The Sony FE 50mm 1.4 GM is a lens I surely hadn’t expected when it was released – especially only two years after the Sony FE 50mm 1.2 GM hit the market. Some people say this one is better than the half-a-stop faster f/1.2 lens, but is that really the case? Let’s find out in this review!
Today I’m looking at another Carl Zeiss lens from the Milvus series—the 35mm f/2. A lens that is popular for street, travel, and everyday photography. As Zeiss’s final DSLR-era lineup, the Milvus lenses benefited from decades of optical experience, aiming to deliver high image quality in a more practical, less bulky package than the no-compromise Otus line. I was impressed by the Milvus 21mm’s build and manual handling. Let’s see how it performs.
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
In 2019 Samyang relesased this Samyang 35mm 1.2 XP. At that time, I honestly didn’t care much about it, because Sigma also released their Sigma 35mm 1.2 Art DG DN mirrorless design, which actually offered AF, making it a more sensible choice. This Samyang 35mm 1.2 XP is one of only two fullframe 35mm 1.2 lenses for EF-mount (or any (D)SLR mount actually) though, reason enough to have a closer look at it.
After the Sony FE 40mm 2.5 G and the TTArtisan 40mm 2.0 AF we now have a third compact 40mm lens with AF: the 7Artisans 40mm 2.5 AF. Let’s find out in this review how it compares to its competitors.
Released in 2019, the 7Artisans 75mm 1.25 was actually one of my favorite 7Artisans lenses so far, especially due to its nice bokeh rendering. Now the 7Artisans are back with this improved and at the same time lighter 75mm 1.25 II. Let’s find out in this review what has changed compared to the predecessor and what the pictures taken with this unusually fast 75mm lens look like!
