My name is Bastian and for many years I have been mostly shooting Nikon DSLRs. As of today I have made my transition from Nikon to Sony and I am mainly using small but capable manual lenses.
My passion is landscape photography but I also like to delve into other subjects from time to time.
The Canon EF 200mm 1.8 L is one of the most extreme tele lens designs and while almost 30 years old it hasn’t been surpassed in terms of speed since. Also known as the “Eye of Sauron” it has already become a legend, so let us find out what is so special about this lens…
First thank you all for participating!
It was really interesting to see all your images. For those who don’t know what we are talking about: We posted a Raw (shot with Loxia 21mm 2.8 on A7rII) on our FB page and asked for your interpretations of this scene:
There is certainly no right or wrong here, the question is always: what mood do you want to convey?
Another really important aspect: you haven’t been there when the shot was taken. So I might connect things to this image that you simply can’t (the smell of the forest, my cold feet, getting up early, watching the sunrise etc.).
So I will discuss your results and show you mine after that. But keep in mind: This is my perspective and other people would have a different perspective. To simplify things I grouped the images.
The Laowa 15mm 2.0 Zero-D is a lens I have been waiting for eagerly since I took a few snaps with the prototype at Photokina in 2016. It is one of the very few lenses making actual use of the narrow flange distance of mirrorless cameras.
But does it only look good on paper or can it keep up with my high expectations? Find out in this review!
This is a Rolling-Review, bits and pieces will be added as we get to know the lens better. Last Update: Use for astrophotography updated, more samples added (08/27/17)
Despite the release of the native E-mount 14mm 2.8 AF lens by Samyang their older – all manual – 14mm 2.8 still has a significant fan base. It is one of the very few lowcost ultra wide angle options and well suited for astrophotography. But it is also a lens known for its ridiculously high distortion and questionable build quality, so let us find out what the whole package has to offer!
Most sample shots have been taken on Nikon DSLRs as in the last years I have pretty much exclusively used this lens for astrophotography on my A7 series cameras.
The shot above can be found in higher resolution here.
With the increased High ISO capabilities of even entry level cameras astrophotography has become available to almost anyone. But if you want your files to show low noise and high dynamic range – or you want to print big – it might be worthwhile using some of the techniques I am going to show you in this article.