At the end of the DSLR/EF-mount era Canon released a bunch of newly designed extremely high quality TS-E lenses. This Canon TS-E 135mm 4.0L Macro is one of them. It is also Canon’s longest Tilt/Shift lens so far. Is this the dream lens for product photography? Let’s find out in this review.
While only lately f/0.95 fullframe lenses have become somewhat wider available and affordable, the first one that was commercially produced was the Canon 50mm 0.95 for the Canon 7 rangefinder cameras and that was in 1961. To put things into perspective, that was 47 years before Leica’s first f/0.95 lens, the Leica 50mm 0.95 Noctilux-M Asph, and 58 years before Nikon’s first, the Nikon Z 58mm 0.95 S Noct-Nikkor. Canon themselves called this the “Dream Lens”, so after already having reviewed most of these f/0.95 fullframe lenses, let’s get back to their roots and have a look at the original!
Big thanks to Camera Obscura Elburg for sending me the lens for this review!
Continue reading Review: Canon 50mm 0.95 – The original f/0.95 Dream Lens
During the DSLR era the Nikon users always envied the Canon users for their fast f/1.2 primes – even though most would have never willingly admitted to that. While already the Canon EF 50mm 1.2L USM sounded appealing, I am sure more people lusted after this Canon EF 85mm 1.2L USM II. Time to have a closer look at it!
While Canon had a spectacular 50mm 0.95 and an only slightly less spectacular 50mm 1.2 in their LTM lens line-up, it seems the most popular of all those 50mm lenses is this compact and affordable f/1.4 version. Over the years this lens became somewhat of a legend, but is this actually justified? Let’s find out in this review.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
I found a few rolls of Kodak Farbwelt 200 that must have expired some 20 years ago and most likely they haven’t been properly stored at all. This first roll I exposed as ISO50 and I had absolutely no idea what to expect. The lab wasn’t happy and told me the film was massively expired and the scanner had a hard time scanning the negatives. Let’s see if some usable pictures came out of this.
Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 29: Kodak Farbwelt 200 (expired)