Voigtlander VM 75mm 1.5 via TTArtisan M->E 6-bit adapter on Sony A7rII
Since I bought my first E-mount camera seven years ago I have been using adapted M-mount lenses. Missing Exif data have always been a nuisance though and while the “Lens Compensation” camera app was a ray of hope, it didn’t exactly work all that well.
Now TTArtisan came up with a product which I have pitched to so many manufacturers before: a semi programmable Leica-M to Sony-E adapter. Let’s have a closer look!
When people hear TTArtisan many may connect that name to very fast lenses like the 50mm 0.95 or the 90mm 1.25, but today we are looking at something very different: a compact 28mm 5.6 for M-mount.
A maximum aperture of f/5.6 doesn’t sound that exciting, but then tiny lenses are always welcome here, so let’s have a closer look! The lens is being tested on 24mp Leica M10 and 42mp Sony A7rII.
The TTArtisan 50mm 1.4 M is one of my favorite affordable modern manual focus lenses, now after the M-mount version we are getting a native (and cheaper!) E-mount version.
What has changed? Optically: nothing, mechanically: a bit, MSRP: a lot. So let us have a closer look which makes more sense to get as an E-mount user.
TTArtisan 90mm 1.25 via metabones adapter on Sony A7rII
To me the TTArtisan 90mm 1.25 was an unexpected lens, as Leica just recently put a 90mm 1.5 for 14 grand on the shelves, I did not expect anyone offering a faster 90mm M-mount lens. But here we are with a very chunky and massive 90mm 1.25 portrait lens. But is this the new M-mount bokeh king or is the design simply too ambitious? Let us find out in this review! Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Leica M10. The Camera. Photography reduced to its essentials. This is what Leica says about this camera. If you care what I think of it: keep on reading.
Update: after one year with the Leica M10 I decided to revisit this article and add further notes where I found they may be helpful.
For many people owning a Leica camera is a dream. But why is that so? Is it simply the high price tag, the Bauhaus look or the huge “Made in Germany” writing, not hidden on a sticker at the bottom of the camera, but easily visible on the back?
It surely isn’t image quality or ease of use. You get more of both, elsewhere, for less. This is why Leica cameras are often perceived as vain men’s luxury items, that happen to be able to take photos from time to time.
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