Fujichrome Velvia 50 is one of the few slide films still in production. Many people swear by it for its punchy colors and superior image quality. Is that all true? Let’s have a closer look to find out.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.
Continue reading Analogue Adventures – Part 41: Fujichrome Velvia 50
Nikon made three manual focus f/1.2 lenses for the F-mount and the most famous one is undoubtedly this Nikon 58mm 1.2 Noct-Nikkor, often referred to as “the Noct”. What makes it special is its hand ground aspherical element, something you didn’t see often in 1977. Let’s have a closer look at this legendary lens!
Zeiss offered a wide variety of manual focus lenses for Nikon F-mount and Canon EF. Many of these lenses have been famous not only for being purely manual focus lenses, but also for being pretty big compared to the competition. Sitting inbetween the huge Zeiss 15mm 2.8 and 21mm 2.8, this Zeiss 18mm 3.5 was Zeiss’ “compact” ultra wide angle prime. It also has a reputation for being the worst of them, is that justified? Let’s find out in this review!
As only the Leica/Minolta CL and the Minolta CLE feature 40mm framelines, 40mm has never become one of the most popular focal lengths in the M-mount world and the only manufacturer that caters the needs of the 40mm fans these days is Cosina, offering no less than three different 40mm options. The smallest (and slowest) of the three is the Voigtländer VM 40mm 2.8 Heliar. Let’s have a closer look.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
In my recent quest to review some of the zoom lenses in the Nikon Z series, we’ve arrived at the NIKKOR Z 14-30mm f/4 S — an ultra-wide-angle zoom and one of the first in the “S” line after the 24-70mm f/4 S. The other two f/4 S zoom lenses I reviewed (24-70mm f/4 and 24-120mm f/4) delivered impressive performance, but this one is an ultra-wide — a category that has historically been more challenging to get right. That said, Nikon has marketed it as part of the “S” line, which promises higher quality. Let’s see how it performs!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
