TTArtisan, one of the Chinese lens manufacturers known for its consistent quality, has primarily produced full metallic, manual focus lenses. However, they have recently released a few autofocus lenses. Their latest creation is the AF 56mm f/1.8 ED, a compact APS-C portrait lens. Let’s take a closer look at it!
Continue reading Review: TTArtisan AF 56mm f/1.8 ED – Small Portrait Lens with Great Potential
Viltrox, a pioneer in autofocus lenses from China, has been on a roll lately, releasing new lenses for both full-frame and APS-C cameras. Their recent APS-C PRO series boasts impressive quality but with a larger size footprint. In stark contrast, their latest creation is this super-compact AF 56mm f/1.7. Let’s see how this tiny portrait lens performs!
I tested this lens on a Fujifilm X-S10 with its 26 Mp APS-C sensor.
Continue reading Review: Viltrox AF 56mm f/1.7 STM ED IF – Ultra Compact Portrait Lens (APS-C)
Laowa CF 8-16mm f/3.5-5.0 Zoom is an ultra-wide-angle zoom lens for APS-C mirrorless cameras with an impressive zoom range (equivalent to 12-24mm on fullframe sensors). It is a very compact lens and seems to fit nicely on smaller APS-C cameras. Its versatile focal length range makes it a good choice for landscape, architecture, and travel photography or whenever you want a dramatic perspective in your images. In times when it seems that all the major manufacturers (except Fujifilm) are neglecting the APS-C lens development and focusing on fullframe lenses, it is refreshing to see exciting lenses like this from third-party manufacturers. Let’s see how it behaves in real life!
I tested this lens on a Nikon Zfc
You can see this review as YouTube video here
Continue reading Review: Laowa CF 8-16mm f/3.5-5.0 Zoom (APS-C)
Introduction
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This time we take a look at another famed vintage lens, namely the legendary Helios 40. It’s an 85mm f/1.5 lens, known for, let´s see if we get it from its many titles: The King of Bokeh, The Bokeh King, the Russian Bokeh King, The Funky Bokeh King, The King of Russian Weird Bokeh, The Vintage Lenses’ King of Bokeh, etc. etc. etc. Dear child has many names. You get it, it has a reputation for its bokeh. It is also very popular among videographers seeking a dreamy vintage look with beautiful bokeh in their footage. While this lens was quite popular even back in the day, it has grown in popularity during the digital era to new heights and created kind of a cult around itself.
It was made by KMZ in the former Soviet Union for the Zenit range of SLR cameras. Like the previously reviewed “Helios 44”, there is a belief that when Russians got their hands on Zeiss Jena factory by the end of WWII, they took back the technology and drawings of many lenses to the Soviet Union, copied, and manufactured them. This one is believed to be a “copy” of Carl Zeiss Biotar 75mm f/1.5 from 1938. While the optical formula is very similar, it is a widespread Double Gauss Planar design. Besides, it is an 85mm lens. Therefore, some claim it was designed by Russian engineers themselves “based on” the Biotar 75/1.5 in 1950. Anyway, let’s have a closer look at it!
Continue reading Review: KMZ Helios 40, 85mm f/1.5 – Can the Legend Live up to Its Reputation?
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Viltrox AF 27mm 1.2 STM ASPH ED IF PRO is the company’s second lens in its APS-C PRO series lenses, 75mm f/1.2 being the first. 27mm focal length in APS-C format, roughly equivalent to 40mm full-frame. While it”s not a “real” wide-angle lens, it is wider than a normal 50mm lens, which, in my opinion, can be more useful for everyday and street photography, compared to a 50mm lens, as it allows to include more of the environment. On the other hand, it does not introduce the perspective distortion of a 35mm wide-angle lens. This lens was released with X mount earlier and now it is released with Z and E mount, with a few improvements to the original X version. I test the new Z mount version on a Nikon Z fc camera.
Continue reading Review: Viltrox AF 27mm f/1.2 STM ASPH ED IF PRO (APS- C)