After the Sony FE 40mm 2.5 G and the TTArtisan 40mm 2.0 AF we now have a third compact 40mm lens with AF: the 7Artisans 40mm 2.5 AF. Let’s find out in this review how it compares to its competitors.
While Sigma is mostly famous for their series of fast and big “Art” lenses they also offer a lineup of more compact and more affordable “Contemporary” lenses. At the time of writing this review, the widest prime entry of that series is this Sigma 17mm 4.0 DG DN Contemporary. Let’s have a closer look and also see how it compares to the Viltrox AF 14mm 4.0 FE Air.
Many of the new manufacturers from China decided to start with all manual lenses and often of moderate specifications. With this Songraw 50mm 1.2 Moonlit the story is different: a complex autofocus 50mm lens with a maximum aperture of f/1.2, only Sony and Sigma released a lens with these specifications for the E-mount yet. But can a lens as ambitious as this from an unknown manufacturer actually be any good? Let’s find out in this review.
The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out!
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Last Update: March 2026
Sony managed to significantly reduce the weight of their 70-200mm 2.8 zoom with its second iteration, leaving less room for an f/4.0 version below that. With the weight difference between the f/2.8 and this f/4.0 lens being a mere 250g, Sony had to find another way to make this Sony FE 70-200mm 4.0 G Macro OSS II more attractive and they tried to do that by adding a 1:2 macro feature. But was that enough? Let’s find out in this review.
Continue reading Review: Sony FE 70-200mm 4.0 G Macro OSS II