Viltrox previously released the retro-styled, fully manual Vintage Z1 flash. Now the company has followed it up with a significantly improved model that adds features such as High-Speed Sync (HSS) and support for both Manual and Auto TTL modes.
As second lens for their “Ksana” series Thypoch decided to release a compact 35mm 2.0 M-mount lens with black paint finish. These Ksana lenses feature vintage coatings – to create a distinct color signature – but are otherwise modern designs. The Thypoch 21mm 3.5 Ksana proved to be a capable yet compact lens, will this Thypoch 35mm 2.0 Ksana follow its footsteps? Let’s find out in this review! This lens will be reviewed on the 42mp Sony A7rII and the 24mp Leica M10.
There are some lenses I would like to review one day, but the more interesting (read: rare and expensive) they are, the less feasible it is for me to buy them just to write a review.
Thanks to several readers here I already got the opportunity to remove several lenses from this list in the past, but there are still some left:
E-mount:
Sony FE 12-24mm 2.8 GMReview
Sigma 14mm 1.4 Review coming soon Sony FE 14mm 1.8 GMReview Sigma 17mm 4.0Review Samyang 18mm 2.8 AFReview Sigma 20-200mm 3.5-6.3 CReview Sony FE 20mm 1.8 GReview Samyang 24mm 1.8 AFReview
Voigtländer 28mm 2.0 Apo-Lanthar E
Sony FE 28-70mm 2.0 GM
Sigma 28-45mm 1.8
Sigma 35mm 1.2 II
Sigma 50mm 1.2
Sony FE 50-150mm 2.0 GM Sony FE 50mm 1.4 GMReview Samyang 50mm 1.4 AF MKIIReview Sony FE 50mm 1.2 GMReview Sony FE 85mm 1.4 GM MK IIReview
Samyang 85mm 1.4 AF MKII Samyang 135mm 1.8 AFReview
Choose the right lens for your Sony Alpha with the help of our independent knowledge gained by writing many in-depth reviews.
We have an in-depth knowledge of many of the lenses listed here not only because we have used them, but also because we have reviewed many of them in detail. We are also independent from any lens manufacturer and when you check our reviews you will see that we do not hesitate to name any shortcomings of a lens.
We will also talk about lens aberrations, if you don’t know too much about these terms maybe have a look at our article Lens aberrations explained first.
Originally the idea of this guide was to include all available fullframe E-mount lenses. The number of fullframe E-mount lenses has significantly grown over the years though, so that has become an impossible task.
From now on this article will only include lenses that we find currently recommendable. That will make this article much easier to navigate and read and therefore more valuable. It should also make it easier for us to keep it up to date, as we don’t have to waste a lot of time adding uninteresting or mediocre lenses anymore. I also removed most of the super tele lenses, as we have too little experience with them. The aim is to generally keep this article below 10000 words, which is still a whole lot.
Sigma 20-200mm 3.5-6.3 DG Contemporary on Sony A7rII
You haven’t seen (m)any reviews of superzoom lenses on this blog so far, because traditionally many of those ~10x zoom lenses were either lacking in terms of optical performance (e.g. Sony FE 24-240mm 3.5-5.6 OSS) and/or I personally didn’t find the focal length range particularly useful, often starting at 28mm (e.g. Tamron 28-200mm 2.8-5.6 Di III RXD). Furthermore, if you want to review such lenses properly, it takes a lot of time and effort, equal to reviewing several prime lenses.
With its unique focal length range this Sigma 20-200mm 3.5-6.3 DG Contemporary intrigued me though, but can the performance of such a bold design be any good? I ultimately decided to buy one and see for myself how it performs, so here we are.
Sony α | Leica M | Nikon Z/F New articles every week
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I tested this flash on a Fujifilm X-S20. Macros with a Raynox DCR-250 attached to a Viltrox 56mm f/1.2
