Often sold as kit lens, the Sony FE 28-60mm 4.0-5.6 is the most compact zoom lens you can find for your fullframe E-mount camera. These kit lenses often perform better than people think, but is that also the case for this cheap retractable one, that can often be found for less than 200 bucks? Let’s find out in this review.
With its Contemporary “i” series primes Sigma tries to find the balance between moderaly fast maximum aperture, moderate size and metal casing with external controls. I already reviewed the Sigma 17mm 4.0 DG DN C before, this time I will have a look at the Sigma 24mm 2.0 DG DN C. There is strong competition in this field, so let’s find out who this Sigma lens is for.
The Sony FE 50mm 1.4 GM is a lens I surely hadn’t expected when it was released – especially only two years after the Sony FE 50mm 1.2 GM hit the market. Some people say this one is better than the half-a-stop faster f/1.2 lens, but is that really the case? Let’s find out in this review!
Sony managed to significantly reduce the weight of their 70-200mm 2.8 zoom with its second iteration, leaving less room for an f/4.0 version below that. With the weight difference between the f/2.8 and this f/4.0 lens being a mere 250g, Sony had to find another way to make this Sony FE 70-200mm 4.0 G Macro OSS II more attractive and they tried to do that by adding a 1:2 macro feature. But was that enough? Let’s find out in this review.
Continue reading Review: Sony FE 70-200mm 4.0 G Macro OSS II
Sometimes when new lenses are being announced they sound too good to be true and here that was certainly the case: the Sony FE 16mm 1.8 G has a lower MSRP than the already amazingly great Sony FE 20mm 1.8 G while being similarly sized. But not enough: it is “only” 2 mm less wide than the higher priced and much bigger Sony FE 14mm 1.8 GM which doesn’t even feature a filter thread. Is this the perfect ultra wide angle prime for fullframe Sony E-mount cameras? Let’s find out in this review.
