The FE 24mm 1.4 GM is a lens that Bastian, David and Jannik preordered the lens based on the spectacular specs: It is significantly lighter and smaller than competing lenses and affordable (for a GM lens at least). In this review you can read why they did not regret the decision.
Sony A7III | Sony FE 1.4/24 GM | f/1.4 | full size
The Canon TS-E 17mm 4.0L is still the widest shift lens available ten years after it hit the market. We have seen many great ultra wide angle lenses for the shorter flange focal distances mirrorless cameras, so is there still a place in today’s mirrorless world for this lens?
The Nikon 35mm f/2.8 (affiliate link) is a relatively small 35 mm legacy lens. Although it has some weaknesses it is currently one of my favorite lenses. In this review I discuss the strengths and weaknesses of this lens. Most sample pictures can be found in this Flickr album.
Tilt/Shift lenses are rather exotic, they are mostly used for architecture or table top photography, and with the wide availability of post processing (correcting converging vertical lines and focus stacking) you see them very rarely nowadays, even amongst professional photographers .
In this article I will tell you what Tilt/Shift lenses are all about and what they can be used for.