Category Archives: Projects

Analogue Adventures – Part 20: Kodak Color Plus 200 ECN-2 processed

Kodak Color Plus 200

Even with the limited amount of different color negative films available these days Kodak manages to confuse the people by offering two different “low cost” ISO 200 daylight films: the Kodak Gold 200 (which I already had a look at here and here) and this Color Plus 200.
From what I gathered the Color Plus is based on older emulsion technology leading to slightly grainer and contrastier pictures, so let’s have a look at some samples.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.

color plus 200 color+ kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.8 | Kodak Color Plus 200 ECN-2
color plus 200 color+ kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.8 | Kodak Color Plus 200 ECN-2
color plus 200 color+ kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/8.0 | Kodak Color Plus 200 ECN-2
color plus 200 color+ kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.0 | Kodak Color Plus 200 ECN-2
color plus 200 color+ kodak review m6 leica analogue analog
Leica M6 | MS-Optics 35mm 1.4 | f/2.8 | Kodak Color Plus 200 ECN-2

Continue reading Analogue Adventures – Part 20: Kodak Color Plus 200 ECN-2 processed

Analogue Adventures – Part 15: Kodak Ultramax 400

kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Kodak Ultramax 400

The Ultramax 400 is Kodak’s cheaper – hard to use that term in this context – ISO400 color negative film. This is also reflected by the fact that it is available as 24 exposure film. These days it is just as expensive as any other color negative film and whenever I came across it, it had been sold out shortly after. So I should probably consider myself lucky for having seized the moment and bought a roll at the local camera store – for what felt like way too much for a 24 exposure roll…
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 1 roll.

kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.0 | Kodak Ultramax 400
kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Kodak Ultramax 400
kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/4.0 | Kodak Ultramax 400
kodak ultramax 400 analogue leica m6 contax canon fd olympus om
Leica M6 | MS-Optics 35mm 1.4 Apoqualia | f/2.8 | Kodak Ultramax 400

Continue reading Analogue Adventures – Part 15: Kodak Ultramax 400

Analogue Adventures – Part 7: Cinestill 800T

Introduction

cinestill 800t tungsten kodak vision 3 cinefilm c41
Cinestill 800T

When looking for a higher ISO color film in 2022 – especially one for shooting under artifical light without the need for additional color correction filters – the Cinestill 800T is pretty much without competition. But there are a few things to be aware of, so let’s have a closer look.
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 2 rolls.

cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | MS-Optics 50mm 1.0 ISM | f/2.0 | Cinestill 800T
cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | Cinestill 800T | MS-Optics 50mm 1.0 ISM | f/1.4
cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | Cinestill 800T | Voigtländer VM 28mm 2.0 | f/2.0
cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | Cinestill 800T | MS-Optics 50mm 1.0 ISM | f/1.4
cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | MS-Optics 50mm 1.0 ISM | f/1.4 | Cinestill 800T
cinestill 800t 800 tungsten cinefilm kodak vision 3 review m6 leica analogue analog
Leica M6 | Cinestill 800T | MS-Optics 50mm 1.0 ISM | f/1.4

Continue reading Analogue Adventures – Part 7: Cinestill 800T

Analogue Adventures – Part 6: Emulating Filmlook

Introduction

Sony A7rII | Sony FE 85mm 1.4 GM | Kodak Ektar 100 look

For many people shooting film is all about the grainy look and distinct colours, but do you really need to shoot film to get that? Let’s see what we can achieve with a few bucks for presets and a little effort in Lightroom.

Continue reading Analogue Adventures – Part 6: Emulating Filmlook

Analogue Adventures – Part 5: Silbersalz35 Films

Introduction

Silbersalz35 500T

A small company with the name of Silbersalz35 from Stuttgart is offering repacked Kodak Vision 3 cinema film to be used in ordinary still photography 35mm cameras. They offer four different films: 50D, 200T, 250D and 500T which I all tried. There are some quirks – but also a lot to like – so let’s have a closer look.
Processing and scanning was done at Silbersalz35 in Germany.
Update: in the end of 2022 Silbersalz35 changed their scanning procedure, now you get 10mp files with the option of getting 140mp files for additional money.

analogue photography leica m6 voigtländer silbersalz35 kodak vision 3
Leica M6 | 200T | Voigtländer VM 35mm 1.2 | f/1.2
analogue photography leica m6 voigtländer silbersalz35 kodak vision 3
Leica M6 | 200T | Voigtländer VM 35mm 1.2 | f/1.2
analogue photography leica m6 voigtländer silbersalz35 kodak vision 3
Leica M6 | 500T | Voigtländer VM 35mm 1.2 | f/1.2
analogue photography leica m6 voigtländer silbersalz35 kodak vision 3
Leica M6 | 50D | Voigtländer VM 35mm 1.2 | f/1.2

Continue reading Analogue Adventures – Part 5: Silbersalz35 Films