Martin M.H. lives outside Stockholm, Sweden. He is a M.Sc. in Computer Technology but he has been a passionate photographer for over 45 years. He started his photographic adventures when he was thirteen with an Agfamatic pocket camera, which he soon replaced with a Canon rangefinder camera that his mom gave him in his teenages. After that he has been using Canon SLR, Nikon SLR manual focus and Autofocus, Sony mirrorless crop sensor, Nikon DSLR and Nikon Mirrorless. He has photographed any genre he could throughout the years and you can see all kind of images in his portfolio. During the later years though it has been mostly landscape, nature, travel and some street/documentary photography.
It has been about a year since TTArtisan introduced the AF 35mm f/1.8, and now it’s time to release version 2 of that lens. I liked the first version when I reviewed it and enjoyed taking pictures with it. They have tried to improve the lens since last year and therefore we can see a couple of changes, but have they succeeded?
I tested this lens on a 21.5 Mp Nikon Zfc. You can see this review as a YouTube video here! Sample images in high resolution here.
Sample Images
Nikon Zfc | TTArtisan AF 35mm F/1.8 ED II | f/1.8Nikon Zfc | TTArtisan AF 35mm F/1.8 ED II | f/1.8Nikon Zfc | TTArtisan AF 35mm F/1.8 ED II | f/2.8Nikon Zfc | TTArtisan AF 35mm F/1.8 ED II | f/8
Fisheye lenses offer the widest field of view among all lenses. A non-circular fisheye provides a 180° diagonal field of view, something no rectilinear lens can remotely achieve (a 14mm lens gives you 114°, a 10mm lens 130°, and a 9mm 135°). Fisheye lenses are especially useful when you want to capture as much as possible in tight, confined spaces or wide, open areas. They also offer a unique and exciting perspective that can be creatively exploited without restrictions.
If used skillfully, fisheye lenses can produce images that look relatively normal in many scenarios, though not all. The TTArtisan 7.5mm is a non-circular fisheye lens designed for APS-C cameras, but it can also be mounted on full-frame cameras, where it produces circular fisheye images (180° both diagonally, horizontally, and vertically). Let’s take a closer look!
If you’re looking for an affordable short telephoto and portrait lens, an 85mm f/1.8 lens is an excellent choice. But which one should you pick—Nikon, Sony, or perhaps the Viltrox 85mm f/1.8? While all three lenses share the 85mm focal length, we’ll also consider the TTArtisan 75mm f/2, which is close enough to serve as a potential alternative. Let’s compare these lenses side by side to help you decide which one is the best fit for your needs.
Nikon Zf | Nikkor Z 85/1.8 S | f/2Nikon A7 III | Sony FE 85/1.8 | f/1.8Nikon Z6 | Viltrox 85/1.8 II | f/1.8Nikon Zf | TTArtisan AF 75/2 | f/2Nikon Zf | Nikkor Z 85/1.8 S | f/1.8Sony A7 III | Sony FE 85/1.8 | f/1.8
UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.
The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.
While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.
The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs
Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.
The APS-C 35mm focal length is equivalent to 52mm on a Fullframe camera, therefore it is in the ‘standard’ focal length category and very close to the classic 50mm lenses on fullframe cameras, with an angle of view offering none of the ‘perspective distortion’ associated with wide angle or telephoto lenses. This lens on an APS-C camera is equivalent to a Nifty Fifty on a fullframe camera. Let’s have a closer look at it!
I tested this lens on a 26 Mp Fujifilm X-S10. You can see this review as a YouTube video here! Most of the sample images in high resolution here.
Sample Images
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/10Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/1.7Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/1.7Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/16
Sony α | Leica M | Nikon F/Z New article every week
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I tested this lens on a 21.5 Mp Nikon Zfc.
You can see this review as a YouTube video here!
Sample images in high resolution here.
