Sony A7s | Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter | f/1.7 | higher resolution
For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…
In the Bag
As I wasn’t bound by airline carry on restrictions this time I brought a little more gear than usual. For astrophotography I carried my trustworthy Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Zeiss Loxia 21mm 2.8, Voigtlander VM 35mm 1.7 + 5m filter and my Samyang 14mm 2.8. I also carried a very sturdy Gitzo Series 4 tripod and of course a remote trigger.
The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.
On the Easter weekend 2016 I was rather spontaneously visiting famous Cinque Terre in Italy. The weather forecast was quite alright, but as I was only on a two night stay, I had very limited time (and blue hours) so I had to make the best of it…
Hi Bastian, can you tell us a little bit about yourself and why you use manual Lenses?
Bastian: I am a bridge engineer from Germany and my lovestory with manual lenses began with the 50mm 0.95 Mitakon and the 12mm 5.6 Voigtlander used with the Sony A7. I couldn’t believe it being possible to get consistently sharp results with a lens like the 50mm 0.95 after I have so badly failed using an Ai-s Nikkor 50mm 1.2 on my D800 (which was even equipped with an EG-s focusing screen). The 12mm 5.6 on the other hand was a total relief in terms of size and weight and so I was hooked. Right now I have sold almost all of my Nikon gear. If you are curious you can read the whole story here: my transition from Nikon to Sony.
It is also a matter of fact that by the time I was using manual lenses I realised I don’t need AF for most of what I am doing and so today I am confident enough to even shoot weddings without AF lenses.
This is the first part of a new series in which we portrait amateur photographers just like us who inspire us and who share our passion for photographing with manual lenses.
We decided to test our concept on ourselves first, initially we didn’t intend to publish it but since we liked the product we decided to publish it. So don’t be surprised by me answering my own questions ;).
Hi Phillip, can you tell us a little bit about yourself and how you came to use manual lenses? P: I am a student from Germany and I bought my first DSLR in 2006. In September 2011 I bought a used Nex-3 for a little over 100€ to use some of the cheap Minolta Rokkors I owned on a digital camera. I fell in love with my manual lenses instantly. Suddenly I could afford really good primes while before I was limited to slow, cheap zooms! So much more creative freedom.
I also enjoyed the new, slower but more conscious process and I saw a very quick progression in my own skills at that time. I hardly touched my Canon after that.
I was a gear-head before but now I could discover so many thousands of manual lenses no one had really tested on a digital camera ever before so I started my quest to discover learn as much about those manual lenses as possible. First I published my findings in forums until I started my own blog in early 2014 which has taught me a lot.
Here are a few images from when I started to use manual lenses back in early 2012:
The Minolta MD 1.4/50 was my first standard lens, I bought it for less than 50€.I got the Minolta MC 4/200 for 26€ back in 2011 and it was sharper and faster than any zoom I could have bought.Minolta MD 4/100 bought for 80€, I used it for landscape and macro photography on this trip with very good results but I wasn’t a fan of the handling.
