Category Archives: Manufacturers

Analogue, Leica M, MS-Optics, The creative process

Analogue Adventures – Part 14: Agfa Vista 200 (expired)

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agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Agfa Vista 200 Color Negative Film

These days whenever I come across a photo store I check if they have any film stock available, especially some I didn’t use before. In Istanbul I found a store selling these Agfa Vista 200 24+3 which expired 17 years ago. They were cheap enough and for only 2.5 € I could add processing including scanning so I decided to give it a try.
Processing and scanning was done at Karaköy Fotoğrafçı in Istanbul.
Because there were some issues with a few of the scans I had it rescanned by urbanfilmlab in Germany.

agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Agfa Vista 200
agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/4.0 | Agfa Vista 200
agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Agfa Vista 200
agfa vista expired 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/11 | Agfa Vista 200

Continue reading Analogue Adventures – Part 14: Agfa Vista 200 (expired) →

Review, Samyang, Sony E-mount

Review: Samyang AF 18mm 2.8 FE – The affordable UWA lens

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Introduction

18 2.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Samyang FE 18mm 2.8 AF on Sony A7rII

A small, lightweight and very affordable 18mm lens can be an interesting option for many photographers. It can extend the viewing angle compared to a midrange zoom significantly and if you only rarely delve into ultra wideangle photography it can also be a great option, as you will have less money sitting idle in your lens cabinet. The Samyang 18mm 2.8 AF wants to be exactly this lens, but the question remains, how high a toll the small size took on its optical performance. Let’s find out about that in this review!

Sample Images

18 2.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 18mm 2.8 AF | f/3.2
18 2.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 18mm 2.8 AF | f/3.2
18 2.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 18mm 2.8 AF | f/2.8
18 2.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 18mm 2.8 AF | f/8.0
18 2.8 af fe samyang review a7rii a7rv a7riv 42mp 61mp contrast resolution sharpness bokeh
Sony A7III | Samyang 18mm 2.8 AF | f/5.6

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Leica M, Review, Zeiss

Review: Zeiss ZM 18mm 4.0 Distagon

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Introduction

zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Zeiss ZM 18mm 4.0 Distagon on Leica M10

The Zeiss ZM 18mm 4.0 Distagon is the second widest lens of the ZM family and one of the few 18mm M-mount lenses. Is 18mm being an unpopular focal length among Leica users the reason this lens has already been discontinued or is it because of its optical qualities? Let’s find out in this review.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10

Sample Images

zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/4.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/4.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/4.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/8.0
zeiss zm 18mm 4.0 distagon review leica m10 m11 42mp 24mp contrast sharpness vignetting colors coma
Leica M10 | Zeiss ZM 18mm 4.0 | f/8.0

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Analogue, Leica M, MS-Optics, Zeiss

Analogue Adventures – Part 13: Fujifilm 200

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Fuji 200 Color Negative Film

I have mainly been using Kodak films so far, but one day a local store had some stock of Fujifilm 200 available, so of course I bought a roll. During the film era it was a fierce competition between Kodak and Fujifilm, but these days the situation is a bit different it seems…

fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 50mm 1.3 Slim | f/2.0 | Fuji 200
fuji fujifilm e200 200 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.0 | Fuji 200

Continue reading Analogue Adventures – Part 13: Fujifilm 200 →

Leica M, lenses, Review, Sony E-mount, Zeiss

Review: Zeiss ZM 35mm 1.4 T* Distagon

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Introduction

zeiss distagon 35mm 1.5 zm t* adapter leica m a7rII a7r a7s a7 sony review
Sony A7rII with Voigtlander VM-E close focus adapter and Zeiss ZM 35mm 1.4 T* Distagon

The Zeiss ZM 35mm 1.4 T* Distagon has often been referred to as being one of the best 35mm lenses available, combining high sharpness as well as microcontrast and smooth bokeh in a small yet very pricey package. But is this still the case in 2023?
Update March 2023: general update

Sample Images

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Sony A7rII | Zeiss ZM 35mm 1.4 Distagon | f/11 | higher resolution
zeiss distagon 35mm 1.5 zm t* adapter leica m a7rII a7r a7s a7 sony review
Sony A7s | Zeiss ZM 35mm 1.4 T* Distagon | f/1.4 | full resolution
zeiss distagon 35mm 1.5 zm t* adapter leica m a7rII a7r a7s a7 sony review
Sony A7rII | Zeiss ZM 35mm 1.4 T* Distagon | f/1.4 | full resolution

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