I thought I had already used all of Kodak’s color negative films still in production, but I somehow managed to miss out on the Pro Image 100. How does it compare to the readily available Gold 200 and the Portra 160? Let’s try to find out.
Processing (C-41) and scanning was done at urbanfilmlab in Germany, the pictures in this article are from one roll of film.
Continue reading Analogue Adventures – Part 34: Kodak Pro Image 100
This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, but I am not really sure this is the film we were hoping for, let me tell you why.
Processing (C.41) and scanning was done at urbanfilmlab in Germany. The pictures in this article are from two rolls of film.
Continue reading Analogue Adventures – Part 33: Harman Phoenix 200
In early 2023 I managed to buy two rolls of the ORWO Wolfen NC 500 color negative film and it is something special for several reasons, so let’s have a closer look.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.
Continue reading Analogue Adventures – Part 25: Wolfen Color NC500 ECN-2
After buying the Leica M6 I bought whatever films I could find and among those also was an Agfa APX400 black and white film. It was lying in the fridge for more than a year before I finally conviced myself to use it.
Processing and scanning was done at urbanfilmlab in Germany.
The pictures you see in this article are from 1 roll.
The Kodak Portra 400 is Kodak’s midspeed film from the Portra series sitting inbetween the Portra 160 and Portra 800. It is also the more expensive ISO 400 color negative film in the Kodak lineup, the cheapter alternative being the Ultramax 400.
Processing (C-41) and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 21: Kodak Portra 400