and I am mainly using small but capable manual lenses.
My passion is landscape photography but I also like to delve into other subjects from time to time.
Despite the release of the native E-mount 14mm 2.8 AF lens by Samyang their older – all manual – 14mm 2.8 still has a significant fan base. It is one of the very few lowcost ultra wide angle options and well suited for astrophotography. But it is also a lens known for its ridiculously high distortion and questionable build quality, so let us find out what the whole package has to offer!
Most sample shots have been taken on Nikon DSLRs as in the last years I have pretty much exclusively used this lens for astrophotography on my A7 series cameras.
The Laowa 15mm 2.0 Zero-D is a lens I have been waiting for eagerly since I took a few snaps with the prototype at Photokina in 2016. It is one of the very few lenses making actual use of the narrow flange distance of mirrorless cameras.
But does it only look good on paper or can it keep up with my high expectations? Find out in this review!
This is a Rolling-Review, bits and pieces will be added as we get to know the lens better. Last Update: Handling section updated regarding use with filter systems (08/08/17)
The shot above can be found in higher resolution here.
With the increased High ISO capabilities of even entry level cameras astrophotography has become available to almost anyone. But if you want your files to show low noise and high dynamic range – or you want to print big – it might be worthwhile using some of the techniques I am going to show you in this article.
I do own a macro lens (Sigma 150mm 2.8) that I use for most of my product shots on this blog, but I rarely take it out for shooting as it is quite bulky and heavy. Nevertheless I like to take a close up shot from time to time so I decided to try out the Kenko and Fotodiox Pro extension tubes, to turn my Loxia 85mm 2.4 into a macro lens.
The Voigtländer 10mm 5.6 Hyper Wide Heliar E aspherical is the second native E-Mount lens by Voigtlander and it is also the widest rectilinear lens ever produced. I am a wide angle junkie so I was eagerly awaiting this lens. Read on to find out what one can do with such a wide lens!
Update (06/06/17): long term experiences after one year of usage added
This review covers the Nikkor-H 50mm 2.0 rangefinder lens, it may be a stop slower than its faster f/1.4 brother but shares the same great build quality. Might this be the better Nikkor 50mm rangefinder lens in the end? Read on to find out!
For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…
Leica rangefinder lenses are very expensive? Most of them are, but the Leica 135mm 4.0 Tele-Elmar in its earlier versions can be found for less than 200$ used, so what is the catch with this lens? Read on to find out…
The Voigtlander 180mm 4.0 SL APO-Lanthar has become quite famous for its small size coupled with good optics, but unfortunately also for being a rare and expensive collector’s item. So does it make sense getting one for actually taking photos with it? Find out in this review…
This review covers the rather exotic Nikkor-S 50mm 1.4 rangefinder lens, which I got the chance to review thanks to a reader. It is small, it is lightweight, it has exceptional build quality, but what about the optics? Read on to find out!