To me, fast 28mm fullframe lenses are very useful. No matter where I go, I either carry a fast 28mm or a fast 35mm lens. When it comes to the 28mm focal length we are not exactly blessed with great options though. I gathered six of those ranging from f/1.2 to f/1.5 and will compare them, to give you an idea which might work best for your needs.
Continue reading Comparison: Fast 28mm f/1.2 | f/1.4 | f/1.5 Fullframe Lenses
If you ask all the photographers, which single prime lens they would choose if they could own only one lens in the world, the majority would say the 35mm, and most of the rest would say a fast 35mm. This is because it is one of the most versatile prime lenses. Although it’s a wide-angle lens, it is sometimes referred to as the alternative normal lens because it is so close to the standard focal length that it does not distort the subject much. With such lenses, you can also get a good background separation with a nice bokeh. They are useful in almost all kinds of photography, especially in everyday photography, street photography, environmental portraits, landscapes, weddings, events, and travel. Additionally, it works well for stitched astrophotography.
Its popularity has led to numerous 35mm lenses being produced by various manufacturers from the early days of photography to the modern era. In this article, I will compare six of them, from vintage to old to new. Let’s have a look together!
Do you want to use Sony E mount lenses on your Nikon Z cameras? Maybe you want to switch systems and go from Sony E to Nikon Z, but you have some or many Sony E lenses you want to keep and use. Or maybe you just like one of the Sony GM lenses or a lens from a 3rd party that is available in Sony E but not in Nikon Z? No worries, for any reason it is, you can use Sony E lenses on your Nikon Z camera through a mount adapter.
I have been using two adapters; Megadap ETZ21 PRO and Techart TZE-01. I compare them against each other and give you my thoughts here. Let’s have a look!
The M-mount seems to be more popular than ever, thanks to plenty of manufacturers – old and new – from Europe, Japan and China designing and releasing countless of new lenses every year for this bayonet.
Super fast 50mm lenses are especially popular here, so many manufacturers designed one as their “flagship” lens.
Thanks to a reader and very cooperative companies I managed to get 6 of these lenses on my table at the same time, so let’s see what each of them is good at – to help you figure out which one might work best for your needs.
We summarize our experience with all the native E-mount and a few manual legacy lenses in the 9-18mm bracket to give you a compact and independent resource for choosing the right super- to ultra-wide-angle lens for your Sony A7 cameras. In this summary we also included some adapted lenses we think are worth mentioning.
We also have a general guide to FE lenses, guide to 20-28mm lenses as well as a guide to 35mm lenses, 50mm lenses and 85-135mm portrait lenses.
We have no association with any lens manufacturer apart from occasionally loaning a lens for a review. Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market.
Many of these lenses are manual focus only (MF) whereas some of them feature auto focus (AF). There is also a noticeable amount of lenses listed here that do not feature electronic contacts to communicate with the camera (no Exif).
If we have left any question unanswered please leave a comment or contact us on social media and we will do our best to answer it.
Last update: November 2023, 7Artisans/Brightin Star 9mm 5.6 added, Sony FE 16-35mm 2.8 GM II added, Sony FE 12-24mm 2.8 GM and Sony FE 14mm 1.8 GM updated
Continue reading Guide to Ultra Wideangle lenses for the Sony A7/A9/A1 Series