Released in 2019, the Zeiss 100mm 1.4 Otus Apo-Sonnar might actually be the last lens Zeiss designed for DSLRs. Having been released shortly after the Sigma 105mm 1.4 DG HSM Art – but costing 2.5 times as much – surely puts it in a tough spot. Is there a reason to still get this rare and exotic lens today? Let’s find out in this review!
We haven’t seen a lot of exciting fast 28mm primes for the mirrorless mounts (yet), so today I am having a look at the Zeiss 28mm 2.0 Distagon (ZF.2 version) first released in 2009. Is there still a reason to consider this lens today or will it suffer the same fate as the Zeiss 18mm 3.5 Distagon I previously reviewed? Let’s find out!
By mid 2026 we have seen a lot of lenses from the Chinese manufacturers: some with class leading optical performance, some with unique specifications, some very affordable. There is one thing we haven’t seen yet though (at least not that I can recall): an autofocussing zoom lens. I would have first expected a lens like that from Viltrox, Laowa or 7Artisans, but it is Thypoch – so far specialized in all manual M-mount lenses – bringing a lens like this to the market: the Thypoch 24-50mm 2.8 Voyager. Did they succeed in designing a lens like this, or was it too ambitious? Let’s find out together in this review!
Update 08/26: I received a mass production sample and had a look if there are any changes compared to the pre production model, but I found it to perform identically. After some delay the lens finally ships to the buyers.
In 2023 Pergear surprised us with their Pergear 35mm 1.4 lens, as it turned out to be a compact and very affordable 35mm 1.4 lens with surprisingly decent image quality. In 2026 – 3 years later – Pergear released this Pergear 50mm 1.4: similar size, similar price, different focal length and a lot more competitors. Can this new lens also convince us? Let’s find out in this review!
In 2023 Samyang introduced a new line of Cine lenses called “V-AF”. Mid 2026 this lineup consists of 6 lenses, 4 of which are rehoused photography lenses. The 20mm T1.9 and this 100mm T2.3 are new designs though. At first sight there do not seem to be any disadvantages to using these lenses for photography – actually their casings look and feel much nicer than Samyang’s other lenses – and there are not a lot of alternatives with similar specifications available, so I decided to have a closer look at this Samyang 100mm T2.3 V-AF.
