Classic rangefinder lenses usually spot less staggering minimum focus distances compared to (D)SLR and the latest lenses for mirrorless cameras because of how focusing with rangefinder cameras works. In 2022 several manufacturers are offering close focus adapters. These adapters have their own additional helicoid which allows you to focus your lenses much closer than you could with a conventional adapter. I have used several of these myself, so let’s see which ones are worth the asking price.
We summarize our experience with all the native E-mount and a few manual legacy lenses in the 20-28mm bracket to give you a compact and independent resource for choosing the right wide-angle lens for your Sony A7/A9/A1 camera. In this summary we also included some adapted lenses we think are worth mentioning. We didn’t include any zoom lenses, you can find those in our general guide to FE lenses as well as the guide to 9-18mm ultra wide angle lenses.
Some of these lenses are manual focus only (MF) whereas others feature auto focus (AF). There is also a noticeable amount of lenses listed here that do not feature electronic contacts to communicate with the camera (no Exif).
We have no association with any manufacturer apart from occasionally loaning a lens for a review. Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses on the market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot.
If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.
I already shared some of these pictures in my other articles, but I received some comments that you would also sometimes like to know where the pictures in the articles have been taken, so I decided to do that here.
I already reviewed a few of Canon’s TS-E lenses, but this Canon FD 35mm 2.8 TS is something special, as it was the first Tilt/Shift lens for the 35mm format (at least as far as I know and according to Canon’s marketing department).
This lens has first been released in 1973, so we are also celebrating its 50th anniversary with this review.
Distortion is one of the classic lens aberrations and comes in various forms. We will have a look at them, see which ones are easy to correct and how to create correction profiles for those lenses with complicated wavy distortion patterns.
Manual Lenses | Sony Alpha | New articles every Tuesday
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