Category Archives: Review

REVIEW: SIRUI AURORA 35mm F1.4

Introduction

Sirui entered the AF stills lens market in 2023, after having already established itself with a range of anamorphic lenses. We reviewed the AF Aurora 85mm last year, thanks to a reader who loaned his lens to Bastian. We were impressed by its overall performance, and especially by its bokeh.

The 35mm f/1.4 is the second lens in the Aurora series, and at $549, it appears to be fairly priced. However, 35mm f/1.4 is also one of the most competitive categories in the lens market, with numerous alternatives from both established manufacturers and smaller brands.

In this review, we take a closer look at how the Sirui Aurora 35mm f/1.4 performs, and how it compares with its competition.

camera-icon2I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.

Disclosure

Sirui kindly loaned us this lens for a couple of weeks so we could test and review it.

Sample Images

Nikon Zf | Sirui Aurora 35mm f/1.4 | f/1.8
Nikon Zf | Sirui Aurora 35mm f/1.4 | f/1.4
Nikon Zf | Sirui Aurora 35mm f/1.4 | f/1.8
Nikon Zf | Sirui Aurora 35mm f/1.4 | f/1.8
Nikon Zf | Sirui Aurora 35mm f/1.4 | f/1.8
Nikon Zf | Sirui Aurora 35mm f/1.4 | f/1.4

Continue reading REVIEW: SIRUI AURORA 35mm F1.4 →

REVIEW: Zhiyun FIVERAY M60 Ultra & Molus X100 RGB

Introduction

Many photographers use their still cameras, or sometimes dedicated video cameras to record video as well. Traditionally, still photographers have relied on speedlights or strobes, while videographers have needed large continuous lights.

Today, hybrid photographers and videographers, who often use the same camera for both, can choose from a range of compact, sometimes even pocketable, continuous lights that work for both photography and video. Modern continuous lights also have a major advantage over speedlights, strobes, and traditional video lights: you can adjust their color to match the existing light or balance different light sources in a mixed-lighting setup.

In this review, we’re looking at two such options from Zhiyun: the Fiveray M60 Ultra and the Molus X100 RGB. Both are compact, portable lights, but they take slightly different approaches to providing illumination for photography and video. We’ll look at their features, output, handling and performance in practice. Continue reading REVIEW: Zhiyun FIVERAY M60 Ultra & Molus X100 RGB →

Review: Nikon AF-S 18-35mm 3.5-4.5G

Introduction

nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon AF-S 18-35mm 3.5-4.5G via FTZ II on Nikon Zf

After serving the professionals first with the Nikon AF-S 14-24mm 2.8G in 2007 and the prosumers afterwards with the Nikon AF-S 16-35mm 4.0G VR in 2010, Nikon came out with this Nikon AF-S 18-35mm 3.5-4.5G aimed at the entry level market in 2013. Overlooked by all those that already owned one of the aforementioned lenses, this one offers surprisingly good image quality in a very lightweight package, so let me tell you more about this now very affordable ultra wide angle zoom for the F-mount in this review.

Sample Images

nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon Zf | Nikon AF-S 18-35mm 3.5-4.5G | 18mm | f/11
nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon Zf | Nikon AF-S 18-35mm 3.5-4.5G | 18mm | f/11
nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 18-35mm 3.5-4.5G | 24mm | f/5.6 | Ai Denoise
nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 18-35mm 3.5-4.5G | 35mm | f/8.0 | GND
nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon Zf | Nikon AF-S 18-35mm 3.5-4.5G | 18mm | f/3.5
nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 18-35mm 3.5-4.5G | 35mm | f/11 | GND
nikon af-s 18-35mm 3.5-4.5G G ed zoom uwa ultra wide angle astro 42mp sony nikon z 61mp z6 z7 z8 z9 a7riv a7rv contrast sharpness vignetting portrait
Nikon D800 | Nikon AF-S 18-35mm 3.5-4.5G | 18mm | f/8.0

Continue reading Review: Nikon AF-S 18-35mm 3.5-4.5G →

Review: Sony FE 24mm 1.4 GM

sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony FE 24mm 1.4 GM on Sony A7rII

Released in autumn 2018, the Sony FE 24mm 1.4 GM marked an important point in the history of the E-mount. This was the first time Sony released a class leading prime lens that was far ahead of the competition – especially taking into account its comparably small size – before many more GM and also G lenses followed its footsteps. Let’s have a closer look, why this lens is still easy to recommend years later.
Update 2026: complete update of the review to bring it to the same level of detail as other more recent reviews

Sample Images

sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/1.4
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/1.4
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/2.8
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/2.8
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/2.8
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/5.6
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/1.4
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Sony A7III | Sony FE 24mm 1.4 GM | f/1.4
sony fe 24mm 1.4 gm gmaster g fullframe fastest lens contrast resolution 33mp 42mp 61mp sharpness vignetting a7riv a7rv a7v a9ii a1 bokeh portrait
Nikon Zf | megadap ETZ21pro+ | Sony FE 24mm 1.4 GM | f/1.4

Continue reading Review: Sony FE 24mm 1.4 GM →

Review: Sigma 14mm 1.4 DG Art – World’s widest f/1.4 lens

Introduction

sigma 14mm 1.4 art dg fe review sharpness contrast bokeh astro milky way coma vignetting 42mp 63mp sony a7 a7ii a7rii a7rv a7v z6 z7 z8 z9 zf
Sigma 14mm 1.4 DG Art on Sony A7rII

When it comes to 14mm fullframe lenses, Sigma likes to break records. The Sigma 14mm 1.8 DG HSM Art was the fastest 14mm lens for DSLRs when it was released in 2017 and this Sigma 14mm 1.4 DG Art is the fastest 14mm lenses for mirrorless cameras since 2023. This lens’ purpose is obviously astrophotography and on paper it is the ideal lens for milky way and especially aurora shooting. By my experience these fast ultra wide angle lenses have very high sample variation though, did Sigma manage to solve that issue? Let’s find out in this review. 

Continue reading Review: Sigma 14mm 1.4 DG Art – World’s widest f/1.4 lens →