During the DSLR era the Nikon users always envied the Canon users for their fast f/1.2 primes – even though most would have never willingly admitted to that. While already the Canon EF 50mm 1.2L USM sounded appealing, I am sure more people lusted after this Canon EF 85mm 1.2L USM II. Time to have a closer look at it!
While Canon had a spectacular 50mm 0.95 and an only slightly less spectacular 50mm 1.2 in their LTM lens line-up, it seems the most popular of all those 50mm lenses is this compact and affordable f/1.4 version. Over the years this lens became somewhat of a legend, but is this actually justified? Let’s find out in this review.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
I found a few rolls of Kodak Farbwelt 200 that must have expired some 20 years ago and most likely they haven’t been properly stored at all. This first roll I exposed as ISO50 and I had absolutely no idea what to expect. The lab wasn’t happy and told me the film was massively expired and the scanner had a hard time scanning the negatives. Let’s see if some usable pictures came out of this.
Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 29: Kodak Farbwelt 200 (expired)
During the DSLR era the Nikon users always envied the Canon users for their fast f/1.2 primes – even though most would have never willingly admitted to that. But those f/1.2 primes came at a price not only quantified in hard earned dollars: autofocus inaccuracies and focus shift could really spoil the party.
Now the modern mirrorless cameras solved these issues, and when the first AF adapters for E-mount came out some people even said these lenses work better on Sony mirrorless cameras than they ever did on Canon (D)SLR cameras.
So let’s find out together in this review, if there is still a reason to get and use this lens in 2023.
Some of you may not know that before producing FD mount lenses and SLR cameras Canon also manufactured rangefinder lenses and cameras, leading to a line-up of no less than 59 different LTM (Leica Thread Mount also known as M39) lenses between 1946 and 1964. These lenses are fully compatible to Leica M cameras and can be easily adapted to other modern mirrorless cameras as well, so today we will have a look at the Canon 50mm 1.2 LTM, the second fastest lens from this series released in 1956.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
