Having a state of the art 70-200mm 2.8 zoom is something very important for the camera manufacturers, as these are extremely popular lenses. This Nikon AF-S 70-200mm 2.8E FL ED VR is the last one that has been released for the F-mount and after the predecessors – that all had at least one outstanding drawback – this one finally hit the mark. Let’s have a closer look!
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During the SLR era Tokina had a bit of a thing for 17mm 3.5 ultra wide angle lenses, as they made three different iterations of it. This is a review of the latest one and the urban legend says that the older manual focus version is actually the better performer. I always found that hard to believe, so I thought it was a good idea to find out myself. So let’s have a closer look at this Tokina 17mm 3.5 AF AT-X Pro.
The Nikon AF-S 35mm 1.8G had been released in 2014 as cheaper alternative to the more expensive and heavier Nikon AF-S 35mm 1.4G from 2010. The 35mm 1.4G was a rather weak entry in Nikon’s AF-S prime lineup. Is this 35mm 1.8G actually the better lens? Let’s try to find out in this review.
Nikon made three manual focus f/1.2 lenses for the F-mount and the most famous one is undoubtedly this Nikon 58mm 1.2 Noct-Nikkor, often referred to as “the Noct”. What makes it special is its hand ground aspherical element, something you didn’t see often in 1977. Let’s have a closer look at this legendary lens!
Zeiss offered a wide variety of manual focus lenses for Nikon F-mount and Canon EF. Many of these lenses have been famous not only for being purely manual focus lenses, but also for being pretty big compared to the competition. Sitting inbetween the huge Zeiss 15mm 2.8 and 21mm 2.8, this Zeiss 18mm 3.5 was Zeiss’ “compact” ultra wide angle prime. It also has a reputation for being the worst of them, is that justified? Let’s find out in this review!
