Brenizer or Bokehpanorama is a panorama technique to get a wide angle shot with the much better bokeh of a longer tele lens. In this article I will show you what it is all about and which lenses work best.
By using longer lenses and taking a panorama you can simulate the look of fictional, wider, very fast lenses that are not even technically possible to build.
Continue reading The best lenses for Brenizer / Bokehpanoramas
For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…
As I wasn’t bound by airline carry on restrictions this time I brought a little more gear than usual. For astrophotography I carried my trustworthy Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Zeiss Loxia 21mm 2.8, Voigtlander VM 35mm 1.7 + 5m filter and my Samyang 14mm 2.8. I also carried a very sturdy Gitzo Series 4 tripod and of course a remote trigger.
Continue reading Making of series part 3: “Milky Valley” with Voigtlander 1.7/35
The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.
On the Easter weekend 2016 I was rather spontaneously visiting famous Cinque Terre in Italy. The weather forecast was quite alright, but as I was only on a two night stay, I had very limited time (and blue hours) so I had to make the best of it…
As usual when on a trip I was using my Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Nikon AF-S 20mm 1.8G, review sample of the Zeiss Loxia 35mm 2.0, Voigtlander Nokton 50mm 1.5 and the Leica Summicron 90mm 2.0. In the upper compartmend I also carried a Nikon Ai-s 180mm 2.8 ED which I didn’t use once on the trip (therefore sold now). I also carried a small Gitzo traveler tripod, a mini tripod and a few filters. With the small lenses the backpack still has some space left for water and food. Now even more, as I won’t carry a longer tele anymore…
A german version of this article can be found here.
Continue reading Making of series part 2: “Vernazza” with Zeiss Loxia 2.0/35
Bastian: I am a bridge engineer from Germany and my lovestory with manual lenses began with the 50mm 0.95 Mitakon and the 12mm 5.6 Voigtlander used with the Sony A7. I couldn’t believe it being possible to get consistently sharp results with a lens like the 50mm 0.95 after I have so badly failed using an Ai-s Nikkor 50mm 1.2 on my D800 (which was even equipped with an EG-s focusing screen). The 12mm 5.6 on the other hand was a total relief in terms of size and weight and so I was hooked. Right now I have sold almost all of my Nikon gear. If you are curious you can read the whole story here: my transition from Nikon to Sony.
It is also a matter of fact that by the time I was using manual lenses I realised I don’t need AF for most of what I am doing and so today I am confident enough to even shoot weddings without AF lenses.
Continue reading The Manual Photographers Series Part 0.2: BastianK