Speedboosters are still somewhat popular among videographers, but since these days used fullframe cameras are very affordable, this is not really the case for still photographers anymore. They can be used for some creative shallow depth of field photography on fullframe cameras though, and that is what we will have a look at here.
After the first fullframe E-mount cameras hit the market there was a lot of marketing fluff from the competitors that the E-mount was too narrow for fast high performance lenses. I cannot help but think this Sony FE 50mm 1.2 GM had mainly been designed to prove them wrong and from everything I can see it more than succeeded at that, but let’s have a closer look.
Thypoch is a new manufacturer of photography lenses and entered the market at the end of 2023 with two M-mount lenses, the Simera 28mm 1.4 and 35mm 1.4. This is a review of the 35mm 1.4, so let’s have a closer look at what it is capable of.
It was the beginning of 2019 when I published my first review of a 7Artisans lens, the 28mm 1.4 FE+ – an M-mount lens optimized for Sony E-mount. Now, 5 years later, this 7Artisans 50mm 1.8 AF is their first autofocus lens. Let us find out what it is capable of.
As you may or may not know there have been several different versions of the Nikon AF 180mm 2.8 over the years. Most notable was the addition of the “D” feature in 1994, allowing the lens to transmit distance information to the camera for more accurate usage of camera flash. As this lens was first released in 1986 some of the samples approach an age of 40 years. As with every product that old, there are some things to be aware of when you are looking to buy a used sample. One of our readers, Q. Xu, did a side-by-side teardown of both versions, so we get to have a closer look at the differences between these versions and what to watch out for.
Of course this article may also be of help if you are looking to perform some kind of repairs on this lens on your own.
Continue reading Nikon AF 180mm 2.8(D): Versions, Teardown and Repair Guide