Portra 160 is the “professional” grade average speed color film from Kodak. This one roll of Portra 160 cost me as much as a triple pack of Gold 200, so was it worth it?
Continue reading Analogue Adventures – Part 10: Kodak Portra 160
I already reviewed a few of Miyazaki Sadayasu’s lenses but I had yet to get my hands on his MS-Optics 35mm 1.4 Apoqualia. Thanks to a reader from France I now got the chance and I am very curious what the pictures taken with it will look like and what its quirks are. Let’s discover together in this review.
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Kodak Gold 200 is something special these days. I don’t have the feeling it has ever been a highly praised 35mm film, but it is one of the few color films that is affordable and still widely available in 2022.
Continue reading Analogue Adventures – Part 9: Kodak Gold 200
When the original Techart LM-EA7 adapter had been released it was a revelation: turning your manual focus lenses into autofocus lenses, how great is that? But there were also quirks to overcome, some reliability issues and incompatibilities with later camera models.
Now 5 years later there is a fully reworked, improved version. Does it solve all the issues we had with its predecessor? Let’s have a closer look at this new Techart LM-EA9.
Continue reading Review: Techart LM-EA9 Leica-M to Sony-E Autofocus Adapter
When using Leica M cameras I generally try to stick to using small lenses, but there is a problem: small lenses are usually slow and I find slow lenses (at least non-ultrawides) incredibly boring.
My workaround is using some of the MS-Optics lenses as they try to be small, lightweight and fast at the same time – at the cost of some optical compromises obviously.
I was a bit hesitant to use these lenses on film at first (doubts about rangefinder accuracy, focus shift and field curvature) but I decided to try nevertheless and exposed 4 films mainly using the 24mm 2.0 Aporia and the 50mm 1.0 ISM. How did it work out in the end? Let’s have a look.
Continue reading Analogue Adventures – Part 8: Going small with MS-Optics lenses