Fujichrome Velvia 50 is one of the few slide films still in production. Many people swear by it for its punchy colors and superior image quality. Is that all true? Let’s have a closer look to find out.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.
Continue reading Analogue Adventures – Part 41: Fujichrome Velvia 50
As only the Leica/Minolta CL and the Minolta CLE feature 40mm framelines, 40mm has never become one of the most popular focal lengths in the M-mount world and the only manufacturer that caters the needs of the 40mm fans these days is Cosina, offering no less than three different 40mm options. The smallest (and slowest) of the three is the Voigtländer VM 40mm 2.8 Heliar. Let’s have a closer look.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Thypoch continues completing their f/1.4 M-mount lens lineup with this Simera 75mm 1.4. Almost the same size as the Voigtländer VM 75mm 1.5 Nokton, only 40g heavier, but with floating elements and a better minimum focus distance. Is this Thypoch’s best lens yet? Let’s find out in this review!
Continue reading Review: Thypoch Simera 75mm 1.4 – Their best lens yet?
35mm are the favorite focal length of many reportage, event and wedding photographers. In the last years we saw boundaries being pushed as we can now choose from f/1.2 lenses with autofocus and manual focus lenses that even offer a maximum aperture of f/0.95. I gathered five recent ones of these super fast 35mm lenses with maximum apertures ranging from f/0.95 to f/1.2 and will compare them, to give you an idea which might work best for your needs.
Continue reading Comparison: Super Fast 35mm f/0.95 | f/1.2 Fullframe Lenses
While some lens manufacturers strive for optical perfection, others decide to offer lenses with more “character” – often based on famous lenses from the past. This Artizlab 35mm 1.4 Classic is one such lens. From the outside it looks like the Leica 35mm 1.4 Summilux from 1960 and while featuring a different optical design, it is certainly undercorrected for many aberrations, creating a distinct look. Whether you like that look or not is a different question though. So let’s try to answer it with the help of this review.
