Brenizer or Bokehpanorama is a panorama technique to get a wide angle shot with the much better bokeh of a longer tele lens. In this article I will show you what it is all about and which lenses work best.
By using longer lenses and taking a panorama you can simulate the look of fictional, wider, very fast lenses that are not even technically possible to build.
Continue reading The best lenses for Brenizer / Bokehpanoramas
First thank you all for participating!
It was really interesting to see all your images. For those who don’t know what we are talking about: We posted a Raw (shot with Loxia 21mm 2.8 on A7rII) on our FB page and asked for your interpretations of this scene:
There is certainly no right or wrong here, the question is always: what mood do you want to convey?
Another really important aspect: you haven’t been there when the shot was taken. So I might connect things to this image that you simply can’t (the smell of the forest, my cold feet, getting up early, watching the sunrise etc.).
So I will discuss your results and show you mine after that. But keep in mind: This is my perspective and other people would have a different perspective. To simplify things I grouped the images.
Those of you who read my Sony A7II vs. Sony A6500 comparison know that I have been curious about the Fujifilm X-T2 for quite some time, I am still looking for a reliable, handy and fast camera to take pictures of people, especially children. Neither of the cameras that I have used so far could satisfy me completely, therefore I decided to take a look over the fence.
The Fujifilm X system is to me the most obvious alternatives to the Sony FE system. The approach to offer as many manual controls as possible as well as the broad but reasonable lens lineup and fast AF are very appealing to me. So when I got the chance to give the system a try I jumped on it. I will use a Fujifilm X-T2 with four lenses for a month. Will it suit my needs?
Continue reading The Fuji Experiment – A Sony A7ii user tries the X-T2
The shot above can be found in higher resolution here.
With the increased High ISO capabilities of even entry level cameras astrophotography has become available to almost anyone. But if you want your files to show low noise and high dynamic range – or you want to print big – it might be worthwhile using some of the techniques I am going to show you in this article.
For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…
As I wasn’t bound by airline carry on restrictions this time I brought a little more gear than usual. For astrophotography I carried my trustworthy Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Zeiss Loxia 21mm 2.8, Voigtlander VM 35mm 1.7 + 5m filter and my Samyang 14mm 2.8. I also carried a very sturdy Gitzo Series 4 tripod and of course a remote trigger.
Continue reading Making of series part 3: “Milky Valley” with Voigtlander 1.7/35