The Zhong Yi Mitakon 135mm 1.4 Speedmaster is a very rare and also unique big aperture portrait lens. So far only ~100 have been made and trying to find useful information on it is more than difficult, so with this review I will try to change that.
We summarize our experience with all the native E-mount and a few legacy lenses in the 85-135mm bracket for the Sony a7 series to give you a compact and independent resource for choosing the best portrait lens for your needs.
Unlike most other review sites we have no association with any lens manufacturer apart from occasionally loaning a lens for a review. No fancy trips and meals.
Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot.
If we have left any question unanswered please leave a comment and we will do our best to answer it.
Regular readers know I have a soft spot for lenses like the Canon EF 200mm 2.0 L IS. It was introduced in 2008 and is still the latest lens in its class. So how does it stack up compared to the older 200mm 1.8 L? And how does it work with the new real time AF of the gen 3 cameras? Find out in this review!
The Canon TS-E 45mm 2.8 hit the market in 1991. It is now one of the cheapest Tilt/Shift lenses you can find, but is there still a place for this lens in today’s world of high resolution sensors? Let uns find out in this review!
The Canon TS-E 17mm 4.0L is still the widest shift lens available ten years after it hit the market. We have seen many great ultra wide angle lenses for the shorter flange focal distances mirrorless cameras, so is there still a place in today’s mirrorless world for this lens?