After analyzing the infinity sharpness of the candidates in Part 1 of this series, we are looking at the opposite direction of the focus ring. For a versatile do-it-all standard zoom lens, the macro capability is an important factor of the overall performance. Details in documentation-, wedding-, product-, nature- or food photography are typical applications for a standard zoom as a pseudo-macro. In photographic history, the macro feature of zoom lenses was often a shameful marketing trick without any serious usefulness. Let’s check out the performance of the of the Sony FE 2.8/24-70 GM, Tamron 2.8/28-75 Di III RXD and the Sony FE 4/24-105 G OSS.
The Zeiss Batis 2/40 CF is a lens of a very popular focal length / aperture class that was missing in the FE lineup from the beginning. I am still surprised to see that it took so long to get a lens in its class with autofocus. Personally, this lens fills an important gap in my lens lineup. I have high expectations in consideration of its price point and its classy name, let’s check if it can live up to that.
The Sony FE 2.8/50 Macro is a small and relatively affordable lens which can cover a wide range of applications. In this review I will check how well it actually performs.
The Tokina AT-X 90mm 1:2.5 Macro is a manual focus lens, with a maximal magnification of 1:2. It is well know for it’s supposedly great bokeh, it was even nicknamed Bokina because of this.
It was produced in any major mount like Canon FD, Nikon F etc., my copy has a Minolta SR mount.
Their wide range of applications make macro lenses in the 100mm range quite popular, so I will show you in this review if the Tokina AT-X Macro 90 mm 1:2.5 could be a good option for you.