I have used the Batis 2.8/18 for a while but something just didn’t feel right about it for me. Therefore, I have exchanged it in favor of the Loxia 2.8/21. It is still my all time favorite lens and I prefer it for it’s handling, the beautiful and contrasty rendering and it’s sun stars.
Many people today might not even know Nikon (and also Canon) produced rangefinder cameras and lenses in their early days. Thanks to a reader I got the chance to review not one but three of these rather exotic Nikkor rangefinder lenses from the 50’s. The first one is the Nikkor-P 85mm 2.0 portrait tele.
The Minolta MD 100mm 1:2.5 is a small and affordable lens which delivers a surprisingly good performance on the Sony a7 series. Read my in-depth review to decide if it could be a good addition to your camera bag.
Close Focusing Distance from the sensor
Number of aperture blades
The Minolta MD 2.5/100 usually sells for around $150 used at ebay.com (affiliate link). In Germany you can buy it used for around 140€at ebay.de (affiliate link).
You can find all images shown in this image in full resolution in this album.
I have just reveiced my own copy of the Sony FE 1.8/85. I am happy to see that Sony continues to expand their budget prime lens lineup. Especially the Sony FE 2/28 reflects a great value for the price, we liked the Sony 2.8/50 Macro too.
Let’s take a closer look at the latest “budget” lens in this rolling review. The review will be updated periodly.
The Leica Summilux 35mm 1.4 Asph FLE is to my knowledge the most expensive 35mm lens for fullframe money can buy and it is also very highly regarded among the few that can afford it. But does it make any sense to use this lens on an A7 series camera? Read the review to find out.
We managed to gather the three most recent fast rangefinder 35mm wide angle lenses from Leica, Zeiss and Voigtlander, threw in the Zeiss Loxia and put them up against each other on the 42mp A7rII. So in case you are looking for a small modern high quality 35mm manual focus lens: read on!
They can be very cheap, you can get a great 1.4/50 lens for $50. For most applications such a lens will give you 90% of the performance of a $1000 Zeiss 1.8/55 FE. For the $1000 you would have to pay for that Zeiss you can buy an excellent set of five lenses from 20 to 300mm.
You have a huge choice between thousands of lenses ranging from exotic ones with lots of “character” to some of the very best lenses available.
There are 30-year-old primes with better image quality than many modern lenses. Of course progress has happened in recent years but still even cheap primes are often sharper than very expensive modern zooms.
Old lenses are usually beautifully built and more reliable than modern lenses which are full of electronics and very complex designs, both of which make them more likely to fail.
They also hold their value much better than modern lenses. With some patience you can sell most manual lenses without a loss but with new lenses you can expect to lose 30% in the first year.
Manual focusing can be very enjoyable. This certainly depends on application and personality but I for example enjoy working with fully manual lenses a lot more than with any AF lens. Check out our manual photographers series to read other photographers stories.