With the Sony A6500, Sony has entered the terrain of semi-professional crop cameras. The camera is significantly higher priced than other Sony APS-C cameras, and is directly competing with other smaller format flagship cameras like Fuji X-T2, Nikon D500, Olympus OMD-EM1 Mk2 or the Canon Eos 7D Mk2.
Furthermore, the Sony A6500 is now similarly (or even higher) priced than the Sony A7II. This leaves open the question for many people as to whether they should really spend that much on an APS-C camera, or if they should get a full frame body instead. The comparison is obvious, and legitimate, because the cameras share a few key specifications – like sensor resolution, mount, and sensor stabilization. Let’s check what sets these cameras apart from each other.
Better late than never: We wish all of our readers a great and succesful year 2017! Thank you for reading our blog and for all your contributions and comments. This is our retrospective conclusion of the favorite images that we took in the passed year.
2016 was a very eventful year for me. Not all of those events were pleasant but photography was always a great compensation even in stressful times.
The blog is more about gear than about photography and I view my obsessions with gear and photography as two more or less separate hobbies of mine but it is also a pleasure (most of the time at least, the G 4/70-200 review which has been in the making for months now has been very frustrating to so far ;)) for me to discover new lenses, to share my experiences and to receive the great feedback I get here.
In early 2016 I also made the lucky decision to invite Jannik and Bastian to join the team of this blog. In them I have found two soulmates who are as crazy about lenses as I am. Behind the scenes we constantly discuss gear, photos and articles which is a great source of motivation. And of course both have since then written many well received articles and together we can bring many more lenses to your attention than I could alone.
Since the introduction of the Sony A7-series cameras, many people asked for well performing f/2.8 zooms. Although it negates the approach of the small bodies, Sony listened to their customers and developed the no-compromise GM(aster) lens lineup. The Sony FE 2.8/24-70 GM is the first lens of this new series in our hands. In this review I will check the performance of my own copy which I have used for the last three months.
The Meyer Trioplan 2.8/100 is one of the most hyped lenses of the moment and prices have exploded to absolutely crazy levels. But do you get anything special but that soap bubble bokeh for your money? Read on if you want to know.
Close Focusing Distance from the sensor
Number of aperture blades
3 / 3
Price (September 2016): $500 in good condition.
Check current prices at ebay.de orebay.com (affiliate links).
Keep in mind that I do lots of landscape photography so I emphasize certain aspects others won’t find as important and vice versa.
This is the fourth lens released for the Sony FE-System.
In theory it should be good for many applications like reportage or travel photography. In this review I will try to assess how well it performs.
Size: (diameter x length): 73mm x 94.5m Filter Thread: 67mm Weight: 430g Minimum Focusing Distance: 40cm
Magnfication: 0.2 Price: