The Voigtlander 75mm F1.5 is a very compact yet fast medium tele. In this review I test it’s performance on the Sony a7 series. Users of a Leica M should also gain a few insights from this review but I haven’t used it on a M.
The Sigma 40mm 1.4 Art DG is one of the heaviest non-super-tele prime lenses and on first sight it also looks more like a serious tele lens than a medium wideangle. But is it also as good optically as it is heavy? Let us have a closer look!
Sample Images
Sony A7rII | Sigma 40mm 1.4 Art | f/1.4Sony A7rII | Sigma 40mm 1.4 Art | f/1.4Sony A7rII | Sigma 40mm 1.4 Art | f/1.4
Sigma 35mm 1.2 Art DG DN – Sigma 35mm 1.4 Art DG – Sigma 40mm 1.4 DG
Sigma now offers the DSLR designs 35mm 1.4 Art and 40mm 1.4 Art and the newly designed 35mm 1.2 Art for Sony E-mount cameras. Let us find out what the differences between those 3 are and if there is a reason to get one of the bigger, heavier and more expensive lenses.
The Sigma 35mm 1.2 Art DG DN is the first true full frame mirrorless lens designed by Sigma and also the first full frame 35mm f/1.2 AF lens. Is this finally the high quality 35mm lens we have been waiting for?
Sample Images
Sony A7III | Sigma 35mm 1.2 Art | f/1.2Sony A7rII | Sigma 35mm 1.2 Art | f/1.2Sony A7III | Sigma 35mm 1.2 Art | f/1.2
Tamron’s first E-mount lens was the 28-75mm 2.8. Compared to the 24-70mm 2.8 lenses Tamron decided to give up a bit of zoom range to realize an affordable and compact yet fast standard zoom.
This 17-28mm 2.8 shares these qualities on paper, so let us see if the optical performance can keep up with our expectations. Last update 07/25/19: Sharpness Close, Focus Shift, Alternatives, Pro/Con table added
