Irix released a bunch of high performance ultra wide angle and fast primes at the end of the DSLR era. Because of this rather bad timing I don’t have the feeling their lenses have been exactly popular. Their 11mm 4.0 and their 45mm 1.4 proved to be very capable lenses in my reviews, so I thought I give this 30mm 1.4 a chance as well. With its 30mm focal length it sits between 28mm and 35mm – my favourite focal lengths – so nothing can go wrong here, right?
Today I’m taking a look at another lens from Meike’s high-end MIX series of autofocus primes: the 24mm f/1.4 MIX. I reviewed their 85mm f/1.4 not long ago and was pleasantly surprised—even impressed—by its features and optical quality. Now it’s time to see whether the 24mm can live up to that standard.
I tested this lens on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in high resolution here.
While Sigma is mostly famous for their series of fast and big “Art” lenses they also offer a lineup of more compact and more affordable “Contemporary” lenses. At the time of writing this review, the widest prime entry of that series is this Sigma 17mm 4.0 DG DN Contemporary. Let’s have a closer look and also see how it compares to the Viltrox AF 14mm 4.0 FE Air.
Many of the new manufacturers from China decided to start with all manual lenses and often of moderate specifications. With this Songraw 50mm 1.2 Moonlit the story is different: a complex autofocus 50mm lens with a maximum aperture of f/1.2, only Sony and Sigma released a lens with these specifications for the E-mount yet. But can a lens as ambitious as this from an unknown manufacturer actually be any good? Let’s find out in this review.
Released in 2007, the Nikon AF-S 14-24mm 2.8G was way ahead of its time. It pushed the limits of what can be expected from a very wide f/2.8 ultra wide angle zoom – by a lot actually – and not only rendered a bunch of primes in the 14mm to 24mm range useless, it also survived three generations of 70-200mm 2.8 zooms and two generations of 24-70mm 2.8 zooms, because it was simply so good, that it wasn’t necessary to replace it. Is it still a lens worth considerng today? Let’s find out in this review!
Continue reading Review: Nikon AF-S 14-24mm 2.8G – Way ahead of its time