Category Archives: Manufacturers

Review: TTArtisan 500mm 6.3 ED IF

Introduction

ttartisan 500mm 5.6 ed if manual focus 42mp 61mp sharpness contrast review tele bokeh vignetting sony a7rv a7riii a1 a9
TTArtisan 500mm 6.3 IF ED

The Chinese manufacturers have been busy releasing lenses in the 15-100mm range but only rarely set foot in the tele lens realm. And if they did, those were usually mirror lenses that may be compact but have plenty of other issues.
When TTArtisan asked me if I want to have a look at their new 500mm f/6.3 lens I was hesitant at first, as this is also not a focal length I need or use regularly.
But when I heard it uses ED elements, it is an internal focus design and will cost only $329 I thought it might be worth a closer look, so here we are.

Sample Images

ttartisan 500mm 5.6 ed if manual focus 42mp 61mp sharpness contrast review tele bokeh vignetting sony a7rv a7riii a1 a9
Sony A7III | TTArtisan 500mm 6.3 | f/11 | cropped
ttartisan 500mm 5.6 ed if manual focus 42mp 61mp sharpness contrast review tele bokeh vignetting sony a7rv a7riii a1 a9
Sony A7III | TTArtisan 500mm 6.3 | f/6.3
ttartisan 500mm 5.6 ed if manual focus 42mp 61mp sharpness contrast review tele bokeh vignetting sony a7rv a7riii a1 a9
Sony A7III | TTArtisan 500mm 6.3 | f/8.0
ttartisan 500mm 6.3 ed if manual focus 42mp 61mp sharpness contrast review tele bokeh vignetting sony a7rv a7riii a1 a9
Sony A7rII | TTArtisan 500mm 6.3 | f/6.3
ttartisan 500mm 6.3 ed if manual focus 42mp 61mp sharpness contrast review tele bokeh vignetting sony a7rv a7riii a1 a9
Sony A7rII | TTArtisan 500mm 6.3 | f/6.3

Continue reading Review: TTArtisan 500mm 6.3 ED IF

Analogue Adventures – Part 25: Wolfen Color NC500 ECN-2

Wolfen Color NC500

In early 2023 I managed to buy two rolls of the ORWO Wolfen NC 500 color negative film and it is something special for several reasons, so let’s have a closer look.
Processing (ECN-2) and scanning was done at Silbersalz35 in Germany.

wolfen nc500 orwo agfa iso400 asa review leica analogue film germany
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/5.6 | Wolfen 500 NC
wolfen nc500 orwo agfa iso400 asa review leica analogue film germany
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/11 | Wolfen 500 NC ECN-2
wolfen nc500 orwo agfa iso400 asa review leica analogue film germany
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/5.6 | Wolfen 500 NC ECN-2
wolfen nc500 orwo agfa iso400 asa review leica analogue film germany
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/4.0 | Wolfen 500 NC ECN-2
wolfen nc500 orwo agfa iso400 asa review leica analogue film germany
Minolta CLE | Voigtländer VM 40mm 1.4 MC | f/11 | Wolfen 500 NC ECN-2

Continue reading Analogue Adventures – Part 25: Wolfen Color NC500 ECN-2

Review: Voigtlander VM 35mm 1.2 III

Introduction

cosina voigtlander vm 35mm 1.2 iii comparison sony leica m10 m 24mp 42mp 61mp review sharpness bokeh coma astro
Voigtlander VM 35mm 1.2 III via Metabones adapter on Sony A7rII

The Voigtlander VM 35mm 1.2 III Nokton is already the third iteration of the world’s fastest 35mm M-mount lens. What has changed compared to the predecessors? How does it compare to the competition? Is it any good? Let’s find out together in this review.
Lens is being tested on 42mp Sony A7rII, 24mp Leica M10 and film cameras
Last Update: September 2023 (samples, coma section, conclusion)

Sample Images

cosina voigtlander vm 35mm 1.2 iii comparison sony leica m10 m 24mp 42mp 61mp review sharpness bokeh coma astro
Sony A7rII | Voigtlander VM 35mm 1.2 III | f/1.2
analogue photography leica m6 voigtländer silbersalz35 kodak vision 3
Leica M6 | 200T | Voigtländer VM 35mm 1.2 | f/1.2
cosina voigtlander vm 35mm 1.2 iii comparison sony leica m10 m 24mp 42mp 61mp review sharpness bokeh coma astro
Leica M10 | Voigtlander VM 35mm 1.2 III | f/2.0
cosina voigtlander vm 35mm 1.2 iii comparison sony leica m10 m 24mp 42mp 61mp review sharpness bokeh coma astro
Leica M10 | Voigtlander VM 35mm 1.2 III | f/1.2

Continue reading Review: Voigtlander VM 35mm 1.2 III

Review: Tamron 70-180mm f/2.8 Di III VC VXD G2

Introduction

tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Tamron 70-180mm 2.8 G2 on Sony A7rII

Just like the 28-75mm 2.8 before, Tamron now also updated its 70-180mm 2.8 lens. We already reviewed the previous lens here and we liked it. A lot actually – except for some handling unpleasantries. With the addition of a lens button and a customizable switch I expect great improvements here, but that is not all: Tamron also decided to upgrade the lens with an internal optical image stabilizer. Let’s have a closer look!

Sample Images

tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 100mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 140mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 70mm 5.6
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 150mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 120mm 2.8
tamron 70-180mm 2.8 di iii vc vxd g2 review sharpness contrast bokeh vignetting resolution 42mp 61mp 33mp a7iv a9 a1 a7c af auto focus
Sony A7III | Tamron 70-180mm 2.8 G2 | 180mm 2.8

Continue reading Review: Tamron 70-180mm f/2.8 Di III VC VXD G2

Review: TTArtisan 100mm f/2.8 Macro 2x TS – A Jack of All Trades

Introduction

Short telephoto macro lenses around 90mm-105mm are very popular and the market is crowded with them. Being macro lenses, they can give you great magnification (2:1 in this case), and at the same time, they can also be used as portrait lenses. But of course, they also are good for compressed landscape images and candid photography. The advantage of this lens is that it also offers a 2x magnification instead of the traditional macro 1x magnification, and besides, it is a tilt and shift lens, good for architectural and product photography, not something you see every day. Let’s see how it performs!

Sample Images

Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/11 (stacked 68 images)
TTArtisan T&S 100/2.8 Macro 2X review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (untilted)
TTArtisan T&S 100/2.8 Macro 2X review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/11 (untilted)
TTArtisan T&S 100/2.8 Macro 2X review sharpness bokeh coma vignetting 24mp nikon z6 z6ii 46mp nikon z7 z7ii Z8 Z9
Nikon Z6 | TTArtisan T&S 100/2.8 Macro 2X | f/2.8 (tilted)

Continue reading Review: TTArtisan 100mm f/2.8 Macro 2x TS – A Jack of All Trades