It seems every two years we see an interesting ultra wide angle FE lens by Laowa. First the Laowa 15mm 2.0 Zero-D FE at Photokina in 2016 and now 2 years later the Laowa 10-18mm 4.5-5.6 C-Dreamer FE at Photokina 2018.
The Voigtländer 10mm 5.6 E held the crown for being the widest rectilinear lens, now we have a zoom lens starting at 10mm but going all the way up to 18mm by Laowa. Is the image quality good enough to get this over the Voigtlander? Last Update: review finalized, more samples added, lens flare section updated, conclusion updated (11/07/18)
The Tamron 2.8/28-75 Di III RXD is the first third party E-Mount autofocus zoom lens. I am excited about this lens because it defines a milestone for the E-Mount system: until now, we only had a choice between Sony’s budget line, Samyang and the other (super-)expensive Sony/Zeiss options. The three classic third party manufacturers (Sigma, Tamron, Tokina) have been very tentative in their commitment to the E-mount system, and this lens is the first one that really changes this situation. The specs of the lens look spectacular on the paper, so let’s find out about its performance in the field.
In this review I will check the performance of my own copy that I used for several months now.
We have become used to old lens formulas being revived and sold for occasionally huge sums of money to collectors and photographers hoping to create images with a magical vintage look. All of us here have been very sceptical about this. Mostly they have been simple lenses in simple bodies with poor technical qualities being sold for more than the price of the latest and greatest glass. From one perspective the legendary C-Sonnar from Zeiss is like this. It’s a classic design dating from 1932 whose principal design goal at the time was to reduce the number of air glass surfaces because the coatings of the day were so primitive. Why do we need it now? But Zeiss bought it back in 2006 in M mount as part of the ZM series. The optical design is not much changed, but it comes with modern coatings. Many prize it for magical rendering and flattering portraiture, others think it shows that not even Zeiss is above trying to rip off nostalgic hipsters. Read on and find out who is right!
The Pentax 31mm f1.8 Limited is a fast moderate wide angle lens released in 2001. It’s designated as one of Pentax’s “Limited” series, denoting its high status within the Pentax catalogue. Since its release, the 31 Ltd has been beloved, especially within the Pentax community. I picked up my first copy in pursuit of a fast, decently priced alternative to the Sony RX1. Sony hasn’t provided shooters with a native fast 35mm f1.8 or f2 option. The 31 Ltd was a highly praised lens upon release, but optics have come along way recently, and it’s getting long in the tooth. Let’s see how it holds up 17 years after it’s release, and what type of images we can expect.
The 31mm focal length is an oddity, being near but noticeably different from the more conventional 28mm or 35mm focal lengths. The 31 ltd functions as versatile jack-of-trades lens with its 31 FL. The lens is still in production by Pentax/Ricoh, coming in either silver or black.
To view larger versions of the photos in this review, follow this link to my Pentax 31 ltd album on flickr: