During the SLR era Tokina had a bit of a thing for 17mm 3.5 ultra wide angle lenses, as they made three different iterations of it. This is a review of the latest one and the urban legend says that the older manual focus version is actually the better performer. I always found that hard to believe, so I thought it was a good idea to find out myself. So let’s have a closer look at this Tokina 17mm 3.5 AF AT-X Pro.
So far I have only been talking about color-negative film here, so this Kodak Ektachrome 100 was actually the first slide film I exposed. If you don’t know what the differences between color-negative and slide film are, you can have a look here first.
Processing (E-6) and scanning (Noritsu) was done at urbanfilmlab in Germany. Pictures you see in this article are from one roll of Ektachrome 100 and a sixth of a roll of 5294 E100.
Continue reading Analogue Adventures – Part 38: Kodak Ektachrome 100 / 5294
In the SLR era it wasn’t easy to find ultra wide angle lenses and it was even more difficult to find decent, affordable ones. The Tokina 17mm 3.5 SL RMC was one of these few options. Back in the day I used it on my D700, looking for a wide angle lens for my analogue FM2 now, I thought it was a good idea to revisit this compact vintage lens.
Tokina has made some popular macro lenses. So, how did the Tokina FiRIN 100mm F2.8 macro turn out? Check out my review for the in-depth analysis.
You can find most images shown in this review in full resolution in this album: Tokina FiRIN 2.8/100 Macro.
