TTArtisan has produced several affordable and well-regarded manual lenses in recent years. Now, they’ve introduced their first full-frame autofocus lens: a 75mm f/2, available for Sony E and Nikon Z mounts at a budget-friendly price of $178. Lenses in the 50mm to 85mm range are typically known for their strong optical performance, and this focal length is particularly well-suited for portraiture and general-purpose photography, offering a slightly tighter field of view than a standard 50mm. The 75mm f/2 allows for excellent subject isolation while maintaining enough background detail to keep the blur subtly recognisable. Let’s dive into its strengths and weaknesses!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
TTArtisan has done it again. After previously remaking the legendary Meyer-Optik Görlitz Trioplan 100mm f/2.8—renowned for its distinctive soap bubble bokeh—they’ve now turned their attention to another iconic lens: the Big B, or more precisely, the Carl Zeiss Biotar 75mm f/1.5. This legendary lens, famous for its swirly bokeh, sharp centre, and 3D pop, has become something of a myth over time.
While TTArtisan has never claimed to have replicated the Biotar, the lens’s shape, mount choice, and, more importantly, its optical formula leave little to the imagination about what they have aimed to mimic.
The Biotar 75mm is often called the “Original King of Bokeh,” as the popular Soviet-era Helios 40 85mm f/1.5—known simply as the “King of Bokeh”—is rumored to be based on the Biotar’s design due to their similar optical formula.
Thanks to its unique optical characteristics, limited production, and beautiful bokeh, sharpness, and 3D pop, the Biotar 75mm f/1.5 became highly sought after, eventually turning into a collector’s item. Prices on the used market soared to between $1,500 and $4,500, depending on the version and condition. Now, let’s take a closer look at TTArtisan’s remake of this iconic lens!
I tested this lens on a Nikon Zf.
You can see this review as a YouTube video here!
With the release of Sony’s first A7 series camera we saw a renaissance of many legacy lenses from “dead” mounts like Canon FD, Olympus OM, Minolta SR and several more. Because of flange focal distance issues these lenses often couldn’t be attached to modern DSLRs. And even if it was possible, it was a pain to use them on DSLRs, thanks to their matte screens being unsuitable for manual focus lenses.
Let’s have a look at the history of focusing aids in fullframe mirrorless cameras and who does it best.
This 27mm pancake lens for APS-C cameras could be a good choice for everyday photography. Its focal length, between a wide-angle lens and a traditional standard lens, offers a versatile perspective that’s quite usable for capturing everyday moments. Its first version, only for Fuji X cameras, was the company’s first autofocus lens. They’ve since expanded to include versions for Nikon Z and Sony E mounts. It is one of the cutest lenses I have ever seen, not only it is small, but also very light and good-looking. The attractive price tag of around $149 makes it an even more compelling option, but how well does it perform? Let’s find out!
It has generally been difficult to find ultra wide-angle prime lenses for any system until a few years ago. It has become much better for full-frame cameras, but still a scarce market in the APS-C world. If available, most of the ultra-wide angle lenses are zoom lenses, with variable apertures and usually not that fast. Here we have a new lens that breaks that trend, a 10mm (15mm equivalent on FF) at the impressive f/2. Let’s see how this lens is! UPDATE: 2023.12.19 , Flare Resistance.
Sony α | Leica M | Nikon F/Z New article every week
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