Some lenses really come as a surprise and this 7Artisans 28mm 5.6 is definitely one of those. Not that long after the TTArtisan 28mm 5.6 hit the market we see another lens with the same specs – but a completely different optical and mechanical design. I don’t know about you, but I did not see this coming.
So let’s find out in this review who offers the better 28mm 5.6 lens.
The lens is being tested on 24mp Leica M10 and 42mp Sony A7rII.
Miyazaki Sadayasu is known for making small and fast 50mm lenses. He started with a 50mm 1.3, followed by the famous 50mm 1.1 Sonnetar, the 50mm 1.5 Prasma and his latest (and fastest) creation is this MS-Optics 50mm 1.0 ISM reviewed here.
Despite the staggering maximum aperture it is smaller and lighter than most of the other 50mm lenses, regardless of speed. But did Miyazaki go too far this time? Let’s have a closer look…
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Last update: June 2022
This lens is also part of my Comparison of 6 Super Fast 50mm M-mount Lenses together with the Leica 50mm 0.95 Noctilux-M, the Zhong Yi 50mm 0.95 M, the Voigtländer VM 50mm 1.0 Nokton, Mr. Ding 50mm 1.1 and Voigtänder VM 50mm 1.2 Nokton.
Even though most smartphone’s main camera features a 28mm equivalent lens, when it comes to fullframe lenses this focal length has been a bit neglected lately.
One of the few recent additions to the 28mm line up has been the updated Voigtländer VM 28mm 2.0 Ultron. The predecessor was the first lens I reviewed on this blog, so I am very curious about this updated version 6 years later.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Update June 2023: Alternatives section updated
Continue reading Review: Voigtlander VM 28mm 2.0 Ultron Type I
For many people shooting film is all about the grainy look and distinct colours, but do you really need to shoot film to get that? Let’s see what we can achieve with a few bucks for presets and a little effort in Lightroom.
Continue reading Analogue Adventures – Part 6: Emulating Filmlook
A small company with the name of Silbersalz35 from Stuttgart is offering repacked Kodak Vision 3 cinema film to be used in ordinary still photography 35mm cameras. They offer four different films: 50D, 200T, 250D and 500T which I all tried. There are some quirks – but also a lot to like – so let’s have a closer look.
Processing and scanning was done at Silbersalz35 in Germany.
Update: in the end of 2022 Silbersalz35 changed their scanning procedure, now you get 10mp files with the option of getting 140mp files for additional money.
Continue reading Analogue Adventures – Part 5: Silbersalz35 Films