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The manual photographers series part 1: Dan Noland

In this series we interview amateur photographers just like us, who inspire us and who share our passion for photographing with manual lenses.

Mitakon 50 0.95, f0.95
Mitakon 50 0.95, f0.95, by Leonie Bellé

Hi Dan,
can you tell us a little bit about yourself and how you came to use manual lenses?

D: I’m studying mechanical engineering at the RWTH Aachen. Besides my studies and my work as mechanical designer at a young high tech kickoff of the Fraunhofer ILT Aachen I take photos and make music.

I started with photography about 7 years ago. At this time I owned a Lumix FZ18 – a bridge cam. I was really annoyed by it after some time, it felt like the cam made the photos and not me. There was nothing left for me to do except framing, the auto focus just had its own will and the super zoom made it too easy. To take control of the image I used a lot of Photoshop.

At some point this did not satisfy me anymore. I wanted to create an image, to make the camera do what I wanted it to do. So about 5 years ago I bought a NEX 5N with the 18-55 kit lens. While this combination was no real change to my FZ18, I could also use some old FDs from my dad.

Using the Nex-5n with the old FDs was what I had wanted all along. No more pumping auto focus and no more miss focused images.
I started testing and collecting FDs and I do so til today. Legacy lenses were and are the best compromise between price and performance. Besides some of them do have real unique characteristics.

My 5N accompanied me about 2 or 3 years but I was complaining about bad image quality at low light situations a lot. So I decided that the best thing to do would be to buy an a7 and that’s what I did. It was indeed a boost in lowlight for several reasons.

First the sensor is bigger and therefore it is better at those situations by its own. Second my old FDs were made for fullframe and now I could use their full potential. I owned some f/1.2 and this light boost seemed pretty much insane to me. Til today I’m happy with my A7. I never anticipated to buy an AF lens and I think I never will. I shot a wedding, various model shootings, a band shooting and take everyday footage of my family… of young and wild kids.

Mitakon 50 0.95, f0.95
Mitakon 50 0.95, f0.95

I don’t miss any little helper besides the things my A7 already does and the only thing that a A7II could do for me would be the IBIS. Photography has becomea big part of my life and I hope to lift my hobby up to the next level in the future.

Can you give us a look into your camera bag and tell us a little about your gear?

Continue reading The manual photographers series part 1: Dan Noland

Review: Zhong Yi Mitakon 50mm 0.95 Dark Knight

Introduction

mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7s with Mitakon 50mm 0.95 “Dark Knight”

The Zhong Yi Mitakon 50mm 0.95 Speedmaster “Dark Knight” is a very fast 50mm lens with the staggering maximum aperture of 0.95. Compared to the Leica Noctilux this lens is very cheap, on absolute terms it isn’t, so find out whether this lens is worth the asking price!

Sample Images

mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7s |Zhong Yi Mitakon 50mm 0.95 | f/0.95 | higher resolution
mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7s |Zhong Yi Mitakon 50mm 0.95 | f/0.95 | higher resolution
mitakon 50mm 0.95 zhong yi optical dark knight speedmaster a7 series a7rii a7r2 a7rm2 a7s sony e-mount fe
Sony A7 |Zhong Yi Mitakon 50mm 0.95 | f/0.95 | full resolution

Continue reading Review: Zhong Yi Mitakon 50mm 0.95 Dark Knight

Review: Jupiter-12 35mm 2.8

Introduction

Sony A7s with Jupiter-12 35mm 2.8 and VM-E close focus adapter (Helicoid)
Sony A7s with Jupiter-12 35mm 2.8 and VM-E close focus adapter (Helicoid)

The Jupiter-12 35mm 2.8 is a copy of the Zeiss Biogon 35mm 2.8 and was produced in the UDSSR after WWII. The Jupiter lenses belong to the very few “lowcost” rangefinder lenses, but what do they have in store in terms of optical quality? Read on to find out.

Sample Images

jupiter-12 35mm 2.8 sony a7s sony-e mount stuttgart blue hour opera oper
Sony A7s | Jupiter-12 35mm 2.8 | f/11 | full resolution
jupiter-12 35mm 2.8 sony a7s sony-e mount schwarzwald black forest long exposure nd filter
Sony A7s | Jupiter-12 35mm 2.8 | f/11 | full resolution
jupiter-12 35mm 2.8 sony a7s sony-e mount stuttgart
Sony A7s | Jupiter-12 35mm 2.8 | f/2.8 | full resolution

Continue reading Review: Jupiter-12 35mm 2.8

Review: Pentax K SMC 28mm 1:3.5

Pentax SMC 3.5/28 K front

The Pentax is a rather small and affordable 28mm lens and  Pentax had a reputation for their very effective coatings. Read on if you want to know why I like it so much on my 24MP fullframe Sony a7.

Specifications

  • Diameter: 63mm
  • Length: 47mm
  • Weight: 261g
  • Filter Diameter: 52mm
  • Number of aperture blades: 5
  • Close Focusing Distance: 0.3m
  • Mount: Pentax K

The Pentax K SMC 1:3.5/28 usually sells for around $45-90 at ebay.com (affiliate link). 
In Germany you can buy it for 40-85€ at ebay.de (affiliate link). 

Sample images

Sony a7 | Pentax SMC K 1:3.5/28 | f/11 | full resolution
Sony a7 | Pentax SMC K 1:3.5/28 | f/11 | full resolution
Sony a7 | Pentax SMC K 1:3.5/28 | f/11 | full resolution
Sony a7 | Pentax SMC K 1:3.5/28 | f/11 | full resolution
Sony a7 | Pentax SMC K 1:3.5/28 | f/3.5 | full resolution
Sony a7 | Pentax SMC K 1:3.5/28 | f/3.5 | full resolution

Continue reading Review: Pentax K SMC 28mm 1:3.5