Category Archives: lenses

Review: Zeiss Otus 28mm 1.4 Apo Distagon

Introduction

zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Zeiss 28mm 1.4 Otus on Sony A7rII

As third lens of the prestigious Otus lineup, in 2016 Zeiss released the Zeiss Otus 28mm 1.4 Apo Distagon. At that time it was the biggest, heaviest and most complex 28mm fullframe lens ever seen and it came with an eye watering price tag of $5.000, putting it far ouf of most people’s reach. On the used market you can now find this lens for less than half that – still a lot of money – is it worth saving up for this lens? Let’s try to find out!

Sample Images

zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Sony A7III | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Sony A7III | Zeiss 28mm 1.4 Otus | f/1.4
zeiss 28mm 1.4 otus t* germany german high resolution bokeh portrait sharpness resolution lateral ca chromatic aberration aberrations zf z6 z6iii z8 z9 z7 z7ii z6ii 24mp 42mp 61mp
Nikon Zf | Zeiss 28mm 1.4 Otus | f/1.4

Continue reading Review: Zeiss Otus 28mm 1.4 Apo Distagon

Leica M to Sony E Close Focus Adapters

Introduction

Sony A7s with Leica 90mm 2.0 Summicron M (pre Asph) and VM-E Close Focus Adapter

Classic rangefinder lenses usually spot less staggering minimum focus distances compared to (D)SLR and the latest lenses for mirrorless cameras because of how focusing with rangefinder cameras works. In 2022 several manufacturers are offering close focus adapters. These adapters have their own additional helicoid which allows you to focus your lenses much closer than you could with a conventional adapter. I have used several of these myself, so let’s see which ones are worth the asking price.
Last Update: December 2024

Sample Images

7artisans leica summulix 28mm 1.4 f/1.4 wide angle fast 42mp sony feplus resolution contrast coma review close focus range macro extension tube helicoid adapter hawks factory
Sony A7rII | 7artisans 28mm 1.4 | f/1.4 | Hawk’s Factory Close Focus Adapter
raven Bokeh Voigtlander 28mm 2.0
Sony A7 | Voigtländer Ultron 2.0/28 | f/2.0 | Voigtländer VM-E Close Focus Adapter
7artisans leica summulix 28mm 1.4 f/1.4 wide angle fast 42mp sony feplus resolution contrast coma review close focus range macro extension tube helicoid adapter hawks factory
Sony A7rII | 7artisans 28mm 1.4 | f/1.4 | Hawk’s Factory Close Focus Adapter
bokeh summicron 90mm 2.0 sony a7 review 42mp leica m10 24mp sharpness contrast
Sony A7rII | Leica Summicron 90mm 2.0 pre-Asph | f/2.0 | Voigtländer VM-E Close Focus Adapter

Continue reading Leica M to Sony E Close Focus Adapters

REVIEW/COMPARISON: Laowa FF II TS 55mm & 100mm f/2.8 Macro 1X

Introduction

Laowa FF II TS 55mm f/2.8 1X Macro on Nikon Z7II
Laowa FF II TS 55mm f/2.8 1X Macro on Nikon Z7II

UPDATE 20.12.2024:
Reworked the close-up sharpness section and added both 1:1 and 1:2 magnification test shots for both lenses.

The Laowa FF II TS 55mm and 100mm f/2.8 Macro 1X lenses are true macro lenses, offering 1:1 magnification along with tilt-shift functionality that enhances control over the focal plane.

While major camera and lens manufacturers like Canon, Sony, Nikon, Leica, Panasonic, Hasselblad, Sigma, and Tamron have largely overlooked this niche in mirrorless cameras, Laowa has stepped up to fill the gap. Their lenses, available in almost all major mounts, feature tilt and shift capabilities that open up new creative possibilities for photographers.

The tilt function allows precise control over the focal plane, enabling photographers to either extend or limit the in-focus area. This makes these lenses perfect for capturing intricate product details or adding selective focus for artistic compositions. With such versatility, Laowa’s lenses offer greater creative control over depth of field, making them a valuable tool for specialised photography needs

Since these two lenses are almost identical in shape, build, and handling, and were released simultaneously, I decided to combine my review of both. This way, I can avoid repeating the same points and provide a direct comparison, so you can see them side by side.

camera-icon2I tested these lenses on a 46 Mp Nikon Z7ii (Sample images were taken with a Nikon Zf)
You can see this review as a YouTube video here!
Sample images in higher resolution here

Sample Images

Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/11
Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/11
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/5.6 (Shift panorama)
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/5.6 (Shift panorama)
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8 | Tilted
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8 | Tilted
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8
Nikon Zf | Laowa FF II TS 55mm f/2.8 1X Macro | f/2.8 No Tilt
Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/2.8 | Tilted
Nikon Zf | Laowa FF II TS 100mm f/2.8 1X Macro | f/2.8 | Tilted

Continue reading REVIEW/COMPARISON: Laowa FF II TS 55mm & 100mm f/2.8 Macro 1X

Review: Viltrox AF 35mm f/1.7 XF (APS-C)

Introduction

viltrox 35mm 1.7

The APS-C 35mm focal length is equivalent to 52mm on a Fullframe camera, therefore it is in the ‘standard’ focal length category and very close to the classic 50mm lenses on fullframe cameras, with an angle of view offering none of the ‘perspective distortion’ associated with wide angle or telephoto lenses. This lens on an APS-C camera is equivalent to a Nifty Fifty on a fullframe camera. Let’s have a closer look at it!

camera-icon2I tested this lens on a 26 Mp Fujifilm X-S10.
You can see this review as a YouTube video here!
Most of the sample images in high resolution here.

Sample Images

Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/10
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/10
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/1.7
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/1.7
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/1.7
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/1.7
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/16
Viltrox AF 35mm f/1.7 | Fijifilm X-S10 | f/16

Continue reading Review: Viltrox AF 35mm f/1.7 XF (APS-C)

Travel Diary: An Arctic Trip (Day 4)

Nikon Z6 | Nikkor Z 24-70/4 S | f/11
Nikon Z6 | Nikkor Z 24-70/4 S | f/11

This diary entry covers our fourth day of the trip. For details on previous days, see the ‘Further Reading’ section at the end of the article.

Youtube small iconSee the video of An Arctic Trip; Day Four on YouTube
Sample-Image-iconSample images in high resolution here.

On the fourth day of our trip, the weather was clear and at sunrise a beautiful light fell on the snow, so I went out alone to take pictures.

Nikon Z6 | Nikkor Z 24-70/4 S | f/8
Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Nikon Z6 | Nikkor Z 24-70/4 S | f/8
Nikon Z6 | Nikkor Z 24-70/4 S | f/8

Continue reading Travel Diary: An Arctic Trip (Day 4)