Category Archives: The creative process

Best lenses for Sunstars

sunstar sun sunburst blendenstern diaphragm stroke 10 7 8 14 18
Zeiss Loxia 21mm 2.8 | f/11 | 10 straight blades

The shape and appearance of sunstars is very important for landscape and architecture photographers. For some of them, they are even a defining element in their photos. Sunstars can appear around strong point light sources under certain circumstances, in this article I will talk about how to get them and how certain lenses (being more specific: number and shape of aperture blades) can influence their rendering.
Last update: July 2020

Sample Images

sunstar sun sunburst blendenstern diaphragm stroke 10 7 8 14 18
Zeiss Loxia 21mm 2.8 | f/5.6 | 10 straight blades
sunstar sun sunburst blendenstern diaphragm stroke 10 7 8 14 18
Zeiss Loxia 35mm 2.0 | f/11 | 10 straight blades
sunstar sun sunburst blendenstern diaphragm stroke 10 7 8 14 18
Zeiss ZM 35mm 1.4 Distagon | f/11 | 10 straight blades

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A Photography Ride through Spring

So, Phillip: You haven’t published an article for three months: Where have you been? Well I sat in front of my PC for work a lot but I also was out in nature on my bike with a camera bag on my back.

Enjoying the freedoms C19 left

16.3.20: The first day schools were closed in Germany

I am a teacher so my daily routines changed completely with the closure of schools: I had no longer to be in school by 8am which gave me the freedom to do early morning rides but at the same time my workload increased significantly since new formats had to be developed to fit the new setting, individual feedback took a lot of time and digital tools had to be deployed and colleagues trained in them. So my hours in front of the PC increased a lot, so much so that it would have been stressful to invest even more hours to produce any blog content. A big thanks to Bastian and also to David and Juriaan wo kept the blog alive in the last months.

While C19 took many liberties I tried to make the most of the liberties which C19 left. Riding my bicycle in the early hours when none is around was still allowed under our relatively liberal lockdown rules.To me there is no better place to find respite from the turbulences of life than getting up with the sun and riding through the forest on a cold morning or slightly less frosty evening all by myself. We also had very sunny weather for weeks which I used to experience and capture the spring like no spring before. I want to share some of the many pictures I took in this article.

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How I edit my Pictures – B&W, Vintage

Introduction

Leica M10 | Voigtlander VM 75mm 1.5 | f/1.5

I received quite a lot of feedback on my Leica M10 review especially regarding the B&W pictures – of which there were clearly more than there are usually to be found in my other articles – and I was asked to write a piece on how I process my B&W images. Then in the Voigtlander VM 35mm 1.2 III review people asked how I archive that vintage/film look, so I decided to combine both in one article.

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THE MANUAL PHOTOGRAPHERS SERIES PART 9: Hispan

manual photographers series hispan hungary budapest
Dr. Vintage – photo credits: Hegyi Júlia Lily

B: Hi Hispan, can you tell us a little bit about yourself and how you came to use manual lenses?

H: Originally I studied history at the university (my PhD is still in progress) but I’ve always been interested in theoretical physics and cosmology, which is a quite wide range of interest. Photography came to my life later, in 2011 to be exact, and I was using only modern lenses in the first 3 years. The beginning of my “vintage adventure” dates back to 2014, after I got my first “fast” Canon 1.4/50 USM lens, and I wasn’t really satisfied with the image quality.

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