
On a short trip to Bern in Switzerland I exposed two rolls of still available color negative film as well as a roll of expired high ISO slide film. Let me take you on a stroll through this beautiful city!







On a short trip to Bern in Switzerland I exposed two rolls of still available color negative film as well as a roll of expired high ISO slide film. Let me take you on a stroll through this beautiful city!







As many readers asked for and looked forward to a follow-up to the Projector Lenses article—one that explains how Mark carried out the conversion and offers some hints and guidance so you can try it yourself—he kindly put together this second piece on the subject. All photos and text are by Mark; the article design and layout are by me, Martin.
So, I’ll hand it over to Mark…

Welcome back! This post seeks to introduce you to the possibilities of adapting old 16mm-film projector lenses to Evils, SLRs and even Rangefinders. The aim is using these old treasures for creative photographic expression. But whilst the charm lies in the resulting pictures more than the resulting object, feel free to wake your inner fine mechanic! Mine has definitely been fast asleep, and yet, through immersion, I graduated from first putty attempts to a solid interchangeable mount setup, the recipe of which I’ll share.
So here we go, I guess.




In the Fujichrome world, Provia is supposed to be the more neutral slide film compared to Velvia. I wasn’t a huge fan of Velvia 100, so let’s see how this Provia 100F worked out for me.
Processing (E-6) and scanning was done at urbanfilmlab in Germany. The pictures you see in this article are from one roll.






Continue reading Analogue Adventures – Part 40: Fujichrome Provia 100F

Under the label Fujichrome, Fujifilm is still selling several types of slide film and one of those is Velvia 100. Let’s have a look at some pictures taken with this film under varying conditions.
Processing (E-6) and scanning (Noritsu) was done at urbanfilmlab in Germany.





Continue reading Analogue Adventures – Part 39: Fujichrome Velvia 100

Silbersalz35 125T Edition Vivid 500Silbersalz35 is mainly famous for their repacked Kodak Vision3 Cine films, but every now and then they also sell this “Edition Vivid 500 125T Vintage Cinefilm”. Rumors are this is expired Fuji Eterna 500, downrated to ISO125, but there is no way for me to verify that. What I did however, I bought two rolls of this film and here you can find some pictures from the first one.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.





Continue reading Analogue Adventures – Part 36: Silbersalz35 125T Edition Vivid