A panorama adapter can be a great addition to your kit, as it allows you to create shots with a wider field of view (up to 360° panoramas) and also vastly improves the image quality in any of your shots (e.g. in astrophotography). Unfortunately most pano adapters are either bulky and heavy, very expensive or cheaply made junk. A compact yet affordable and at the same time sturdy pano adapter was missing so far and pocketPANO tries to fill this gap. Let us find out if they managed to succeed!
The Tamron 2.8/28-75 Di III RXD is the first third party E-Mount autofocus zoom lens. I am excited about this lens because it defines a milestone for the E-Mount system: until now, we only had a choice between Sony’s budget line, Samyang and the other (super-)expensive Sony/Zeiss options. The three classic third party manufacturers (Sigma, Tamron, Tokina) have been very tentative in their commitment to the E-mount system, and this lens is the first one that really changes this situation. The specs of the lens look spectacular on the paper, so let’s find out about its performance in the field.
In this review I will check the performance of my own copy.
The Sony FE 100 f/2.8 STF GM OSS lens is a lens that I purchased some time ago not really knowing what to expect. I had read about the lens, of course, but frankly I found that it took me some time to get an understanding of how best to use this lens. I think it is a very fine optic with excellent sharpness and anextraordinarily smooth quality of bokeh, however, it is also a lens that imposes a steeper than normal learning curve. It has a distinctive look in some situations that seems to be polarizing in the photo community. With use, I have come to like this lens very much and don’t plan on parting with mine anytime soon. In this review, I will attempt to explain why I like it and also some of its quirks so that prospective buyers might have a better idea about what to expect.
You ask what the heck a Magic Shift Converter is? This is a 1.4x tele converter for wide angle lenses and adds ±10mm shift movement. It for example turns Laowa’s 12mm 2.8 in a 17mm 4.0 ±10mm shift lens. In this review you will find out how this can be useful and what the influence on the image quality of the master lens is.