Many of the new manufacturers from China decided to start with all manual lenses and often of moderate specifications. With this Songraw 50mm 1.2 Moonlit the story is different: a complex autofocus 50mm lens with a maximum aperture of f/1.2, only Sony and Sigma released a lens with these specifications for the E-mount yet. But can a lens as ambitious as this from an unknown manufacturer actually be any good? Let’s find out in this review.
The king is dead, long live the king! After the Voigtlander 10mm 5.6’s field of view has been matched by the Samyang 10mm 3.5 XP and the Laowa 10-18mm 4.5-5.6 it has now been surpassed by this Laowa 9mm 5.6 FF-RL. Can a lens be wider and at the same time better? Let us try to find out!
Lens is being tested on 42mp Sony A7rII and 24mp Leica M10
Last Update: March 2026
Sony managed to significantly reduce the weight of their 70-200mm 2.8 zoom with its second iteration, leaving less room for an f/4.0 version below that. With the weight difference between the f/2.8 and this f/4.0 lens being a mere 250g, Sony had to find another way to make this Sony FE 70-200mm 4.0 G Macro OSS II more attractive and they tried to do that by adding a 1:2 macro feature. But was that enough? Let’s find out in this review.
Continue reading Review: Sony FE 70-200mm 4.0 G Macro OSS II
The Sigma 105mm 1.4 DG HSM Art was one of Sigma’s last flagship lenses designed for DSLRs and one of the few that hasn’t seen a successor designed for mirrorless cameras yet. If you read my review, you know it is an impressive lens, but I still had some reservations calling it the “Bokeh Master”. Now I get the feeling someone at Sigma read my comment and decided to take it as a challenge by designing this Sigma 135mm 1.4 DG Art – the actual “Bokeh Master”. To me, this is one of Sigma’s masterpieces, so let’s have a closer look!
Update 01/26: more samples added, AF section updated
Continue reading Review: Sigma 135mm 1.4 Art DG – The actual Bokeh Master
The “Evo” series is a new lineup of Viltrox lenses positioned between the “Pro” and “Air” lineups. This series seems to combine the build quality and controls of the “Pro” lenses with a slightly slower maximum aperture like the “Air” lenses while maintaining very high image quality – similar to the Voigtländer Apo-Lanthar series or Sigma’s Contemporary primes. Let’s find out what the first entry of this series – the Viltrox AF 85mm 2.0 Evo FE – has in store for us.
