Introduction

I already shared some of these pictures in my other articles, but I received some comments that you would also sometimes like to know where the pictures in the articles have been taken, so I decided to do that here.
I already shared some of these pictures in my other articles, but I received some comments that you would also sometimes like to know where the pictures in the articles have been taken, so I decided to do that here.
An ISO 3200 black and white film is pretty much the fastest film you can get these days. As I like to shoot in dimly lit environments of course I had to give it a try.
Processing and scanning was done at urbanfilmlab in Germany.
Continue reading Analogue Adventures – Part 11: Kodak Tmax 3200
Having reviewed a lot of things this year I thought it might be a good idea to mention this year’s highlights, giving them some well deserved spotlight.
Unfortunately there was also a noticeable amount of junk I reviewed, so this list ended up being a bit short.
When the original Techart LM-EA7 adapter had been released it was a revelation: turning your manual focus lenses into autofocus lenses, how great is that? But there were also quirks to overcome, some reliability issues and incompatibilities with later camera models.
Now 5 years later there is a fully reworked, improved version. Does it solve all the issues we had with its predecessor? Let’s have a closer look at this new Techart LM-EA9.
Update January 2023: These adapters have been backordered pretty much since I published this review. Now there is finally some stock available, e.g. on their official homepage (affiliate link).
Continue reading Review: Techart LM-EA9 Leica-M to Sony-E Autofocus Adapter
Who doesn’t like a fast, compact 50mm lens? Miyazaki surely does, as this is already his fifth – not even counting his 55mm and 57mm lenses. As I previously reviewed the famous 50mm 1.1 Sonnetar and the 50mm 1.0 ISM (which I still own and use) I kinda had to order this new 50mm 1.3 Sonnetar as well – even if it was only for reviewing it and then putting it on sale afterwards. But before that happens, let’s have a closer look what its qualities are and what quirks can be discovered this time.
This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.