Category Archives: The creative process

Working with Tilt/Shift lenses

Introduction

canon tilt shift ts-e pc-e perspective control TS T/S sony adapter how to
Canon TS-E 17mm 4.0L via Sigma MC-11 on Sony A7rII

Tilt/Shift lenses are rather exotic, they are mostly used for architecture or table top photography, and with the wide availability of post processing (correcting converging vertical lines and focus stacking) you see them very rarely nowadays, even amongst professional photographers .
In this article I will tell you what Tilt/Shift lenses are all about and what they can be used for.

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How to: Create Environmental Portraits

Introduction

Sony A7rII |Voigtlander VM 35mm 1.7 +5m PCX | f/1.7

With the Sony FE 24mm 1.4 GM hitting the shelves soon and the ongoing Instragram hype it might be a good time to talk a bit about environmental portraits.
What is an environmental portrait and what is the difference compared to a normal portrait? Which lenses work best? Which mistakes I made in the past but you can already avoid today?
These are the questions I will try to answer in this article.

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The best lenses for Brenizer / Bokehpanoramas

Introduction

bokeh panorama bokehpanorama brenizer bokehrama mechanical vignetting guide review
Sony A7s | Canon EF 135mm 2.0L | 55m f/0.81 equivalent

Brenizer or Bokehpanorama is a panorama technique to get a wide angle shot with the much better bokeh of a longer tele lens. In this article I will show you what it is all about and which lenses work best.

What is a Brenizer/Bokehpanorama?

bokeh panorama bokehpanorama brenizer bokehrama mechanical vignetting guide review
4×9 single shots before stitching in Microsoft Image Composite Editor

By using longer lenses and taking a panorama you can simulate the look of fictional, wider, very fast lenses that are not even technically possible to build.

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Making of series part 3: “Milky Valley” with Voigtlander 1.7/35

milky way astro astrophotography twan dark night stars milchstraße valley dolomites italy sony a7s voigtlander 35mm 1,7 asph ultron
Sony A7s | Voigtlander VM 35mm 1.7 Ultron + 5m PCX filter | f/1.7 | higher resolution

For decent Milky Way shots you need really good conditions – which don’t come often – and a good location. Regarding the latter I decided to go for the Dolomites in Italy, so I followed the weather forecast for quite some time and one weekend the conditions were finally said to be what I needed, so I decided to go there and challenge my luck…

In the Bag

As I wasn’t bound by airline carry on restrictions this time I brought a little more gear than usual. For astrophotography I carried my trustworthy Mindshiftgear rotation 180 panorama* backpack. In the belt comparment I was carrying my A7s, Zeiss Loxia 21mm 2.8, Voigtlander VM 35mm 1.7 + 5m filter and my Samyang 14mm 2.8. I also carried a very sturdy Gitzo Series 4 tripod and of course a remote trigger.

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Best lenses for Sunstars

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Zeiss Loxia 21mm 2.8 | f/11 | 10 straight blades

The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.

Sample Images

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Zeiss Loxia 21mm 2.8 | f/5.6 | 10 straight blades
sunstar sun sunburst blendenstern diaphragm stroke 10 7 8 14 18
Zeiss Loxia 35mm 2.0 | f/11 | 10 straight blades
sunstar sun sunburst blendenstern diaphragm stroke 10 7 8 14 18
Zeiss ZM 35mm 1.4 Distagon | f/11 | 10 straight blades

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