Exploring a subject – Intimate Landscapes

wasserFor me it has been a great practice to visit the same subject close to my home again and again and it has taught me many things:

  • How different lighting affects  images,  until today I am often astounded how much light can affect my images and I constantly learn about new types of light and with which subjects they work
  • It is a good way to improve  compositional skills, because you can compare different compositions of the same scene an see which compositions worked and which did not
  • It helps to discover new perspectives, with time the known perspectives will become boring and I will feel an urge to discover new ones

Well that’s at least how it works for me, but I think it won’t be that different for you. I wrote this article mostly to reflect on my own photography but I hope it might give you an idea or two as well.

The intimate landscape close to home

There is always a temptation to dismiss any subject close to home and to strive for the grand landscape, which is several hours away from your home, so you will only rarely find the time to get there.

But if your subject is close to your home you will be able to visit it much more often and you will spend much more time photographing. Thats a good reason to find interesting subject matter close to your home, because my own experience is that I took many of my favourite images close to home. Here I know my subject matter and can react to the  light, my compositions are better and I find the more interesting perspectives.

The more intimate landscape images I take won’t wow the people and give me as many likes on social media as more dramatic images, but to me they mean more.

Now it is easy to say that there are no interesting subjects in your area, but have you looked close enough? I have passed many interesting subjects countless times before I realized their potential. Often you need the right season  for a picture and there is a short time frame of only a few days in the year were you have the right conditions to take an image.

The Process of Exploration

Now I will talk a bit about how I explored a weir about 10 minutes away from were I live. I like to do my running in nature and one of my favorite routes leads by this scene but I ran by it countless times without realizing it’s potential.
I think the weir was used until the 1920’s to divert water to a nearby mill which is also a favorite subject of mine. Today it is more of a ruin but there is still a very small waterfall, a nice bride and two beautiful trees.

The Oak – struggling with composition

I think I took my first images at that place on December the 12th  2013 when I passed it by chance in great light:
abendspaziergang6

It shows an old oak close to the weir with branches which form an interesting pattern.I think the composition is not the best because it is too complicated, the dark branches in the foreground don’t align with the ones in the bright ones in the background.

Until today I am  fascinated by the wild patterns of the branches but so far I haven’t taken a really satisfying image of them.  I
Here is another one, this time not at 100m but with a 24mm lens.
DSC00450
I think it is a better image than the first one but still too complicated. As the year progressed the sun set further in the west were it is blocked by some trees so I will have to wait until September or October for my next attempt to photograph those burning branches. I have discovered a different perspective from below the tree which might work better.

The bridge – Light and Season

10 meters from the oak there is an old bridge which was illuminated by the very first light around the winter solstice:
Bridge3

I think it is a decent image but I would really like to try some different perspectives. But without the golden light of the rising sun it is not a very interesting subject, so I will have to wait several months until the sun rises at the right place again.

In March 2014 I took this image:
old Bridge

Now the sun was setting in such an angle, that it illuminated the arch from the back which made for an interesting image as well.  Because I wanted to focus the viewers attention on the center of the image I used the tilt-function of my lens to blur the rest of the image. I think I overdid it somewhat.

6 days later I took another image from a slightly different perspective and with less tilt, I prefer the first one because I like the composition better, but I like the less obvious tilt effect. In September when the sun is in the right place I will try to recreate it with a really low point of view and a medium level of tilit.

bridge

Winter – New opportunities

I would really have liked to see the snow covered weir in the first or last light of day but we only had a snow cover for less than a day last winter, I am looking forward to next winter for more snow.

das alte WehrYou can see the oak from the first image in the upper right part of this image. In the center you see the old weir which was diverting water for a  mill some 500 meters down the brook which is also a favorite subject of mine.das alte Wehr

I think the composition for these images is okay, the snow cover simplifies the scene a lot, but the light in these is not very exciting. So I have to wait and hope for better conditions next winter.

A few days later I took the following two images which show a branch which is crusted with ice and illumined by the early light.
Eis im Licht II

Eis im Licht I
I like the colors and the contrast in both images but again the compositions are not that great and I think both images are a bit too complicated. Next winter I will try to either use a very short shutter speed to literally freeze the water or use a long one and f/11 for more DOF and smooth water. I might also develop them a bit brighter.

Spring and Summer – Capturing Water

In spring I began to discover the weir itself a bit more and explore the moving water a bit.

DSC04573I wouldn’t know how to really improve this image, the light is good, I like the composition and the shutter speed gives a good impression of the movement of the water.

The water was my point of interest for the coming months, in April I took this image:
unnamed

I like the contrast between the blueish water and the green stones. I am not that sure about the branch, I think it detracts from the image a bit.

Two or three weeks ago I got two important ideas from Radomir Jakubowski’s blog (in German):

  • he wrote about how some of his workshop participants were astonished by the effect of a polarizer.  So I put one in my camera bag (I have a bunch of older filters which often came with old cameras I bought) and was astonished myself.
  • he mentioned also that for a good perspective he hast to stand in the water. This is far from surprising but I hadn’t considered it before.

So these two ideas really helped to improve my images.
At first a total: The polarizer increased the saturation of the leaves a lot and this image hangs on my wall know because it captures the place quite well in my eyes.
Untitled

Now an image taken standing in the middle of the brook. I think I developed it a bit too dark but I like how the new found perspective simplifies the image.

Untitled

This is my best image so far. The composition is quite simple and the rather dark stone is framed by the brighter water.

Untitled

Final Words

Okay, this article turned out to be more of a self- critique. I certainly gained some interesting thoughts from it, I hope it gave some ideas to you, the reader as well.
I would like to hear your ideas and opinions as well, just leave a comment!

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I like to be outside with my camera and I am also a gear head with a love for manual lenses.

8 thoughts on “Exploring a subject – Intimate Landscapes”

  1. I disagree about which of your oak images is stronger – the first one does the best job of isolating the chaotic pattern of the branches. Since the lines are all curved, the only dissonance is misalignment of lit and dark areas, which I think resolves well.

    I really like the progress of photos with the weir – especially once you got your feet wet. I discovered a similar thing in June when attempting to shoot a bath in a brook – the only way to get strong lines from shooting wide without having background in the way was to stand neck-deep in the water, shooting the subject point blank. I think in general the wide lenses force me to work the hardest for the shot, but also drive me to find better perspectives.

      1. Thanks for the reference to Tim’s post, it was an interesting and revealing read. My friend has a similarly methodical approach to photography, I like to call it “intellectually-driven”, which I’ve been trying to mimic a bit for learning purposes.

        I find it interesting that your complaint about some of your images is that they are too complicated. I certainly hear this idea from other sources also, but when we show a photograph that the artist finds too complicated to a layman, and they find it boring – they’ll just say so. Boring, nothing there.

        On the other hand, when we look at very fine works of art, we don’t necessarily tout how simple it is (only some times). Often enough the positive words in use are “complexity”, “sophistication”.

        Given this asymmetry, I wonder if the issue is indeed complexity, or there is a better way to think about the problem. My experience with shooting has largely been around New England in USA, and in many frames I’ve taken the issue was no with complexity – but excess of unorganized details. Entropy. Given that you find yourself also shooting around deciduous forests with a very busy forest floor, how do you deal with the challenge introduced by the chaos on the ground?

      2. Danke für den Hinweis auf Tim Parkin! Das sind so Juwelen des Internets und der Fotografie, auf die man mit Google einfach nicht stößt. Und er macht echt gute Fotos! Die Landschaft in Schottland (oder Wales?) scheint echt was herzugeben, was man bei der agrar- und industriegeprägten Landschaft Deutschlands einfach nicht findet.

  2. An inspiring piece, Phillip! What strikes me most is that you try angles and compositions which I would never imagine. Try, try again, and try some more. Shoot, and shoot more. I shall try to remember that the next time I think I am done shooting a certain subject. And your last shot is indeed absolutely superb!

  3. This type of article is excellent, it helps remind me that photography is great in so many ways and is more than the sum of ones gear. I know this one is rather old, but know that it’s still an inspiration, thank you.

  4. Agree, I am also several hours away, in Southern Arizona, from the classical grand landscapes of Northern Arizona. So instead I have continued to go out closer to home, some times no more than 10 Km to some very familiar places and take photos there, in the same area as before, but I also try to see the different angles, try to capture different light, etc. Just using different lenses can be used as a way to expand or at least, to challenge your creativity. You can’t improve if you don’t take more photos, out there in the field, and if you don’t like the results one day, go back another day. Thanks Phillip for your article.

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