The team, that are four gearheads: Bastian, Jannik and Phillip from Germany as well as David from Australia. All like to use manual lenses and have a passion for the outdoors. None the less they are specialized in different areas so they can provide you with a wider perspective.
Half a year has passed and much has changed, not only in our camera bags. With David from Australia we have a new author (as you may have noticed already), who will support us, so that we can cover more lenses and other interesting topics.
Hard to know what a favourite lens is. Is it the workhorse that gets use all the time? Is it that exotic piece that just occasionally gets used, but is thrilling and irreplaceable when it is? I guess any of these. My list will just contain three optics that I find to be very special in different ways. Of course that’s not the same thing as three I’d necessarily recommend together as a kit.
This is not a lens I’ve reviewed: Phillip reviewed it here, and that was one of the reasons I purchased it. A manual focus lens, fast but not that fast, an unusual focal length, and macro but, well, not all that macro – it focuses only to 1:2. So why is it on my list?
Simply it’s the finest production lens for the 135 format that I’ve ever used, and possibly the finest ever. It’s incredibly sharp wide open – enough so I can see aliasing at f2 on a 42 MP sensor! One stop down and it’s even better, and the corners have gone from being great to being super great. This brings with it creative possibilities: when f2 is so sharp, you can create images with a remarkably sharp subject set against a nicely blurred backdrop.
But sharpness is not even its big party trick. That’s colour correction. It has less LoCA and spherochromatism than any optic I’ve used. Those nice backgrounds seem to be full of light and space because they are so clean: the white highlights are, well, white, and it’s surprising what that can add to the image. Add to that lovely sunstars and excellent performance against the light.
It’s not even absurdly expensive. A definite pick!
There are many good reasons to adapt manual lenses to the Sony A7 series cameras. To do so you need an adapter and this article will help you to choose the right one.
We are three guys from Germany who have adapted manual lenses for many years now. By using several dozen adapters over the years we have learned the hard way, that not all adapters are created equal. We hope that the money we spent on bad adapters will help you to avoid annoying miss-buys we experienced.
In the following two parts we tell you why you need an adapter in the first place, and which issues can arise with adapters. If all you need is the right adapter for your lens you can simply jump to Adapter Manufacturers].
All links marked with a * are affiliate links. If you use them we will get a few percents commission on your purchase without any added cost to you.
I have used the Batis 2.8/18 for a while but something just didn’t feel right about it for me. Therefore, I have exchanged it in favor of the Loxia 2.8/21. It is still my all time favorite lens and I prefer it for it’s handling, the beautiful and contrasty rendering and it’s sun stars.
Better late than never: We wish all of our readers a great and succesful year 2017! Thank you for reading our blog and for all your contributions and comments. This is our retrospective conclusion of the favorite images that we took in the passed year.
2016 was a very eventful year for me. Not all of those events were pleasant but photography was always a great compensation even in stressful times.
The blog is more about gear than about photography and I view my obsessions with gear and photography as two more or less separate hobbies of mine but it is also a pleasure (most of the time at least, the G 4/70-200 review which has been in the making for months now has been very frustrating to so far ;)) for me to discover new lenses, to share my experiences and to receive the great feedback I get here.
In early 2016 I also made the lucky decision to invite Jannik and Bastian to join the team of this blog. In them I have found two soulmates who are as crazy about lenses as I am. Behind the scenes we constantly discuss gear, photos and articles which is a great source of motivation. And of course both have since then written many well received articles and together we can bring many more lenses to your attention than I could alone.
Sony α | Leica M | Nikon Z New article every Tuesday
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