Zeiss offered a wide variety of manual focus lenses for Nikon F-mount and Canon EF. Many of these lenses have been famous not only for being purely manual focus lenses, but also for being pretty big compared to the competition. Sitting inbetween the huge Zeiss 15mm 2.8 and 21mm 2.8, this Zeiss 18mm 3.5 was Zeiss’ “compact” ultra wide angle prime. It also has a reputation for being the worst of them, is that justified? Let’s find out in this review!
In my recent quest to review some of the zoom lenses in the Nikon Z series, we’ve arrived at the NIKKOR Z 14-30mm f/4 S — an ultra-wide-angle zoom and one of the first in the “S” line after the 24-70mm f/4 S. The other two f/4 S zoom lenses I reviewed (24-70mm f/4 and 24-120mm f/4) delivered impressive performance, but this one is an ultra-wide — a category that has historically been more challenging to get right. That said, Nikon has marketed it as part of the “S” line, which promises higher quality. Let’s see how it performs!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
Nikon Z 24-120mm f/4 S is often said to be one of the best all-around midrange zooms Nikon has made. It offers a versatile zoom range and a fixed aperture, and it’s part of Nikon’s premium S-line series. It’s also newer than the Nikon Z 24-70/4 S I reviewed recently — a lens I liked quite a bit. With its broader zoom range, Nikon Z 24-120/4 S promises more flexibility.
But is it the better lens overall? Let’s dive into this review and see how it compares to the Z 24-70mm S!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
Continue reading REVIEW/COMPARISON: Nikon Z 24-120mm F/4 S – How It Compares to Z 24-70/4 S
In the Fujichrome world, Provia is supposed to be the more neutral slide film compared to Velvia. I wasn’t a huge fan of Velvia 100, so let’s see how this Provia 100F worked out for me.
Processing (E-6) and scanning was done at urbanfilmlab in Germany. The pictures you see in this article are from one roll.
Continue reading Analogue Adventures – Part 40: Fujichrome Provia 100F
The Nikon AF-S Nikkor 70-200mm f/4G ED VR was Nikon’s latest enthusiast-level telephoto zoom lens with a constant aperture. Before its release, Nikon had long offered both professional 70-200mm and 80-200mm f/2.8 lenses, as well, a prosumer-grade fixed F4 70-210 and consumer grade variable-aperture telephoto zooms. With this lens, they aimed to provide a more budget-friendly alternative to their latest high-end 70-200mm f/2.8 VR. To achieve this, Nikon incorporated their latest advancements in coating technology, autofocus (AF), vibration reduction (VR), and optical design to create this lens by the end of 2012.
Let’s take a closer look!
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with Nikon Zf , Nikon Z6, Nikon D600, and Nikon D7200)
I used a Nikon FTZ II F-to-Z adapter with this lens on Nikon Z cameras.
You can see this review as a YouTube video here!
Sample images in high resolution here.
