Category Archives: Review

Accesories, Review

Review: PocketPano Vario XL panorama adapter

16 Comments

Introduction

Sony A7s | Sony FE 55mm 1.8 ZA | f/1.8 | ISO6400 | 13s | panorama from 14 shots

A panorama adapter can be a great addition to your kit, as it allows you to create shots with a wider field of view (up to 360° panoramas) and also vastly improves the image quality in any of your shots (e.g. in astrophotography). Unfortunately most pano adapters are either bulky and heavy, very expensive or cheaply made junk. A compact yet affordable and at the same time sturdy pano adapter was missing so far and pocketPANO tries to fill this gap. Let us find out if they managed to succeed!

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lenses, Review, Sony E-mount

Rolling Review: Tamron 28-75mm f/2.8 Di III RXD

25 Comments

Introduction

The Tamron 2.8/28-75 Di III RXD is the first third party E-Mount autofocus zoom lens. I am excited about this lens because it defines a milestone for the E-Mount system: until now, we only had a choice between Sony’s budget line, Samyang and the other (super-)expensive Sony/Zeiss options. The three classic third party manufacturers (Sigma, Tamron, Tokina) have been very tentative in their commitment to the E-mount system, and this lens is the first one that really changes this situation. The specs of the lens look spectacular on the paper, so let’s find out about its performance in the field.

In this review I will check the performance of my own copy.

Sample Images

Tamron 2.8/28-75 | Sony A7iii | 36mm | f/10
Tamron 2.8/28-75 | Sony A7iii | 28mm | f/2.8
Tamron 2.8/28-75 | Sony A7iii | 75mm | f/3.5

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lenses, Review, Sony E-mount

Review: Sony FE 100 f/2.8 STF GM OSS Lens

23 Comments

Introduction:

The Sony FE 100 f/2.8 STF GM OSS lens is a lens that I purchased some time ago not really knowing what to expect. I had read about the lens, of course, but frankly I found that it took me some time to get an understanding of how best to use this lens. I think it is a very fine optic with excellent sharpness and anextraordinarily smooth quality of bokeh, however, it is also a lens that imposes a steeper than normal learning curve.  It has a distinctive look in some situations that seems to be polarizing in the photo community.  With use, I have come to like this lens very much and don’t plan on parting with mine anytime soon.  In this review, I will attempt to explain why I like it and also some of its quirks so that prospective buyers might have a better idea about what to expect.

A few samples:

F2.8
F2.8
F2.8

 

F2.8

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lenses, Minolta SR mount, Review

Long-term Review: Minolta MC Rokkor 1:1.2 58mm

59 Comments

The Minolta MC 1.2/58 is probably Minolta’s most famous lens and a personal favorite of mine. In this in-depth review I have a close look at the Minolta’s qualities and also at its weaknesses.

Image Samples

You can find most images shown in the review in full resolution in this Minolta MC 1.2/58 flickr album.

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Accesories, Adapters, Review

Review: Laowa Magic Shift Converter 17mm 4.0

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Introduction

laowa magic shift converter msc m.s.c. review 17mm 4.0 12mm 2.8 architecture correction perspective
Sony A7rII with Laowa Magic Shift Converter and 12mm 2.8 Zero-D lens

You ask what the heck a Magic Shift Converter is? This is a 1.4x tele converter for wide angle lenses and adds ±10mm shift movement. It for example turns Laowa’s 12mm 2.8 in a 17mm 4.0 ±10mm shift lens. In this review you will find out how this can be useful and what the influence on the image quality of the master lens is.

Sample Images

laowa magic shift converter msc m.s.c. review 17mm 4.0 12mm 2.8 architecture correction perspective sample image
Sony A7rII | Laowa 12mm 2.8 Zero-D on Magic Shift Converter | f/8.0
laowa magic shift converter msc m.s.c. review 17mm 4.0 12mm 2.8 architecture correction perspective sample image
Sony A7rII | Laowa 12mm 2.8 Zero-D on Magic Shift Converter | f/8.0
laowa magic shift converter msc m.s.c. review 17mm 4.0 12mm 2.8 architecture correction perspective sample image
Sony A7rII | Laowa 12mm 2.8 Zero-D on Magic Shift Converter | f/4.0

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