I already had a look at Fujichrome Provia 400x and this time we will have a look at its predecessor, Provia 400F, another “half-Tungsten” higher ISO slide film.
Processing (E-6) was done at ProLab in Stuttgart, scanning was done by one of our readers via a DSLR. The pictures you see in this article are from one roll.
Continue reading Analogue Adventures – Part 46: Fujichrome Provia 400F (expired)
At the end of the DSLR era, Irix set out to compete with Samyang (with their XP series) and Zeiss (with their Otus and Milvus series) in the segment of higher end manual focus lenses. Somehow I didn’t come across reviewing any of those Irix lenses yet, but that is about to change now. Will this Irix 45mm 1.4 Dragonfly be a pleasant surprise? Let’s find out in this review.
In 1979 Nikon released a lineup of cheaper manual focus lenses called “Series E” instead of “Nikkor”. Today we will have a closer look at the Nikon 50mm 1.8 Series E, probably the most popular lens of that series and definitely the smallest.
Interestingly out of the big camera manufacturers of the (D)SLR era only Nikon ever produced a 28mm 1.4 fullframe lens. They started in 1993 with the world’s first lens with these specifications, the Nikon AF 28mm 1.4D, and then released an updated version in 2017, this Nikon AF-S 28mm 1.4E. It was one of their last f/1.4 primes still designed for DSLRs, so let us find out what it is capable of in this review.
The Sigma 105mm 1.4 DG HSM Art was one of Sigma’s last flagship lenses designed for DSLRs and one of the few that hasn’t seen a successor designed for mirrorless cameras yet. If you read my review, you know it is an impressive lens, but I still had some reservations calling it the “Bokeh Master”. Now I get the feeling someone at Sigma read my comment and decided to take it as a challenge by designing this Sigma 135mm 1.4 DG Art – the actual “Bokeh Master”. To me, this is one of Sigma’s masterpieces, so let’s have a closer look!
Continue reading Review: Sigma 135mm 1.4 Art DG – The actual Bokeh Master