This Harman Phoenix 200 is said to be a newly designed colour negative analogue film that hit the market in early 2024. Many people did not expect anyone except for Kodak and Fuji even being able to produce a (new) color negative film, so it created quite the buzz. I am all for more competition, but I am not really sure this is the film we were hoping for, let me tell you why. Processing (C.41) and scanning was done at urbanfilmlab in Germany. The pictures in this article are from two rolls of film.
The Nikon Nikkor 200mm 2.0 IF-ED Ai from 1977 is not only one of Nikon’s most famous lenses, it is also one of the few super fast tele lenses in the ~200mm range I did not yet get my hands on. I have been watching the eBay auctions for this lens for years and at the end of 2023 I managed to find one in mint condition at a price I could afford. So finally, here we are, to have a closer look at the first of its kind.
Not counting special editions Cosina released ten different 50mm rangefinder lenses by now. This Voigtländer 50mm 1.1 Nokton was the first super fast one, featuring an all spherical design similar to the Leica 50mm 1.0 Noctilux. Despite its appealing f/1.1 maximum aperture, this has never been one of Cosina’s more popular lenses – which is clearly reflected by its used price, as you can often find it for ~$500. For a lens this fast that is not a bad price, reason enough to have a closer look at this lens myself. This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
Nikon Z 26mm 2.8 has an unconventional focal length that falls between two classic wide-angle focal lengths for candid street photography, 24mm and 28mm. It is remarkably compact, making it the smallest and lightest Z prime lens for full-frame cameras from Nikon. Not only is it one of the most compact Nikon Z lens ever, but also it currently holds the title of the world’s slimmest mirrorless autofocus fullframe lens produced by any manufacturer. It can also be used on an APS-C camera as a prime standard lens, providing an equivalent focal length of approximately 40mm, my favorite standard focal length. While not part of Nikon’s premium S-line lenses, it is well-regarded for its performance. Let’s see how it performs!
I tested this lens on a fullframe Nikon Z 7II (with its 46 Mp sensor) and on an APS-C Nikon Z fc (with its 21 Mp sensor).
Hereafter, for ease of writing, I will use Nikon’s designations “FX” for fullframe and “DX” for APS-C.
You watch see this review in video format on YouTube.
Sample Images
Nikon Z 7II | Nikon 26mm f/2.8 | f/16Nikon Z 7II | Nikon 26mm f/2.8 | f/2.8Nikon Z 7II | Nikon 26mm f/2.8 | f/2.8Nikon Z 7II | Nikon 26mm f/2.8 | f/2.8Nikon Z 7II | Nikon 26mm f/2.8 | f/2.8Nikon Z 7II | Nikon 26mm f/2.8 | f/2.8
Nikon AF-S 24-70mm 2.8G via Monster LA-FE1 on Sony A7rII
By now I have used more than 260 lenses. Interestingly there has never been a 24-70mm 2.8 midrange zoom among those, even though they are really popular, there are a lot of them and pretty much any manufacturer made at least one. In my pursuit of assembling a set of affordable autofocus lenses with nice imaging characteristics, it is now finally time to change that. So let’s have a closer look at this Nikon AF-S 24-70mm 2.8G IF ED N.
Sony α | Leica M | Nikon F/Z New article every week
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