In the SLR era it wasn’t easy to find ultra wide angle lenses and it was even more difficult to find decent, affordable ones. The Tokina 17mm 3.5 SL RMC was one of these few options. Back in the day I used it on my D700, looking for a wide angle lens for my analogue FM2 now, I thought it was a good idea to revisit this compact vintage lens.
The Nikon Nikkor Z 50mm f/1.2 S, designed primarily for demanding professionals and discerning enthusiasts, is one of the fastest autofocus lenses in the Nikkor Z lineup. While Nikon has a legacy of producing ultra-fast f/1.2 standard lenses, this is their first f/1.2 autofocus lens. Nikon’s history with f/1.2 lenses began in 1965 with the introduction of the Nikkor-S 55mm f/1.2. This was followed by the legendary Noct-Nikkor 58mm f/1.2 in 1977 and the AI-Nikkor 50mm f/1.2 S in 1981. However, after the 1980s, Nikon took a break from producing f/1.2 lenses until the advent of the Z mount system in 2018.
With the larger Z mount, Nikon aimed to overcome the limitations of their previous f/1.2 lenses by incorporating new technology. As a result, the Nikkor Z 50mm f/1.2 S was launched in September 2020.
But did Nikon succeed in meeting these high expectations? Let’s find out!
I tested this lens on a 46 Mp Nikon Z 7II (Sample images taken with Nikon Zf)
You can see this review as a YouTube video here!
The Nikon AF-S 105mm 1.4E was one of Nikon’s last fast primes designed for the F-mount. And when it was released, I felt like it is supposed to be the replacement for an 85mm 1.2 lens Nikon users never got. Is this the best portrait tele lens ever made for the F-mount? Let’s try to find out.
The nice thing about this series: sometimes very unexpected things happen. A friend from Hong Kong sent me a roll of Eastman Double-X 200 black and white film. The regular readers already know I am not a huge fan of black and white film, but they also know I could never resist using a film I haven’t used before, so here we are. This did not end how I expected it to though.
Processing and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 35: Kodak Eastman Double-X 200
I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100